New Arrivals
L'Incroyable femme des neiges
Ensemble 0 presents L'Étrange Femme des Neiges, a fresh addition to their exploratory discography and the official soundtrack to a new film featuring Blanche Gardin and Philippe Katerine. This release demonstrates Ensemble 0's knack for understated textures and melodic invention, crafting a sonic atmosphere that seamlessly blends cinematic intimacy with expressive minimalism.
サブマリン / エアプレイン
Moriuo Agata's “Submarine” and ‘Airplane’ from the 1980 landmark masterpiece and globally significant work “Illustrated Guide to Vehicles” are released as a single! Side A features the Joy Division-esque classic “Submarine,” while Side B is “Airplane,” which uses a collage of Inagaki Ashihō's actual voice as its intro. Released as a single for the first time in its 42nd year.
Trabant Bundle
** Special Discounted Bundle ** The complete archival collection of Hungary's legendary underground collective Trabant (1980-1987), preserved by Purge in two essential volumes. Active behind the Iron Curtain during the harshest years of authoritarian communism, this loose collective of songwriters and filmmakers - including Mihály Víg, János Vető, György Kozma, and Marietta Méhes - created hundreds of DIY recordings that were hand-traded on cassettes within the Hungarian underground.
Described a…
Profondo Rosso 50th Anniversary Box Set
This Box Set brings together Goblin’s legendary horror soundtrack, a new six-track LP from Calibro 35, the LP-sized English book "Nel Rosso più Profondo" by Fabio Capuzzo, and a striking lenticular image, all housed in a deluxe slipcase. The set melds remastered classic material, insightful essays, and collectible visuals, offering a rich tribute to fifty years of cinematic innovation and musical legacy.
Paulownia
Paulownia by Merzbow is a 2025 full-length statement comprising two lengthy compositions that fuse intense electronic manipulation with Merzbow’s enduring fascination for natural phenomena. Across both pieces, the album merges organic inspiration and harsh digital process, producing a hypnotic yet confrontational experience.
Elph vs Coil: Worship The Glitch
2025 stock Coil’s cultishly acclaimed Worship The Glitch features the group in dialogue with the ghost in the machine, an element they named ELpH and considered as much a part of the group as any physical member. Aye, you’d probably be right in assuming they were taking a lot of drugs during the creation of Worship The Glitch, and consequently the results stand out among their trippiest releases, comparable with the rugged space of early Pan Sonic and slightly later Mika Vainio releases as much …
Reality Is Not a Theory
Reality Is Not a Theory by Mark Fell and Pat Thomas is a vivid collaboration exploring the friction between theorized structure and lived musical experience. By fusing Fell’s technologically limited triggers for creativity with Thomas’s exploratory improvisation, the album reimagines not only electronic and jazz vocabularies but also notions of time and agency, rendering a shifting landscape where each moment is both calculated and unexpected.
Ghost Story
Ghost Story, by Ron Geesin, is a previously unreleased, wildly inventive soundtrack to Stephen Weeks’ cult British horror film of 1974. Blending traditional folk motifs, modern electronic experimentation, and eccentric studio craft, Geesin’s score is at once haunting, playful, and profoundly original - characterized by spectral atmospheres and surreal sonic storytelling.
The Birds of Marsville
The Birds of Marsville, the seventeenth album from Friendly Rich, is a whimsical and experimental sound guide to 76 imaginary birds inhabiting the fictional island of Marsville. Featuring orchestrion, chamber ensemble, and a playful mix of genres, the work brings together carnivalesque sonorities, witty narratives, and a centuries-spanning tradition of birdsong composition.
Suns of the Heart
Suns of the Heart, the sixth solo album from Colin Fisher, unfurls a suite of intricate, emotionally charged improvisations that blend treated guitar, elemental electronics, and gestural samples. Across six movements, Fisher crafts an enveloping soundworld where each texture pulses with meditative warmth and restless sonic curiosity.
Mirante
Mirante, the ninth album by Nick Storring, is an impressionistic, multi-instrumental homage to Brazil. Across seven movement-rich tracks, Storring weaves liquid ambient textures, intricate rhythms, and a panoply of both Brazilian and experimental influences, forging an album that balances celebratory groove and lush introspection.
Universal Synthesizer Interface Volume Three
Universal Synthesizer Interface Vol III by Kristen Roos explores analog synthesizer landscapes with intricate sequencer programming and expansive rhythmic patterns. Released by We Are Busy Bodies, the album’s six tracks build lush, propulsive electronic architectures—melding modular arpeggios, pulsing bass, and shimmering effects into a hypnotic and meticulously detailed journey.
Synthetic - A Synth Odyssey: Season 4
Synthetic: Season 4, the final installment in Rich Aucoin’s quadruple-album saga, is a landmark in ambitious electronic artistry. Recorded over five years and utilizing 103 vintage and rare synthesizers—including the Buchla Electric Music Box and Ondes Martenot—the album traverses cinematic ambient, analog-driven techno, and experimental pop across fifteen intricately crafted tracks.
Synthetic - A Synth Odyssey: Season 3
Synthetic: Season 3 by Rich Aucoin continues the Canadian artist’s ambitious four-part electronic saga, zeroing in on dance and rave music influences with vintage synthesizer textures. Recorded across multiple studios between 2020 and 2024, the album features ten energetic tracks—a journey through nostalgic sounds, analog warmth, and kinetic club reverie.
Holy to Dogs
Holy to Dogs, the newest album from The MIDI Janitor, is a haunted, downtempo odyssey of outsider electronics and dusty, dreamlike beats. Vancouver’s Jonathan Orr repurposes scavenged MIDI controllers and obsolete synths, producing spectral melodies, melancholy textures, and a pulsating DIY spirit that veers between ambient, hauntology, and rusted techno.
The Tape Masters Vol. 2 - Soul Power West Germany
The Tape Masters Vol. 2 – Soul Power West Germany by Peter Thomas Sound Orchester is a rare deep dive into the group’s soulful and funky cuts from the late ‘60s and early ‘70s. This compilation unearths cinematic grooves, Afro-American influences, and unreleased tracks recorded for Munich’s GI club scene, combining infectious rhythm sections, vocals, and rich sonic detail from master tapes.
The Yellow Box
As trans-Atlantic alchemists pulling from a shared dialectic that somehow encompassed both postmodern deconstructionist tendencies and a delightfully subversive sense of poptimism, it’s easy to see how David Cunningham and Peter Gordon immediately hit it off upon initially meeting each other back in the late-1970s at the height of their youthful transgressions. Having initially worked together on the second Flying Lizards’ LP fourth wall, with its ingenious fusion of dismantled rhythms and rearr…
Sobbing Honey & Anna Homler
Sobbing Honey & Anna Homler brings together Sobbing Honey—an emergent force in LA’s experimental underground—and the legendary vocal sound artist Anna Homler. Through a sequence of improvisational, ritual-inflected tracks, the collaboration dissolves conventional boundaries, weaving extended voice, electronics, and found instruments into rarefied, playful atmospheres that embrace both textural mystery and tactile joy.
Already in Heaven
*Edition of 100* K/S/R (Ben Kujawski, Abigail Smith & Justin Rhody) have been performing and recording together since 2022. Recorded by the band themselves during a full week of day-long sessions - violin, percussion, lap steel, accordion, flute, guitar, harmonica, and rhodes piano were each stretched, damaged & made to sing through various extended techniques. The trio's non-concentric approach to collective improvisation mirrors the dark harmonic density and symbiotic formal structures of the …
Last Night I Heard the Dog Star Bark
Last Night I Heard the Dog Star Bark, the third full-length from Gwenifer Raymond, finds the Welsh guitarist deepening her American primitive explorations with a turbulent, spectral intensity. Across ten instrumental tracks for solo guitar and banjo, Raymond braids the darkness of Appalachian nights with the cosmic anxieties of science fiction, displaying fierce dexterity and meditative nuance.