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Trá Pháidín are an Irish nine piece collective from Conamara, Galway, a wild coastal region of West Ireland where Gaeilge (Irish-Gaelic) remains the first language in areas known as 'An Gaeltacht'.The group are currently lighting up Ireland's underground with their joyful noise, a unique and unpredictable blend of traditional Irish folk, post-rock, jazz, and Dadaist absurdity. The glorious album An 424 was mixed by John 'Spud' Murphy (Lankum, Black Midi, Goat Girl) and takes us on a psychogeogra…
“Dame café”, originally released on Discos Fuentes in 1965 to meet the tropical music demand of the time, features a mix of traditional rhythms like vallenato and cumbia, alongside more experimental beats. Los Gavilanes de la Costa, the band behind this album, had a brief existence but left a lasting impact, especially in Mexico's sonidero scene.
Over the years, pirate editions and elusive original copies have made it a highly sought-after collector’s item. The album’s lively sound, combining ac…
Discover the groundbreaking sound of Los Texao, a legendary Peruvian rock band that helped shape the music scene in the 1970s.
Their music fused the energy of psychedelic rock with Latin American influences, captivating audiences across their native Peru. Los Texao’s psychedelic phase was marked by experimentation with new sounds and instruments.
This release comprises their complete recordings, including all their singles and also covers of some of the most influential rock bands of the era, mo…
*300 copies limited edition* In 2021 US label Helen Scarsdale Agency released Kleistwahr's 'Winter' album on vinyl in an edition of 300 now more or less sold out, while 'Music for Zeitgeist Fighters' preceded it by a few years on Egypt's Nashazphone imprint also as an LP limited to 300 and equally hard to find these days.
Both albums are brought together on this limited edition 2CD release and feature, between them, five bonus tracks not previously made available elsewhere. Anybody paying enough…
Two awesome Latin jazz-funk gems for the dance floor, blazing with the rich brass section and percussion. Both songs are taken from mega-rare Venezuelan LPs released in 1976. Reissued on a 45 for the first time.
*300 copies limited edition* Since their forming in 1999, Theme have released six albums and performed live sporadically in a variety of incarnations, even including Faust's Jean-herve Peron on bass at a number of shows many years ago.
'Meditations on Space, Volume One' is the seventh album and represents the first volume in a two-part set. Consisting of one piece of music (spanning around 40 minutes in total) that's broken into seven parts, it sees the core duo of Stuart Carter and Richard John…
Jeff Parker’s 2016 album The New Breed was a turning point for both Parker and International Anthem, changing the trajectory of his solo career as well as drawing an abundance of attention to our fresh imprint despite our then very limited catalog. Most importantly though, the album is the first to give voice to Parker’s wholly unique take on sample-based beat construction augmented by improvisation and live instrumentation (performed in this case by the high-level crew of Paul Bryan on bass, Jo…
Går I Kras is the fourth album from the Gothenburg-trio Amateur Hour that consists of Hugo Randulv, Julia Bjernelind and Dan Johansson. While in many ways continuing where the massive Krökta Tankar Och Brända Vanor double left off in 2022, the new 11-song album is arguably the most accessible and refined recording yet from the group, with some of their strongest tracks to date. Still blending dreamy lo-fi pop music with electronics and crude sound collages, The Cannanes through a meatgrinder and…
Irreversible Entanglements’s self-titled debut album was originally released in September 2017, and features the first music ever played together by the freshly assembled Philly/NY/DC-based quintet of poet Camae Ayewa (aka Moor Mother), bassist Luke Stewart, saxophonist Keir Neuringer, trumpeter Aquiles Navarro, and drummer Tcheser Holmes. The explosive collection of improvised free-jazz with spoken word accompaniment was born after the group's initial meeting at a Musicians Against Police Bruta…
The 2018 live performance captured on Carlos Niño & Miguel Atwood-Ferguson’s 'Chicago Waves' marked a beautiful turning point for International Anthem. The moment was recorded at our then-HQ in Chicago, Co-Prosperity, the day after Niño and Atwood-Ferguson performed as part of Makaya McCraven’s ensemble to celebrate the release of 'Universal Beings' and recreate their contributions to that album's “Los Angeles Side."
The two musicians were keen to use their time in Chicago to not only support Ma…
Wewantsounds is delighted to continue its Algerian music reissue program with the release of Les Abranis' coveted 1983 LP, Album No. 1. Originally recorded in Paris and privately pressed by the group, the album is now being reissued for the first time. Curated by Cheb Gero, who recently compiled the Sweet Rebels Rai set for Wewantsounds, Album No. 1 is a masterful blend of Kabyle grooves, funk, and hints of reggae. Also known as Id Ed Was, the album is reissued with its original artwork, remaste…
*180 copies limited edition*
Did you know, a clean-cut lawn is a desire we inherited from the British? Yes, the British dumped this pleasure into our collective consciousness. Those humorless Victorians who enjoyed having their black pudding on the lawn. They came to this uninspired impression while mis-looking at Italian paintings. Yes indeed, while gazing at these paintings they mistook green lanes for green lawns. Thus it became hip. Every stuffed truffle commanded his gardener to cut the gra…
2025 stock Los Angeles, not unlike other great cities such as Detroit, New York, Chicago, and Philadelphia, has given birth to and nurtured many great musicians. One of those young, versatile musicians Los Angeles has produced was Wayne Powell. In High School he played percussion & tuba in the concert band, later he switched to baritone horn. Shortly after Wayne heard Lionel Hampton play vibraphone at the Paramount Theater in downtown Los Angeles, he purchased his own set of vibes. In 1965, Wayn…
2025 stock In August 1972 King Crimson guitarist Robert Fripp was producing some material for Robert Wyatt. Brian Eno - then a member of Roxy Music, came to the studio to add synth to the same sessions. Fripp and Eno found common cause. The 21 minutes piece of music that resulted, 'The Heavenly Music Corporation' became one of the most significant and influential pieces of electronic music ever recorded. The other track on the album 'Swastika Girls' was not recorded until over a year later in au…
2025 stock Moonmadness was originally released in March 1976. It was their fourth album and the last to feature the band's original line-up (Latimer, Bardens, Ferguson, Ward). After the success of the tightly structured, instrumental The Snow Goose in 1975, the band added vocals to their music again. The tracks that comprised the album were conceived as a loose concept based on the individual personalities that made up Camel; Air Born about Andrew Latimer, Lunar Sea about Andy Ward, Chord Change…
A long-lost gem of Italian library music, Condizione Umana by Rino De Filippi is a hypnotic journey through jazzy sketches, intimate atmospheres, and avant-garde experimentation. Reissued on vinyl after decades in obscurity, this visionary 1972 album invites listeners to explore deep grooves, primal percussion, and the boundless creativity of Italy’s golden age of soundtracks.
*2025 stock. 100 copies limited edition* During a 4-day residency at kunstencentrum Nona, april 2023, Ocean Eddie worked together with Swedish vocalist Sofia Jernberg (The End, Trondheim Jazz Orchestra, Mette Rasmussen), recording new material for their 2nd album.
Adding vocalist Sofia Jernberg, the trio challenges itself, pushing the orchestral unbalanced combination of instruments even further. Written music, played from the perspective of free musicians, the music can be described as minimal,…
*100 copies limited edition* "When Kabas first left its mark on the Belgian music scene with Abel (2016), nothing could have prepared you for where they would find themselves nearly one decade later. Not that the quartet needed extreme makeovers or abrupt stylistic switches. On the contrary, every step Thijs Troch, Jan Daelman, Nils Vermeulen and Elias Devoldere have taken since their first debut feels like a logical next one. This is not the sound of calculation or imposed transformation, but o…