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Fusing decades of underground New York jazz with contemporary electronics, Daniel Carter and N/UM’s Sphēra takes listeners on a spontaneous and daring journey through generations of improvised music. A telepathic meeting between the mellowed out, octogenarian free jazz legend and an experienced trio at the peak of their powers, Sphēra coalesces into a whole far exceeding the sum of its parts.
Reduced Price, last copies ** 2024 Much-needed repress, Llimited edition of 150 copies, silkscreened covers and printed insert. ** A hazy, claustrophobic bridge between minimalism, drone, creative conceptualism, ambient music, and noise, we’re thrilled to offer the first ever vinyl reissue of Nord’s “Psycotron - 1” - one of the greatest and most sought-after holy grails of early Japanese Noise. Recorded by Hiroshi Oikawa only a handful of years before his complete disappearance and originally i…
Newly remastered vinyl edition of this seminal 1972 release. In the history of experimental music, few artistic decisions have proven as radical or as successful as Florian Fricke's complete abandonment of electronic instrumentation on Popol Vuh's third album, Hosianna Mantra. Released in 1972, this stunning work represents not just a departure from the Moog synthesizer explorations that defined the group's first two releases, but a complete reimagining of what spiritual music could accomplish i…
Generic Flipper, the debut album by Flipper, remains the most absorbing full-length LP to emerge from the early San Francisco punk scene. A constant source of imitation for so-called "noise rock" bands, it has yet to be surpassed in its nihilistic glee. Recorded between October 1980 and August 1981 and released in 1982 on the indispensable Subterranean Records, this album functions as a chaotic, sticky mass of individual personalities: the magma-like bass eruptions and dual vocals of Will Shatte…
LAHAR is the new musical work of Bandung power duo KUNTARI, Indonesia. A deeply atmosferic, bone-melting session of ancestral doom sounds delivered by the contemporary Indonesian primal music specialists. LAHAR is a Javanese term which was adopted in geology to describe a violent type of mudflow or debris flow composed of a slurry of pyroclastic material, rocky debris and water. The material flows down from a volcano, typically along a river valley. Lahars are often extremely destructive and dea…
There's a story that gets to the heart of this record. Years ago, Keefe Jackson spent an evening with South African-Dutch legend Sean Bergin - the only time the two ever met. At some point Bergin told him: "Keefe, you remind me very much of my friend Ab Baars." Jackson replied that he'd heard this many times, that he'd even stopped wearing a certain hat to avoid the comparison. Bergin paused, then said: "These things happen." And so a band got its name - from a throwaway line that turned out to …
Ethiopiques 32: Nalbandian The Ethiopian resurrects Nalbandian The Ethiopian & Either/Orchestra as a blazing big‑band bridge between 1950s Addis and 21st‑century Boston, restoring Nerses Nalbandian’s forgotten Ethio‑jazz charts with cinematic force.
On Lola, Zbigniew Namysłowski Modern Jazz Quartet fuse blazing post‑bop with Polish highlander melodies, cutting a 1964 London session that became both a historic first outside the Iron Curtain and a cult artefact of fiercely local modern jazz.
On Light, Palle Mikkelborg condenses a lifetime of orchestral colour into a quietly radiant final opus: solo trumpet, flugelhorn and piano drift through self‑designed soundscapes, joined sparingly by harp and guitar, like hymns remembered in slow motion.
*Listed as one of the four most influential Jazz albums that happened to be released in 1959 (Dave Brubeck -Time Out & Charles Mingus -Ah Um among them), so much has been said and written about Miles Davis'Kind Of Blue, it's virtually impossible to summarize all the necessary info to the length of this page. We could simply list some facts (best sold Jazz album ever worldwide). We could try to explain why it's the best Jazz album ever made, but the music itself will do that to you.
As Bill Evans…
On Synthesizing: Ten Ragas to a Disco Beat, Charanjit Singh folds centuries of Hindustani tradition into a three‑box Roland future, crafting a 1982 raga‑disco séance that would lie dormant for decades before being hailed as proto–acid house and a cornerstone of South Asian electronic modernity.
Let us take you back. Waaay back. According to early Greek mythology, the three powerful sons of the god Kronos divided up the cosmos after overthrowing their father: Poseidon ruled the sea, Zeus commanded the heavens, and Hades reigned over the underworld. Conversely, this latest offering from the Atlantis Jazz Ensemble completes the group's corresponding trilogy - Oceanic Suite (2016), Celestial Suite (2023), and now Mystic Suite (2026). As you might expect, this Mystic Suite, inspired by Hade…
On Celestial Suite, Atlantis Jazz Ensemble stretch their spiritual soul-jazz into a full skyward arc, an unbroken studio suite where modal grooves, Afro-Latin currents and meditative codas move like one long, rising breath.
On Oceanic Suite, Atlantis Jazz Ensemble ride a warm, late‑night current of modal grooves and spiritual inflections, with trumpet, alto, Rhodes, bass and drums flowing together in live‑off‑the‑floor conversations that feel both loose and meticulously steered.
On Postcards from Arrakis, BeNe GeSSeRiT turn early‑’80s bedroom electronics into a fractured sci‑fi cabaret, where Alain Neffe’s minimal, skewed backdrops and Nadine Bal’s bilingual/imaginary vocal spills collide in short, surreal missives from a parallel cheap‑cosmic Belgium.
Huge Tip! Small repress. "I stood on top of the mountain and looked out over the landscape. It was so beautiful that my chest hurt. The light vibrated, time stood still, and the contours dissolved for a moment. Everything had changed; I felt it then. I took their little hands so as not to lose contact with the ground. Then we ran down the mountain, scraping our knees. Still, we didn't make it. You had already put away all the nautical charts, loosened the moorings and steered out among the skerr…
One of the most essential early documents of Japanese noise, originally recorded and mixed at home in 1980 and released in 1981 on cassette by Lowest Music & Arts, now given the physical treatment it always deserved: a 2LP set housed in a natural birch wooden box with laser print, hand-numbered edition of just 99 copies. Ninety-nine! With a double-sided 42 x 60 cm poster, heavy card insert reproducing the original master tape cover, and black cardboard strip with album credits. An art object, pl…
Bill Orcutt is back with what might be the most beautiful record in his 21st-century guitar quartet series. Music in Continuous Motion (Palilalia, LP/CD) pointedly steps away from the cut-and-paste constructivism of Music for Four Guitars into a sonic stratum that's - as Tom Carter writes - "yearningly melodic, resolutely human, and built for performance." Four guitars, twelve tracks, most hovering around two-and-a-half minutes each. No waste. No fat. Pure music.
Where Music for Four Guitars ope…
On Buenos Antwerp, Elko Blijweert and Anla Courtis turn a chance Borgerhout encounter into a two‑part psychedelic correspondence, one acoustic, one electric, a cross‑Atlantic guitar séance wrapped in Dennis Tyfus’ cut‑and‑paste visual delirium.
France's near-revolution of May '68 kicked the country's small but vibrant counter-culture into overdrive and birthed a local underground music scene. The bands it spawned made music with far less rock purity than groups from the UK and US - their influences foregrounded improvisation, disjunction and genre-blending: Soft Machine, Pink Floyd, Frank Zappa, free jazz and radical politics. The introduction of the synthesiser in the early 1970s added fuel to the fire. This six-track compilation inau…