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Released in 1981, the debut of the legendary keyboardist from Eberhard Weber’s Colours band and later the Jan Garbarek Group, Freigeweht presented Rainer Brüninghaus as a highly original and idiosyncratic sound sculptor in his own right, accompanied by ECM stalwarts Kenny Wheeler on flugelhorn and drummer Jon Christensen as well as oboist Brynjar Hoff. In a review of the album from the year of its release, the German daily Frankfurter Allgemeine Zeitung traced Rainer’s influences and minimalist …
Aghast was a project by Nebelhexe and Nacht, released in 1994. This album was released back then by the legendary Cold Meat Industry. "Hexerei Im Zwielicht Der Finsternis" is the real dark and gloomy ambiance played in a classical dark wave vein. Minimalism in musical content, compensated by spooky and ice-cold vocals that will haunt you. Macabre enchantresses will seduce you and take you to their ghastly realm. Hear gods cry and angels fall. Listen to horror and beauty. Let Aghast bewitch you! …
*200 copies limited edition* TON is thrilled to present “Moko”, the eighth album by FourColor, the solo project of Keiichi Sugimoto. With a remarkable discography spanning labels like 12k and Apestaartje, FourColor has established itself as a master of blending processed and raw guitar chords, drones, synthesizers, and samplers into a warm, evocative, and deeply immersive sonic landscape. “Moko” continues this tradition, yet it also marks a new chapter in Sugimoto’s artistic journey.
The album’s…
*100 copies limited edition* Kurt Liedwart unveils his new label, TON, with the release of “Volta”, the inaugural album in a planned series of five. After a decade immersed in experimental electronic and occasionally improvised music, Liedwart returns to his roots in techno and ambient—genres he has been passionate about since the early 1990s when he first began crafting music in these styles. For “Volta”, he revisits and reimagines sounds from his unreleased techno albums of the late 1990s, ble…
Emerging during the early stages of the recording industry in Japan, the ryūkōka style adopted western classical, blues & jazz elements into traditional and classical Japanese music.This collection of 1920s & 30s ryūkōka recordings follows on from the Kouta Katsutaro tape we put out a couple of years back, and further captures the hauntingly unique sound of a cultural merging that was starting to reflect itself via popular song, ahead of the widespread influence of western pop music during post-…
"It’s a lovely album, best played at the end of the day; the lights are still out when the day turns into evening, and darkness slowly falls". - Vital Weekly
*110 copies limited edition* "For this new record I've been inspired by some of the most breathtaking landscapes in Spain. These are 11 tracks where, like musical postcards, I've tried to reflect the beauty of the Irati Forest in Navarra, the Flysh of Zumaia in Gipuzkoa, the Albufera of Valencia, the Gorafe desert in Granada or the Somiedo natural park in Asturias, among other amazing places." - David Cordero
*2025 stock* After a long break Wozzeck returns to Intonema with an album called Fact I that opens the next chapter in the group's history. Ilia Belorukov, Mikhail Ershov and Konstantin Samolovov celebrated a decade of the band last year and wrote a piece with the materials collected over several years, transformed them and placed them into a new context.
This resulted in a 37-minute composition of math rock, noise, musique concrete and field recordings with a wide dynamic range and sounds throu…
In a collaboration lasting several days in Novi Sad, Belorukov & Zlanabitnig explored the acoustic and electronic sound combinations of their instruments as well as ambiental sounds and field recordings in the immediate surroundings of the city. This was not just a direct musical collaboration. Ilia and Sara integrated their sounds into the spaces in which they were played in, be it the studio_kuda.org, the museum acoustics or the Peace Chapel. The musicians developed different approaches throug…
Tip! *2025 stock* "On Ganglions, Badrutt sculpts sinusoidal sounds, internal and external feedback as well as voice inputs and other sources into two pieces of otherworldly music. The release takes the listener into the realm of an arthropod central nervous system and its nerve cells processing tactile and visual information (Supraesophageal). The B-Side – Suboesophageal – showcases a more primitive, destructive approach that could well be aligned with a nerve cluster that processes environmenta…
The trio Gaudenz Badrutt (electronics), Jean-Luc Guionnet (alto saxophone) and Frantz Loriot (viola) met for the first time at the Biel/Bienne-based “Joyful Noise” encounters in December 2018. Very quickly, the three agreed on a formal and sonic understanding, giving the trio a distinctive sound, combining and interweaving different sonic aesthetics, from electroacoustic to acoustic improvised music.
In February 2020, the trio continued its musical journey for a residency at Instants Chavirés i…
*2025 stock* In 2013, the collaboration of electronic musician Gaudenz Badrutt and saxophonist Ilia Belorukov began in a trio with accordionist Jonas Kocher, and in 2014 the album Rotonda was released on Intonema. Since then, time has passed, Badrutt and Belorukov have toured also as a duo, Belorukov later switching to a modular synthesizer.
In March 2019 in Biel/Bienne, the duo fruitfully worked in a new context, looking for fresh ways to interact, not only with each other, but also between ele…
Ambient explorers SWIMS unpeel another heady debut, with the maiden effort by Korean artist Soo Kyung Kim, also known as soo:k. The curtain raises on Orchadia with an elysian glow: electro-acoustic compositions painting a golden topography of impossible fruit and uncanny astronomy. soo:k's utopic brushwork finds obvious comparisons in the work of Hiroshi Yoshimura, and his meditations on the glacial pace of hidden, verdant spaces. Frida Kahlo's portraits of everyday life, intertwined with pain a…
Sediment is an assemblage of field recordings made in the Swiss canton of Jura on a single day in August 2022. Jura's rock and limestone formations create a complex topology which hosts a diversity of sound spaces; human, more-than-human, geophonic, subterranean and extra-terrestrial. By walking and driving through this landscape curious pockets of activity are revealed to the listener. The layers of strata that make up Jura; earth, rock, forest, cables, pipes, factories, planes and radio towers…
2025 Repress Every song on this album taps into raw, rich veins of sound that are simultaneously dense but easy to enjoy; vintage and modern; new yet timeless. The album kicks off with a monster track entitled "Stratton-Eustis" - one of those complex yet flowing tunes that makes you think overdubs were involved or the player has grown an extra set of limbs. Then there's "Kenduskeag,” a raga-esque group recording in an abandoned New England Conservatory building with Ethan WL and the long standin…
There is something intensely alluring, almost addictive, about Kansas City-based artist Jackie Myers. Known for her innovation and fluidity on the keys and her sultry, bluesy vocals that could spark warmth in even the iciest of souls, she has a way of leaving all your flabbers ghasted and with a voracious appetite for more. Now, 577 Records is ecstatic to present her latest work of art, What About the Butterfly, a technical masterpiece born from the depths of this vocalist/pianist/composer’s bea…
*300 copies limited edition* Flying between virtuosic formalism and freewheeling openness, Andrew Bernstein’s new album Shadows and Windy Places is a gripping picture of the Germany-based saxophonist right now. Capturing recordings across the last five years and disparate sources — some are previous album sessions, others peak into Bernstein’s daily practice — they all fall perfectly into place to form an album as rich as a self-portrait and as spontaneous as a snapshot. “I often feel the pull t…
*200 copies limited edition* "On the new album 7 Runs (In Arc Mental Styling), Max Eilbacher juggles a series of electronic tones, carefully sculpted and spaced to form what the Berlin-based composer describes as “a structural mirage made from constant movement.” Following a conceptual compositional algorithm, Eilbacher’s effervescent, repetitive digitally constructed electronic tones seem to endlessly rise across two side-long climbs that bend and twist like a barber pole. It’s a quality extenu…
*200 copies limited edition.* Philip K. Dick's narratives are a cornerstone of dystopian literature, delving into complex and unsettling visions of the future where the boundaries of reality blur, personal autonomy is undermined, and humanity is redefined. His worlds are characterized by an intricate exploration of societal control, the fragility of identity, the consequences of drug use, and the implications of virtual reality. These themes, often presented with a prophetic tone, resonate with …
Process of Elimination explores sickness as a teacher for anti-capitalist modes of being; a rewilding of the self. The product of an attempt to be indestructible, this sickness has an unknown diagnosis. The only route to determine the indeterminable is via a process of elimination. Eliminate the noise so it may quieten and make space for listening to what whispers underneath, allowing a return to the present moment. Slowness and queerness as technologies, questions as answers and mysticism as a …