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Fela used the cover of Ikoyi Blindness to announce his change of middle name from Ransome, which he now considered a slave name, to Anikulapo, which means “he who carries death in his pouch.” The front cover shows Ransome crossed out and Anikulapo added above it. Fela also used the album cover to announce the Africanisation of Africa 70’s name, changing it to Afrika 70. In the title track, Fela draws attention to the economic chasm separating the haves and have-nots of Nigerian society, contrast…
This edition of Original Sufferhead is a major event. With the release of box set #5, and now on this reissue, the title track of this magnificent album is presented in its full-length, 25 minutes 24 seconds glory. While preparing the master disc for the box set, our engineer Jedi, Colin Young, discovered four minutes of “lost” material on the B-side of the original pressing, including a superb keyboard solo by Fela. This had been omitted from subsequent reissues. The restored version used here …
Overtake Don Overtake Overtake was the penultimate album of newly recorded studio material released by Fela before he passed in 1997. Like its immediate predecessor, Beasts Of No Nation (also 1989), and its followup, Underground System (1992), the album finds Fela continuing to campaign for human rights and social change despite the relentless beatings, jailings and general harassment he had received from successive military regimes since the start of the 1970s.
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand painted and hand-numbered copies. Comes with an original polaroid.
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.
Futility by Rafał Zapała is a provocative album that reimagines the concert experience, fusing music with technology to challenge the traditional performer-audience dynamic. Through compositions such as No Meaning Detected and Futility, Zapała explores themes of control, engagement and the communal aspect of music in the digital age. This album invites listeners to an interactive journey, questioning the conventional boundaries of art and its consumption. This production demonstrates Zapała's in…
"The music of Toshio Hosokawa invites us on a poetic journey of knowledge he has made throughout his life by bringing the cultures of East and West into dialogue.” - Paco Yáñez
Inspired by the serene aesthetics of Japanese gardens and the avant-garde sounds of Edgard Varèse, Hervé’s work embodies a profound engagement with the environment, both natural and constructed. Featuring the compositions Germination, an ensemble piece with electronics that transcends traditional performance spaces, and Topos, an immersive soundscape blending music with the sounds of an imagined natural environment. The album concludes with Au Dehors, a composition that evolves like nature itsel…
Since the nineties, Elisabeth Harnik’s work as an artist is characterised by two aspects: improvisation and composition. For Harnik, these two activities, which are usually treated as entirely separate entities in music, are two sides of the same coin. This already becomes evident in her improvisational playing, in which she frequently works with piano preparations and extended playing techniques. Exploring, juxtaposing, merging and fusing sounds, she marks out different paths through the sounds…
This double album with compositions from the last two decades offers an insight into the diverse musical soundscape of Joël-François Durand. From Mirror Land (2005) to Geister, schwebende Geister... (2020), Durand’s work shows a unique development characterised by his use of microtonality. The poetic dialogues of the Fernando Pessoa-inspired Quatuor à cordes No. 2: Cantar de Amigo (2020) and Durand’s ongoing exploration of microtonal spaces in La descente de l’ange (2022) reveal a dynamic and tr…
The cycle Khôra, featuring saxophone quartet and microtonal accordion, explores the dynamic interplay between sound, philosophy, and space. Inspired by Plato’s Timaeus and Jacques Derrida’s reinterpretation of Khôra, the nine pieces challenge traditional notions of time and space. Performers from the SIGMA Project and accordionist Iñaki Alberdi create a fluid, immersive experience that goes beyond linear hierarchies. Capturing the essence of an ever-changing world, the album reflects Ernst Bloch…
Frank Lowe was a very dynamic tenor saxophonist who derived inspiration from the initial and subsequent movements of free jazz throughout the 1960s. Lowe is most known for his collaborations with drummer Rashied Ali and a few of the many albums released under his own name. Throughout his career, he has often been overshadowed by the influence of John Coltrane and Albert Ayler. He has left behind an outstanding collection of solo and leader work, including contributions to Don Cherry's Ralativity…