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London-based guitarist and producer Leo Abrahams and NYC master musician (and boss of figureight records) Shahzad Ismaily unite for a unique imagining of guitar music on Visitations. The work of two highly skilled, highly celebrated musicians, Visitations marks a curious, mysterious, uncanny collection of music, offering a take on guitar playing that snakes and collides with unexpected turns. It encourages - requires even - a deep listening experience, every discordance balanced with harmony, ev…
Scale, addresses issues of observation, embodied transferences, telepathy and duration employing swipes, knocks, resonators and hypnotic patternings on the acoustic harp with the less controllable sounds of radio waves, homemade synths and feedback. Inspired by the timings and sensations of natural phenomena including daylight’s slow emergence at dawn and the pulsing ambiance of ocean currents. Nature as both utopic and disruptive. Attention is situated in an often luscious, contemplative sonic …
"For the years Columbus was lucky enough to call him ours, drummer Ryan Jewell was our leading proponent of Emily Dickinson’s maxim “tell the truth but tell it slant.” He placed an idiosyncratic, indelible, and always swinging stamp on any context he assailed, from the insidiously catchy quirk of Terribly Empty Pockets to the righteous brainy scuzz-punk of Pink Reason to spacy evocative noise with collaborators like Mike Shiflet and C. Spencer Yeh to shepherding Psychedelic Horsehit through thei…
Detroit saxophonist Skeeter Shelton and Chicago percussionist Hamid Drake didn’t know each other before Skeeter was subbed into a duo gig at Trinosophes (Detroit) after Hamid’s partner fell ill. Shortly before the performance, it was discovered that Skeeter’s father, Ajaramu Shelton, was Hamid’s drum teacher and mentor at Chicago’s Association for the Advancement of Creative Musicians. There was an instant bond. The set that night was fire. This should be no surprise, as keeter, through his fath…
Calvin “Popcorn” Ward put out just one album and a couple of EPs during the height of his musical career, which were held in particularly high esteem by Soul and Funk afficianados in Europe, less so in the states where his work generally remained canned, a few singles and a coverless version of Prime Choice appearing in very limited quantity. His only other notable musical appearance from the time was a vocal cameo for the disco group Passion on their self titled album on Prelude, appearing on t…
From its earliest utterances, experimental music has been particularly disposed to transnational and cross-cultural collaboration. Seeking the answer for a fundamental problem - how to transcend the boundaries of difference, distance, and time - it presents a means to find common ground and communicate through the elemental form of sound. Over the last 5 years, this precisely what the duo of Félicia Atkinson & Jefre Cantu-Ledesma has achieved, intertwining sublime sonorities across the geographi…
Death Is Not The End presents London Pirate Radio Adverts 1984-1993, Vol. 1. The first volume in a two-part collection of pirate radio adverts & idents, taken from recordings of London stations between 1984 & 1993. Many thanks to Wayne Anthony, Simon Reynolds, Stephen Hebditch & The Pirate Radio Archive.
Featuring Mike Taylor (piano), Dave Tomlin (soprano saxophone), Tony Reeves (double bass) and Jon Hiseman (drums), this is the first ever release of a newly discovered tape of this legendary British jazz quartet’s final rehearsal before going into the studio to make their fabled Pendulum album in October 1965. Recorded in Taylor’s grandparents’ London living room by Reeves, it’s has striking presence and immediacy, and will fascinate all admirers of this most enigmatic of composers and musicians…
BArTc is London based experimental electronic audio visual artist Jason Barton, with his nom de plume comprising the symbols for three chemical elements - Boron (B), Argon (Ar) and Technetium (Tc) - while also giving nods to both Hungarian composer Béla Bartók and his own surname. 'Insubstantial As Ghosts' is Barton’s debut album and contains fourteen highly atmospheric soundscapes. Taking the title from a William Gibson novel that was also used in a citation about Sleeping Sickness (‘they neith…
**300 copies limited edition** "When the Nihilist Spasm Band's first album was released in 1968, no other band in the world recorded such a racket. For these Canadians, who had been practicing for three years in their London (Ontario) rehearsal room, the motto seemed to be to indulge in spontaneous sound creation, thus justifying the abolition of all limits in the de'bride's performances they organized every Monday night. Enjoying noise without hindrance turned out to be their only creed. The re…
Fieldwave, Vol. 2 is the second release in our compilation series created by broadcaster, sound collector and Nonclassical A&R consultant, Nick Luscombe, bringing together artists with field recording at the heart of their work. This second volume focuses on the sounds of Japan, with tracks from Japanese musicians and from British artists who have gathered recordings via trips to Japan.“I created the Fieldwave compilation series in 2020 as a window to the world of field recordings and wider acou…
* 100 copies limited edition, orange vinyl, includes a one-sided insert + a hand numbered envelope containing four additional prints * Continuing the reissue campaign of legendary synthesizer artist Enno Velthuys, we are proud to offer the Different Places LP. The original tape from 1987 was the second tape Enno produced for Exart and it was his last work before he disappeared into obscurity. By this time, he became disillusioned by the cassette network and his mental condition sadly deteriorate…
*2022 repress* Exmagma's eponymous first album, recorded in 1972 and released in 1973, reminds a lot of late '60s Soft Machine. Others compare the album to Wolfgang Dauner's output or tracks by Et Cetera. Exmagma's music goes beyond jazz and rock, using a wealth of effects and electronic gadgets. This reissue comes with a replica of the original 8-page insert and sticker.
**Limited to 300 copies** Stunning choral smoke from the ever wonderful Tape Loop Orchestra, here shedding the blissed drone energies of his best known material in favour of a more lucid expression of ideas constructed almost entirely from the human voice and bass pulses. If you were into that amazing Antonina Nowacka album earlier this year, or indeed Kara-Lis Coverdale’s peerless sacred variations, this one comes highly recommended. ‘Liminal Lungs’ finds Andrew Hargreaves shedding his pedals a…
Simon Shreeve’s doomiest moniker Mønic follows those killer Burial and Regis reworks from a few years back and adds to his Downwards stripes with a necessary vinyl edition packing both volumes of his recent ‘Trawler Tapes’ series originally issued digitally with his Osiris Music UK label, highly recommended to disciples of Kevin Drumm’s ‘Imperial Distortion’, The Conet Project, Thomas Köner or SAW II. Made on the English south coast and first issued into the strange high summer of 2020 lockdown…
Zar: Songs for the spirits is the second production of independent micro-label JuJu Sounds. The project focuses on building bridges between musicians from marginalised communities and niche audiences from around the world. The mission of JuJu Sounds is to revive valuable musical ecosystems, not just to sell exotic products.
* few copies in stock * Enrico Ascoli’s La Manigua is a fascinating creative construction drawing a vast number of field recordings captured in various locations over a number of years, placed in connection with more active instrumental sounds.Based in Paris but actively part of the scene that has grown up around Ivreatronic, Enrico Ascoli has traveled extensively to various geographies and remote areas, recording and creating sound for documentaries and podcasts. La Manigua, his latest LP, grew…
Cosmo, the working moniker of Marco Jacopo Bianchi, belongs to the fascinating, genre bending world that Ivreatronic has built around themselves. A pop singer by trade, whose last record, La Terza Estate dell'Amore, was issued by Columbia Records, Fermarsi is unlike anything the artist has created before or since. An adventure into experimental and ambient music, it illuminates what a skilled and versatile artist he is.Fermarsi was conceived as a form of sonic therapy roughly a year before the o…
**100 copies limited edition** "The idea behind Reiko is that it is a story about a city "scarred by the effects of climate change and burdened with the imminent threat of viruses" and a girl "who has her own demons. Anxiety, depression, a dead-end job. Wandering the streets, swallowed by a mass of commuters." Music for the end of times, but are we aware of this impending end? You could think this results in top-heavy depressing music, and while it is dark, it is not without hope. Nobuka has gue…
**250 copies limited edition** "Jon Doe One is the alias of Belgian composer and double bass player Hannes d’Hoine. His portfolio includes work with many different people and formations (you may know him as a member of Die Anarchistische Abendunterhaltung). Apart from that, he has composed music for dance, film, theatre, and other performances. As Jon Doe One he previously released two titles on Entr’acte. Sol Invictus is released on the Dutch Esc.rec. label. The liner notes tell the tale of d’…