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The Tinnitus Chorus, a new album from Michael Scott Dawson, is a collaborative ambient project reflecting on his personal experience with tinnitus. Joining forces with an eclectic cast from the worlds of experimental folk, jazz, and electronics, Dawson weaves tape loops, gentle melodies, and field recordings into a quietly unified journey through sound and vulnerability.
Kokoro no Kibi, the new release by Shoko Igarashi, is an album of ambient and electronic meditations inspired by the Japanese phrase for “the delicate nuances of the heart”. The Brussels-based composer and saxophonist blends gentle analog textures, improvisation, and subtle harmonic landscapes.
Ajomasé marks the influential debut of Gasper Lawal, legendary Nigerian percussionist, now presented in a vibrant reissue by Strut Records. Originally released in 1980, the album bridges Yoruba traditions and Western funk, propelled by layered drumming and energetic ensemble playing. Each track is infused with rhythmic invention and charismatic flair.
Pita Parka, Pt. II: Nim Egduf, the latest release from Dun-Dun Band, is a hypnotic excursion through polyrhythmic landscapes and global traditions. Guitarist Craig Dunsmuir leads a ten-piece ensemble in Toronto, weaving intricate ostinato riffs with jazz, Afrobeat, and ambient influences, resulting in a set of four expansive compositions that enchant and provoke.
Everything Is Possible, the third album from Peace Flag Ensemble, pushes the boundaries of jazz improvisation and ambient experimentation. Led by Jon Neher’s lyrical piano and complemented by subtle electronic flourishes from Michael Scott Dawson, the group’s ensemble dialogue traverses gentle melodic passages and unexpected textural turns, resulting in a collection that is both introspective and quietly assertive.
Orbital is the debut album from Orbital Ensemble, a Toronto-based jazz fusion group melding psychedelic grooves, Brazilian MPB influences, and intricate improvisation. The resulting LP weaves together melodic openness, vintage moods, and crisp ensemble playing, offering an immersive sonic experience that feels both exploratory and deeply rooted.
Broken Shoes, the reissued LP from Soweto, thrives on the vibrant interplay of jazz and funk, capturing an era where rhythmic conversation takes precedence over polished surfaces. With each groove, the band conjures a sense of lived experience, reframing classic township forms in a manner both contemporary and respectful of the genre’s roots.
Us by Byard Lancaster is a vibrant suite of improvisations driven by searching melodic motifs and propulsive rhythms. In a compact yet dynamic trio format, Lancaster’s alto saxophone and flute navigate territory mapped equally by jazz tradition and the pursuit of abstraction, making the album a crucial benchmark for fans of adventurous 1970s jazz.
Language At An Angle by Sam Wenc is a reflective exploration into the interface of sound, text, and performance, redefining the emotional and spatial possibilities of instrumentation. Renowned for upending genre expectations, Wenc crafts ambient textures and avant-folk motifs that subtly coalesce, inviting listeners into a contemplative sonic environment. The album distinguishes itself by merging Americana atmospheres with experimental nuance, embodying a distinctive voice within contemporary mi…
Trio Xenakis – comprising percussionists Adélaïde Ferrière, Emmanuel Jacquet, and Rodolphe Théry – presents Xenakis-Reich (Live) on B Records, a rigorous examination of two foundational approaches to contemporary percussion composition. This vinyl edition documents live performances that illuminate both the technical demands and philosophical substrates of works by Iannis Xenakis (1922-2001) and Steve Reich (b. 1936). The program opens with Xenakis's Okho (12:47), a seminal work for three djembe…
"A Composition of Agitprop Music for Electromagnetic Tape" by İlhan Mimaroğlu is a collage of political sound art blending revolutionary texts, manipulated electronics, and the vocal performance of Tülay German. Recorded from 1972–74, it transforms agitprop tradition into a radical meditation on freedom and dissent.
The Knight of Fools by The Grow reimagines post‑rock through dense guitar textures and emotive distortion. Released in October 2025, the debut album carves an electrified landscape of tension, grandeur, and melancholic drift—where each sonic gesture reveals the weight and hope of transformation.
ATA Records delivers another essential chapter in their meticulous Library Archive series. Volume 4 represents a sophisticated understanding of library music's golden era, when masters like David Shire and Roger Webb defined cinematic instrumental music. This is authentic homage executed with both reverence and creative vision.
The production showcases the full palette of classic library instrumentation: Hammond & Farfisa organs provide the foundational textures, while vibraphone and the distinc…
For its first vinyl release, Shakshouka Records proudly presents the first ever reissue of the Algerian Kabyle band Syphax, a 7-inch featuring two irresistible disco gems that set the dancefloor alight while channeling a kaleidoscope of psychedelic textures and North African Amazigh spirit.Born in exile on the outskirts of Paris, Syphax fused psychedelic rock, funk, and North African rhythms with the lyricism of Amazigh poetry and the rebellious energy of the 1970s. This record pairs the celebra…
** With a 12-page 11x11" insert booklet (new for IA11, with unpublished photos and new liner notes by Alabaster DePlume), IARC 2025 obi strip and printed poly-lined printed inner-sleeve. ** In the words of Emma Warren: Alabaster DePlume is not doing things properly, and this makes him very happy. DePlume is a Manchester-born, London-based bandleader, composer, saxophonist, activist and orator. He’s a resident at the legendary London creative hub Total Refreshment Centre, a recording artist for…
2025 Repress. 1990's Recurring, the fourth and final studio album by Spacemen 3, is often considered the introduction of two brilliant solo projects (Spectrum and Spiritualized) rather than the work of a functioning band. While Spacemen 3's departing statement surely reveals a deep divide within the S3 camp -- each side of the LP was written by Sonic Boom and Jason Pierce separately and, unlike previous releases, the two do not play on each other's songs -- Recurring maintains a cohesive, dream…
With Jazz Raga, Gábor Szabó fused modal jazz, Indian raga, and 1960s psychedelic currents into a single visionary statement. Recorded in 1966 at Van Gelder Studio, it remains a landmark of cross‑cultural improvisation—sitar‑tinged grooves meeting the freedom and pulse of spiritual jazz.
Recorded in 1966, Os Afro-Sambas is a groundbreaking album that fuses traditional samba with Afro-Brazilian spiritual rhythms from candomblé and umbanda. The collaboration between virtuoso guitarist Baden Powell and poet Vinícius de Moraes creates a deeply evocative soundscape, blending haunting melodies, rich harmonies, and intricate arrangements. Featuring the vocal harmonies of Quarteto em Cy, the album honors Bahia’s cultural roots while expanding the expressive possibilities of Brazilian mu…
First released in 1998, Magic Thread finds Susumu Yokota navigating the liminal space between club rhythm and ambient reverie. Blending vaporous beats, dub inflections, and microscopic detail, the album traces the moment he stepped from late‑night dance floors into dawn-lit introspection.
With Sakura, Susumu Yokota unveiled an ambient masterpiece that blends sampled fragments of jazz, minimalism, and Japanese melody into a contemplative whole. Released in 1999 on Skintone and later on The Leaf Label, the album turns repetition into poetry, infusing electronic textures with a deep human warmth.