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New Arrivals

L'Era Del Cinghiale Bianco
*2025 stock* L'Era del Cinghiale Bianco (The White Boar Era) marks the clamorous Pop turning point of Franco Battiato. Created with the fundamental help of violinist Giusto Pio, this work is widely considered a masterpiece, and in 1979 it changed the destiny of Italian music forever.Essentially, it is an album of transition: between past and future, between Prog experimentalism and a new intellectual form of Pop influenced by the New Wave. The title of the album draws inspiration from a Celtic m…
Vain Shapes and Intricate Parapets
Tip! *300 copies limited edition* All music by Will Long and Takahiro YorifujiRecorded in Tokyo in December 2011Mastered by Stephan Mathieu at SchwebungCover photo by Will LongLayout by Rutger Zuydervelt
Papotier
Marking the final chapter of a visionary trilogy, “Papotier” sees Pancrace return in full force. A haunting exploration of breath, language, and acoustics, recorded around a historic Silbermann organ in Alsace, the album is a radical statement of sonic identity - fragile, fearless, and gloriously unclassifiable.
Stand Before Me, Oh My Soul
A Silent Place proudly presents the remastered reissue of one of the most eclectic and iconic Fabio Orsi album, recorded and produced between Taranto and Berlin in 2009-2010.
I'm Just Say'n
Absolute K.O. bout of free jazz poetry by a spry, 85 year old Joe McPhee, adapting his renowned improvised practice to words - juxtaposed with Mats Gustafson’s sparing brass and electric gestures. It’s an utterly timeless and transfixing salvo, another shiny notch for Smalltown Supersound’s brilliant Le Jazz Non Series.
Hometown Girl
Groggy, engrossing new work from Ulla under their newly minted U.e. tag, riffing to the sublime on a set of (mostly) acoustic reveries that tap into the kind of smokey vapours favoured by the likes of Vincent Gallo, Voice Actor, Jonnine. Oh aye, it’s a special one.
3 × hullo, hullo
The first few minutes of ‘3 × hullo, hullo’ sound like a little mole creeping up through the soil. The little thing hoes and scoops up some sand, building a small pile of dirt. But then, anger... because this drives them mad—those who want their lawns clean and spotless. A clean lawn: a desire we inherited from the Brits. Dumped into our collective consciousness by humorless Victorians who enjoyed having their black pudding on the lawn. An uninspired impression from their misreading of Italian p…
Maps
Maps is a unique collaboration between British artist Sonic Boom, and Swiss musicians Sinner DC. Originally created in 2013 for live performances at the Festival La Bâtie in Switzerland, Maps combines music and visuals to create an immersive experience, inspired by Borges' reflection on the limits of representation. Maps challenges the boundaries between art and reality, inviting you to explore a world where music and visuals converge in an expansive, surreal landscape. Dutch artist Space Is Gre…
Future Days
** 2025 repress. Comes in embossed sleeve with printed inner sleeve, pressed on heavyweight vinyl. Includes code for free mp3 download of this album** An uneasy truce had been thrashed out by the warring factions of Can by the time they came to record 'Future Days' in 1972, yet it is the underlying musical tension that makes this album such a thrilling part of their cannon... With Damo Suzuki's ethereal vocals continuously juxtaposed by Michael Karoli's fraught guitars and Holger Czulkay's invas…
Weft
Blue Lake’s new offering ‘Weft’ sees its creator Jason Dungan unearth new musical terrain with a mini-album which presents the projects evolution. Finding inspiration in the craft of weaving and embracing a collective spirit as a band leader, all while readying a new studio album expected later in 2025. The earthy title track ‘Weft’ emerges with a sense of ease and familiarity as looping guitar riffs in open tunings bed in around a warm cello pulse that provides the essential heartbeat. These in…
Dolls
For the first time on vinyl! The full score from Empire Pictures' 1987 cult horror movie Dolls directed by Stuart Gordon (Re-Animator, From Beyond, Robot Jox...) - at last! Music by the great multi-instrumentalist, producer, composer & singer Fuzzbee Morse (Ghoulies II !)
Jin​-​Roh: The Wolf Brigade
First vinyl release ever of the outstanding soundtrack for the 1999 Japanese action political thriller anime directed by Hiroyuki Okiura and written by Mamoru Oshii (Ghost in the Shell, Patlabor, Avalon...). From famed anime and tv score composer, cellist and arranger Hajime Mizoguchi. A dark, atmospheric, and immensely emotional soundscape that takes you on an epic and immersive journey and stays with you forever.
Tarzanland
WRWTFWW Records presents its third collaboration with Japanese electronic/ambient/synth-pop crew Interior, this time with the release of band member Daisuke Hinata’s forgotten solo treasure from 1989: Tarzanland. The feel-good/smooth ride LP is available as a limited-edition turquoise and light pink vinyl housed in a heavyweight 350gsm sleeve with obi strip. Available on vinyl for the first time ever, Tarzanland is late 80s California sun-soaked kankyō ongaku, minimalistic proto-chillwave, the s…
When In Rome...
When in Rome... is a 1988 live album by the Penguin Cafe Orchestra, and was recorded at The Royal Festival Hall, London, on 9 July 1987. It was produced by Simon. The cover painting is by Emily Young. This iteration for the first time has the full gig and uses the 2008 remaster.
Signs of Life
Signs of Life is the fourth studio album by the Penguin Cafe Orchestra. It was recorded at the Penguin Cafe between 1985 and 1987 and released in March 1987. It includes "Perpetuum Mobile", one of their most famous pieces. The album reached number 49 in the UK Albums Chart. This is the first re-press since 1987 and uses the 2008 remaster, pressed on Orange vinyl.
You & The Night & The Music
*2025 stock* Debut album from the Judy Bailey Trio, recorded 1962. The theme is the night and the trio give you new and exciting arrangements of 'night' tunes like 'Night And Day', 'In The Still Of The Night' and 'Night In Tunesia'. Possibly the swingin’est jazz album ever to come from Australia.Pianist Judy Bailey was active on the Sydney studio scene in the early '60s, and was the choice rhythm section of Australian bandleaders. It was as a composer that her reputation began to grow in the fol…
Tricrotism
*2025 stock* It's a fact that Bjarne Rostvold has won relatively little recognition to this day -in contrast to some of his Danish fellow jazz musicians. Quite unjustly, as we think. For many years Rostvold played with the Danish Radio Big Band before forming the Bjarne Rostvold Trio (Bent Axen: piano and Erik Moseholm: bass) and the Bjarne Rostvold Quartett, which included the trio's musicians plus trumpeter Allan Botschinsky. Both groups represent brilliant Danish jazz from the '60s. That's wh…
Sittin' In
The hard-swinging Three Out were attracting large and enthusiastic crowds in Sydney and shared the bill with such names as Dizzy Gillespie, Coleman Hawkins, Teddy Wilson and Sarah Vaughan. Here we find them continuing in the same exciting manner as their first album, 'Move'. The Three Out are joined by four horns on the second half of this album from 1960. The session has the flavour of the hard jazz of the American Masters of the sixties, particularly the "Big Soul Band" type from Chicago and N…
Move
*2025 stock* Jazz in Australia at its best with incredible sessions by The Three Out from autumn 1960 – three masters with unbelievable musical control and understanding. This album was recorded at the El Rocco club six weeks after the group was formed, and the boys claim they were only just becoming accustomed to one another’s playing. In all, they cut thirty different titles in two 3-hour sessions, all of which were one take only. This in itself is incredible as the resulting takes never fall …
Drunkna I Ljus
The much anticipated sophomore solo album from Hugo Randulv (Enhet För Fri Musik, Amateur Hour, Makthaverskan etc). Following up the praised Radio Arktis that was released on Förlag För Fri Musik back in 2021, Drunkna I Ljus was composed and recorded mainly during 2024 and consists of two sidelong epics based entirely on electric cello with a sparse use of controlled guitar feedback. The overall ambience and cold yet weirdly encouraging harmonies from Radio Arktis are recognizable and still pres…