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The culmination of an almost 10 year journey, Phil Yost's debut LP Bent City, originally released on Takoma Records in 1967, finally sees the light of day again. The beginning of Yost's visionary trilogy. Bent City returns August 5, 2025, pre-order the LP now to listen to an unreleased version of the title song "Bent City." Painstakingly remastered from the original 1/4" tapes and including an 8-page, 12" booklet featuring extensive liner notes and unseen photos, ephemera and more, detailing the…
For his third new album release for Drag City, Tashi Dorji turns to the electric guitar. After the furious acoustic improvisations that drove the previous two—"Stateless" and "we will be wherever the fires are lit" — it’s easy to imagine an album of his electric guitar improvisations as an encompassingly incendiary essay. Especially when titled low clouds hang, this land is on fire. After all, this is a man capable of tearing up the place with the tactile musical violence of Bill Orcutt and Dere…
Robert Stillman didn’t set out to make a concept album about Steve Jobs. But as a composer and improviser whose music asks questions about his relationship with reality, a curiosity about the promises and follies of technology took him there. Following an intuitive path from James Bridle’s acclaimed book on non-human intelligence Ways of Being to the seminal 1995 essay “The California Ideology”, Stillman arrived at Walter Isaacson’s biography of Apple founder Steve Jobs – and what would become t…
Five Again is a striking debut from Mi Ya that spans just six tracks but makes a lasting impact. The album was crafted at Space Talk and reflects on childhood not as a stage to abandon, but as a spirit to protect. Its delicate compositions echo fleeting memories, candles that won't blow out, naps of escape, the quiet joy of rain. Mi Ya describes the work as a refusal to let go of the child within, a reminder of innocence that still whispers. Hazy ambient synths and delicate melodies shine on tra…
Good ambient will always been a comfort blanket during harsh times. Whether from a global or more personal perspective. This collection on Secrets of Sound brings together some real dons of the genre, from Mark Barrott - to Steve Roach, and sequences them into one soothing, calming trip that touches on all different sub-sounds and styles from New Age to celestial. A spoken word intro from long-running ambient radio Jaroslav Kovaracek sets the scene before you're then cast adrift in supreme sonic…
*300 copies limited edition* Mister Water Wet returns to Soda Gong with "Things Gone and Things Here Still," an album that radically expands the project’s purview while preserving the homespun warmth and oblique tactility that have long defined Iggy Romeu’s work. Where earlier records tilted toward the dusty swing of sample-based beatcraft or spectral minimalist jazz, here Romeu opens the frame to a more ensemble-minded approach, inviting a stellar cast of supporting musicians, including SG alum…
The DIY ramshackle energy we know and love from the group is present and familiar, as is the dry wit and authenticity (a word I’m nervous in using, but if the shoe fits), however Plough Through the Rust often sees the group's songwriting taking a more introspective and personal path. Whereas Pig City was sonically expansive (and three songs here are drawn from those sessions), Rust often draws things closer, finding the charm within the scaled back honesty and rawness.
"Like Velvet Underground i…
This live jazz album, recorded on June 15, 1968, at the Montreux Jazz Festival in Switzerland, showcases the extraordinary artistry of Bill Evans on piano, accompanied by Eddie Gómez on bass and Jack DeJohnette on drums. Capturing the trio at a peak of creative interplay, the album presents a captivating blend of original compositions and classic standards.
The repertoire features Evans originals such as “One for Helen” and “Nardis”, alongside his masterful interpretations of timeless pieces lik…
Unchained—a name which at the project’s inception or on earlier recordings spoke perhaps to the ecstatic saturation of high gain guitar—has over the past three albums (N.D. Visitor, Pic, and Gabbeh) come to represent more and more an acknowledgement of and sensitive remove from a crashing world. An excuse of oneself from trend towards a siloed artistic development. On Frontalier, Nate Davis crosses further into this patient personal lexicon of guitar composition, presenting a new set of richly …
It's been 10 years since Pomegranates - Nicolás Jaar's unofficial/alternative soundtrack to Sergei Parajanov's 1969 film The Color of Pomegranates - was first released, and to highlight this occasion we are reissuing the album on vinyl, with the first edition (a collaboration with the label Mana) having long been out of print.
Longer and slower-releasing than his other albums, Pomegranates often parallels the cinematic epic on which it’s based, with ideas pursued over long timelines and across d…
All The Young Droids: Junkshop Synth Pop 1978-1985 is a new compilation that charts the underbelly of the epoch-defining sound of the synthesizer in '80s popular music. Compiled by curator Phil King, the music here connects the dots between DIY synth enthusiasts grappling with new, cheap synthesizers at the tail-end of punk and wannabe, jobbing songwriters enthrall to the new music pioneered by Gary Numan, Depeche Mode and Daniel Miller's Mute Records. Featuring rare tracks of auto-didactic prog…
*2025 stock. 200 copies limited edition* Ecila is the pseudonym of Belarusian but Belgium-based Sveta Shlyachova. She has been active in electronic music for over 15 years, jusually with partner Nikita Chudyakov. Together, they spearheaded the politically-charged breakcore/dubstep project Streff and the more IDM-oriented Elements of Sci-Fi. Shljachova was also a member of the Kosmozo project that found success on the electronic circuit and released an album (Stories) in 2012 under the name Alice…
Two Intersecting Loops of Silence marks a contemplative chapter in the trajectory of Katja Mater, where silence and the perception of time are intimately entwined. Mater translates the invisible dimensions of temporal experience and stillness into a tactile, rhythmic form, engaging the listener in a careful dance between what is absent and what is present. The work, emerging partly in response to the altered rhythms of the pandemic era, actively invites reflection on linearity and cyclical repet…
Hikmah is the astonishing new solo piano work from Pat Thomas - virtuosic sound scientist, deep and compassionate thinker, and UK-based musical treasure. A singular album in his now substantial body of work, it marks his first release for TAO Forms. Born in Oxford to Antiguan parents on July 27, 1960, Thomas belongs to a remarkable generation of piano masters. Just over four months separate his birth from that of Matthew Shipp (December 7, 1960) - whose The Piano Equation inaugurated the TAO For…
Tauceti (Lilou Chelal) is a DJ / producer / composer from Lyon. As a DJ Chelal distills a dark, tropical and sensual techno with percussive and vaporous rhythms in her mix. She stands for a very particular elegance and a certain, clearly audible maturity, which makes her stand out. "Guanyin" is her very first full length - where she transfers the elegance of her sound into a very personal and unique journey. "I am pleased to announce the release of my very first ambient album on the Denovali lab…
Dictaphone are back with their 6th full length called "Unstable". In the 25th year of the project Brussels born composer and mastermind Oliver Doerell is surrounded again by a lot of musicians & friends. Roger Döring is there, his clarinet and saxophone play has always been a trademark sound of the band - also Alexander Stolze's ghostly violins. The dark atmosphere and experimental sound of the new album is a reference to the 80s belgian art music scene, which Doerell had the luck to experience …
Oliver Doerell and Roger Doering's Dictaphone might not be the most prolific project around, but what they lack in frequency they make up for in sheer impact. 'Poems from a rooftop' is their third album in ten years, and is the first to feature new member Alexander Stolze on violin. The dusty, haunted jazz of 'M.=addiction' and 'Vertigo II' is still visible, but joined by Stolze's shimmering string tones, giving the already rich sound a further layer of depth.
The title 'Poems from a rooftop' co…
Reissue of "Mutations" - the second work of The Kilimanjaro Darkjazz Ensemble from 2009. On split since 2012 The Kilimanjaro Darkjazz Ensemble now finally makes all long-time sold out releases available again on all formats (cd | vinyl | digital). The series of reissues starts with their genre-determining second output "Mutations". An act combining profound musical sensibilities, deeply emotional harmonies and an acute ear for genre inter-breeding, The Kilimanjaro Darkjazz Ensemble placed itsel…
*120 copies limited edition* Martina Berther and Philipp Schlotter return to Hallow Ground with their second collaborative album since 2023’s stringent exercise in drone minimalism, »Matt.« »Silence Will Never Die« was recorded at the same church in the Canton of Glarus that lent its name to the duo’s debut. Once more the Church of Matt’s organ plays a significant role on these five pieces that navigate between composition and improvisation. However, the two prolific musicians aimed for an even …
*250 copies limited edition* The Mad Laboratory Of Anti-Matter is a free and improvised music duo based in Beirut. Created in 2022 by multi-instrumentalist Nadia Daou (NÂR) and clarinettist Paed Conca, an iconic figure on the improvised music scene.
Raw and industrial, the dark soundscape of this laboratory is an exploration of the void and everything that can be found and emanate from it: a sensory, physical, timeless experience. The trance-like quality of repetitive music is combined here with…