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Nexx-level club dynamixx from Berlin's M.E.S.H. for new music thunk tank, PAN. As a co-founder and resident at the influential Janus club-night, M.E.S.H. is hard-wired to the core of Berlin's accelerated night scene and deeply connected to the global digital arts diaspora thru collaboration with contemporary artists, Aleksandra Domanovic, Fatima Al Qadiri, Arca and TCF, among others. Operating at the intersection of electronic hip hop, techno and chimeric sound design, the 'Scythians' EP motions…
Dream-pop duo Paco Sala return with a heavy-lidded sophomore album for Digitalis, continuing to impress with an album likely to appeal to those of you who enjoyed recent albums from Inga Copeland and HTRK. Vocalist Birch is a ghostly but central presence amidst producer Antony Harrison's drowsy backdrops, sashaying waif-like thru ten bare-boned pop arrangements and neon-hued ambient scapes. Everything feels tender to the point of collapse, creating a cathartic tension between the near-whispered …
James Leyland Kirby’s near-mythical ‘The Death Of Rave’ material finally given a proper release - original rave classics deconstructed into hazy, ambient flashbacks* Finally, after years of haranguing, Leyland Kirby finally yields 'A Partial Flashback' 8-track vinyl edition of his 204-track dancefloor elegy 'The Death Of Rave'. Conceived after a visit to Berghain in 2006 where, according to the artist "For me personally something had died… Rave and techno felt dead to me", the monumental and unc…
New composition by Pete Kember (Spacemen 3 / Sonic Boom). 5th in Dekorder's recent Hybrid vinyl series, now available digitally. E.A.R. is Pete Kember aka Sonic Boom. He is one of the founders of legendary UK bands Spacemen 3 and Spectrum and currently works as a highly respected producer for Panda Bear, MGMT and others. While Spacemen 3 and Spectrum were mostly relying on song based structures E.A.R. explores free-form (and long-form) mind-altering drone based compositions. Previous albums came…
Jan Anderzén and his partners celebrate the transcendental power of ecstatic music. Alas Rattoisaa Virtaa is the first Kemialliset Ystävät album in four years. It is the result of chance enhancing online collaboration methods, desire to get lost in the sound archives and the high art of meticulous editing. The album title is from visions of rivers running down from Heart of Darkness to the City of Joyful Noise. If contemporary music is a high speed train passing by then KY's music would be an or…
There is no oasis in sight. What to do? Walk on. Slowly, perhaps, but steadily. Unswervingly. Ten years after the invention of „New Weird America“ (D. Keenan) and the „return of the collective“ (D. Diedrichsen), Datashock, who are now in their eleventh year, are still exploring „the space of nomadic sounds“ and looking for old sources of fresh sounds, unfazed by contemporary musical mirages. The sun may still be burning down mercilessly in late capitalism, blinding our eyes and making our limbs …
Dan Melchior on Slow Down Tiger seems to stray a little ways away from his usual partner in crime, the guitar, and dabbles with a foreboding dark ambience with ominous vocal samples (and field recordings) spliced in. To this day, it seems like the only track available for preview off of Slow Down Tiger is “Tongues,” and apparently that’s just a tidbit of what’s available. The synopsis for this record is touting two side-long tracks and I’m really curious as to what else Melchior is serving up on…
Lack of musical material, minimalism but not for it's purposes, patterns shifting in themselves...The Art of Living Dies...The piece is performed by Michael Moser, a cult figure in Austrian new music, whose work includes significant collaborations with bands like Polwechsel and Zeitkratzer and artist such as Bernhard Lang, Peter Ablinger, Fennesz, David Sylvian (Manafon). Very slow, extremely static, the piece drives into one direction, without specific target but also without tendency to be con…
Debut solo album by Norwegian vocal performer whose distinct way of working with her voice has a strong focus on intervals, repetition and texture. Recordings were made indoors and in outdoor environments, to give things a site-specific field recording vibe.Stine has been active for a number of years in different constellations and as a solo performer, but In Labour is her debut solo album. Stine has a distinct way of working with her voice - with a strong focus on intervals, repetition an…
Senastional new full-lenght album from this legendary band, Blow Up record of the Month! Rome is a city of oxymora. An antithesis of History and stories. A perennial contradiction between cement and people. Between freedom and reason. Between sex and destructive desires. The city's inhabitants build their reality out of the imagination of an entire population, almost as though they were a polycephalic slime, a miry, unicellular mould capable of accomplishing extraordinary wonders, almost on…
Some of the most intense music we've ever heard from the Mali scene – a set that takes the older takamba rhythms, but gives them a propulsive feel from lots of fast percussion and guitar lines – all served up with little other instrumentation at all, so that the whole record's this long rhythmic jam that's mighty amazing all the way through! Notes are spare, but the intense sound is more than enough – and some of the rawest Saharan sounds we've ever stocked.
Amazing cosmic synth from late-80s Niger. An aural relaxation manual, somewhere between ambient library music and minimal wave, throwing ancient Saharan folk ballads deep into the future. Polyphonic analog synthesizers and drum machines interpret ancient Saharan folk ballads in an imagined science fiction future. A proposed relaxation guide, sonically lying somewhere between ambient library music and minimal wave. Recorded in Niger and France in the late 1980s and never before released.
Locus, the seventh album by the Chicago Underground Duo (Rob Mazurek and Chad Taylor), follows on the heels of their acclaimed 2012 Northern Spy release Age of Energy. Bits of breakbeat and Afropop are heard within the jazz, ambient and electronica elements of their unmistakable grooves. Also in the mix is a Ghanian folk tune and Ennio Morricone played on cornet, drums, mbira, ballophone, bamboo flute and Game Boy. The pairing came out of the Chicago Underground Orchestra founded by Mazurek almo…
Long deleted, few copies available. "This unique lounge compilation collects a series of tracks from the vaults of Vedette Records, an Italian label presided over by producer and lounge composer Armando Sciascia. The music they produced was released on compilations intended for music library use, but the music presented here is strong enough that it could have garnered a commercial release. These tracks mix rock, soul, and jazz together in a stylish manner that blends an easy listening sen…
The final film in the Luciano Martino produced series of Edwige Fenech/George Hilton 1970s horror vehicles, The Case Of The Bloody Iris (released in Italy as What Are Those Strange Drops Of Blood Doing On Jennifer’s Body?) remains a key feature for Italian soundtrack fans and pre-cert VHS enthusiasts alike. Comprising every facet of composer Bruno Nicolai’s versatile musical matrix, this suite of rich oblique paranoia pop makes its vinyl debut via Finders Keepers as an integral part of our dedi…
An outstanding lbirary LP (Originally on Cometa) played by Pulsar, a short living group formed in 1976 by jazz musician Enrico Pieranunzi and Silvano Chimenti , was called The Pulsar in honor of the neutron star and, to date, it was thought that their only album had been used for the soundtrack of the MarioCaiano's movie Milano Violenta. The feel of the album is similar to that of some of the best tracks on the Stroboscopia comps – with lots of tight drums, rumbling basslines, and cool electric …
“Apropos Cluster” was released in Coralville, Iowa, in deepest provincial America. Youthful enthusiast Russ Curry (sic) set up the Curious Music label on his own initiative to release this very album. Emboldened by the spirit of the independent movement, he paid for manufacturing himself and took care of CD distribution, as well as doing his best to ensure that a few copies made their way to Europe. In common with so many independent label operations, Russ Curry lacked the financial clout to mar…
Lassigue Bendthaus is the electro-industrial project of Uwe Schmidt aka Atom™. Schmidt began making music in the early 1980s, first playing drums, then switching to programming a drum computer after he had heard a Linn Drum on the radio. In 1986 he co-founded the cassette label N.G. Medien, on which his first musical work under the name Lassigue Bendthaus, "The Engineer's Love", was released. Soon after, he started to work on what would become his first official record release, the album "Matter…
Fragments and compositions of was Canadian composer Kyle Bobby Dunn’s first foray into miniature works for strings, piano and analog processing. Composed during periods when the young Dunn was found sneaking into music buildings at various music academies and universities in Canada and the U.S. During this time Dunn was known to recruit friends and colleagues into impromptu recording sessions, capturing layers and verses in places as mundane as his bedroom and bathroom. The piano renditions were…
Large Electric Ensemble is Ex-Easter Island Head's fourth release on Low Point and their first piece for massed electric guitars and percussion. Following on from Mallet Guitars Three, Large Electric Ensemble sees the group expand to include twelve prepared electric guitars and drums to create a vast wash of amplified strings and droning overtones. Commissioned for the first World Event Young Artists (WEYA) festival held in Nottingham, UK, during September 2012, the piece was developed alongside…