We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
After the groundbreaking Comme à la Radio, energized by the free jazz tumult of the Art Ensemble of Chicago, Brigitte Fontaine and Areski Belkacem produced six albums together or separately between 1972 and 1977. While French pop of the time was marked by lush orchestrations, Fontaine and Belkacem’s songs were often recorded live, typically accompanied only by guitar and percussion, or performed a cappella. This minimalist approach focused attention on the subversive poetry of the lyrics and the…
The Way Of Time takes loose inspiration from Elizabeth Madox Roberts’ novel The Time Of Man, sampling Joan Lorring’s voice from the 1951 radio play adaptation of the novel. Biosphere’s signature ambient loops, soothing arctic synths and melodies combine with Lorring’s sweet, wistful and deep-south wonderings to create a record that is both deeply human and searching.
In Transit by the duo Lia Kohl & Zander Raymond (Chicago) is built around a collection of field recordings made in spaces of transit—bus stops, train stations, taxis—blended with the accordion and modular synthesizers textures of Zander Raymond, and the cello and synthesizers of Lia Kohl. The record features eight instrumental tracks, composed from these raw captures of transient zones, harmonized and enriched with musical treatments and arrangements. Combining acoustic and electronic sources, t…
By the end of the 1970s Linval Thompson had cut out a successful dual career for himself as both singer and producer. Naturally he moved in the dub field as well, getting further use out of rhythms he used in his other works. Dub had begun strictly as an album format with limited pressing runs for scene insiders, but it had swiftly gained the interest of the rank and file reggae buffs. 'Negrea Love Dub', originally released in 1978, is a cornerstone in the reggae dub scene.
Linval Thompson produ…
First released in 1969 on the Advanced Recordings label, this album represents Richard Maxfield’s music manifesto. A wild collage of highly manipulated sonic events from an extreme variety of analog sources.
The heart sits and takes in all wakes of the universe. A blessing to discover sound and how it enters the body and is shared to all. I feel the sound wraps in and out of my heart and pours through the saxophone. Searching, discovering the Creator. I pray this music reaches into your heart, goes all the way to the deepest place and blossoms up the most beautiful gardens of joy and love, curiosity. I am forever grateful to meet souls such as Lex, Miguel, and Caroline. Through these recordings I po…
In the Minoan culture of Crete, the sea was seen as a transitional zone to reach the afterlife. The sun reflected on the water took on the features of a path to follow in order to be reborn into a new life. Angeli crosses this place of passage, leaving behind granite for a sweeping lava-like transformation. While Lema passes through the concept of loss, within the space of his guitar-orchestra, the Sardinian musician celebrates an album that embraces both tradition and musical countercultures, c…
Haxholm & Kirstein's performance installation is a carefully planned two-day process involving smoke, lime, various containers, sound, movement and physical work - inside and outside the museum's grounds. The work explores connections between the sublime and the banal, between the work of the day and the elongated time of the material. Between these poles are energy exchanges and feedback processes that transform and dissolve themselves. The duo's works address a field between performative sound…
2025 stock 2013 repress, black vinyl. "1968 debut album from the king of the psychedelic bayou -- the hypnotic, mystical and powerful sound of the swamp coming to life. As he became Dr. John (real name Mac Rebennack), it was his LA session work with musicians like Sonny & Cher, Canned Heat, and Zappa that allowed him to start conjuring up his visions of guitar psych-pop to walk alongside his authentic New Orleans upbringing. While Gris Gris contains moments that make it a type stamped symbol of …
‘Get Ready’ by the Richard Last Group is one of the rarest LPs from the golden age of Italian progressive rock, originally released in a genre-changing 1972, both in Italy and internationally. Born in Milan in 1969 as Duu Duu, they became Richard Last Group two years later, when singer Maurizio Calò joined the line-up, later calling himself Richard Coley.
‘Get Ready’ is the only album released by the group, which, due to numerous line-up changes that also occurred during the recording of the alb…
Bjarki Runar Sigurðarson returns to the concept album format, with ‘A Guide To Hellthier Lifestyle’. It’s the first LP to be released on Differance, which he co-founded with the artist Thomas Harrington Rawle.
‘A Guide To Hellthier Lifestyle’ explores the psychological landscape of contemporary social issues, offering a sideways rumination on lifestyle dilemmas and wellness obsessions, presenting itself as a response to the modern condition. It combines storytelling with innovative sound texture…
Volume 2 Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock‘n’roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature “Samba Doido” (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, …
Volume 1 Since their debut album release in 1975, Azymuth have risen to rank alongside the world’s greatest jazz, funk and fusion artists. As young men in Rio de Janeiro, they stood out for both their exceptional talent as musicians, and their wild rock‘n’roll antics in the predominantly middle-class worlds of bossa nova and jazz. Their signature “Samba Doido” (crazy samba) sound ruptured the tried and tested musical structures of the day, resulting in what can only be described as an electric, …
*200 copies limited edition* Santa Cecilia & Semionauta are back on Strange Therapy with their follow-up record after last year’s arresting debut on the label, “Trascendenze Artificiali: Act I” is an ambitious and monumental transmedial art piece. Composed during an intensive two weeks of work, “Trascendenze Artificiali: Act I” is the result of the homonym site-specific durational performance, first presented by the duo at Manifattura Tabacchi, Florence for Fabbrica Europa Festival 2023 and furt…
"We’re listening to Blue Train, which to me is one of the most beautiful pieces on one of the most beautiful records that Coltrane recorded in the fifties. It’s his first real mature statement and he wrote all but one of the tunes on this album which was very rare in the fifties and each one is a gem, particularly the title tune Blue Train. And while it’s kind of easy to play the blues, this has a suspended and haunting kind of quality to it." - Michael Cuscuna
When driving a band with his upright bass, Charles Mingus looked -and was- gigantic, in more ways than one. He had huge creative appetites (as well as being hot tempered), creating his own combination of hard bop, blues, and avant-garde jazz. There was no one more multi-faceted than Mingus between the 1950s and 1970s and of his many albums, Mingus Ah Um (1959) is considered to be a jazz classic.
Pianist and arranger João Donato was a major figure in the bossa nova movement. During his long career he recorded with many of the great names from both Brazilian and American Latin-jazz scene (Tom Jobim, Ron Carter, Airto Moreira, E. Deodato, Randy Brecker, Mongo Santamaria, Tito Puente, Cal Tjader, and several others). First released in 1963, this is a marvelous example of bossa jazz album featuring the highly syncopated drums grooves of Milton Banana and Amaury Rodriguez's Afro-Cuban flavore…
Captured in the immersive cocoon of the Hypnose Room during the 2023 edition of La Nature, this debut release on Fleur Sauvage is a raw transmission of Katatonic Silentio’s improvisational live ritual. Split into four parts across two 12” records, this work moves between experimental abstraction, textured noise, and cinematic ambient. Tension runs like a thread through each piece—sometimes humming beneath the surface, sometimes rupturing into visceral sonic peaks that leave you breathless. Deep …