New Arrivals
Adrift
Søren Skov Orbit's debut album, "Adrift," is at once subtle and profound. The Danish saxophonist and his collaborators have created something quite special and consistently deep. This record may not easily be classifiable, but the most interesting music creeps between the lines. Tenor and soprano saxophonist Søren Skov (Debre Damo Dining Orchestra) and keyboardist Peder Vind co-founded the trippy quintet Søren Skov Orbit in 2016 to explore “more jazzy ideas,” as the saxophonist puts it. Joined b…
Holy Holly Holly
A vital document of late-period Japanese jazz innovation, Holy Holy captures Masayuki Takayanagi in a moment of creative transition. Recorded live on December 8, 1985, at Aketa no Mise, this session features Takayanagi’s razor-sharp guitar in dialogue with two double basses: Nobuyoshi Ino and Toru Saitoh. The result is a soundscape of overwhelming depth and intensity, where the deep, undulating resonance of the twin basses intertwines with Takayanagi’s incisive lines.
On Holy Holy, the trio reim…
Stardust
Stardust is a rare live recording that reunites three pioneers from the dawn of Japanese jazz: Masayuki Takayanagi (guitar), Ryozo Sugiura (vibraphone), and Hideto Kanai (bass), captured at Yokohama’s Stork Piano Lounge in December 1979. Unlike the intense, driven performances Takayanagi was known for in his “New Direction” and “Second Concept” projects, this session offers a relaxed, intimate atmosphere-full of warmth, camaraderie, and spontaneous musical dialogue. Listeners can even catch the …
Spitfire
2025 stock A cinderblock-sculpting freakout session from Don Dietrich (Borbetomagus/The New Monuments) and Ben Hall (The New Monuments). Highly-touted by Aaron Dilloway, deep sea creatures, and your local tire dealership.
Venite Visum
2025 stock Running Back welcomes Andreas Grosser for the start of it's non-dancefloor series "Running Back Incantations". Think Tornado Wallace's "Lonely Planet" or Suzanne Kraft's "Missum" who both would have been good and early contenders for a series like that, and you are half way there. Andres Grosser though, was "there" and that way before. Probably best-known for his 1987 collaboration "Babel" with Klaus Schulze, Grosser is a bit of a dark horse in the universe whose big bang was krautro…
Night As Day Day As Night
Texturally varied but seamless and dreamily brief, Night as Day Day as Night is the mesmerizing debut studio recording from a trio of remarkable Norwegian musicians. Christian Winther, Anja Lauvdal, and Espen Reinertsen all have rich musical histories, performing and recording a wide variety of styles from avant jazz to leftfield folk and ambient music. “I think all three of us,” Winther says, “are very interested in music that lingers in the in-between state of things.” And what these musicians…
Cavum/Of Salt and Sea
*100 copies limited edition* Metallic silver cassette tape with black direct imprinting housed in a clear norelco box. Loaded with FerroMaster C456™ super ferric, ultra-high performance type-1 music grade analog tape. Cassette box housed in a thick, matte O-Card wrap. Shrinkwrapped. Cassette design and layout by Zach Frizzell. Pressed and printed in the US, exclusively for Post. Festival, 2025 by Past Inside the Present. Marketed and distributed by Post. Recordings and Past Inside the Present.
S…
Past Inside the Post Sampler
*100 copies limited edition* Fluorescent blue cassette tape with housed in a custom printed PITP X POST pouch with resealable zip closure. Cassette loaded with FerroMaster C456™ super ferric, ultra-high performance type-1 music grade analog tape. Pressed and printed in the US, exclusively for Post. Festival, 2025 by Past Inside the Present. Marketed and distributed by Past Inside the Present2.
This special sampler was curated exclusively for Post. Fest 2025. It showcases a collection of post-roc…
Bijù Bazar
A Principino whose body dissolves and recomposes perpetually, leads us inside an ancestral tunnel, layered like a bazaar, for just 21 minutes. At the stroke of the 18th minute the light goes off and comes on intermittently marked by the rhythm of Bingo Bongo. From the darkness crawls an ignoble spirit with stocky features with a guttural voice leads us astray to the gates of the gulf. The air suddenly becomes warm, the current dilates. The internal whistle of the bowels resounds from the deepest…
Voa
*70 copies limited edition* Lisbon-based duo Garoa—formed by Brazilian musicians Raphael Soares (drums, percussion) and Henrique Dias (piano, synthesizer, guitar, percussion)—craft an evocative soundscape that merges Afro-Brazilian rhythms with ambient textures. Their latest release, recorded in May 2024 at Estúdio Fetra, presents a free-flowing exploration where harmonies and rhythms unfold organically, avoiding rigid structures and embracing improvisation full time.
The album’s compositions ar…
Organic Music Tapes Vol. 4
*100 copies limited edition* In keeping with tradition, the new year brings another offering from Portuguese pianist and composer Tiago Sousa. The fourth volume of the Organic Music Tapes series concludes this cycle that has significantly transformed Tiago Sousa's music. Compositions in a fluid state, forming nebulae of sounds with vague contours for piano, organ, and tape loops, based on techniques pioneered by American minimalism, particularly by composers such as Steve Reich, Terry Riley, and…
Vol. 1
*70 copies limited edition* Guilherme Granado & Bruno Abdala Unite in Filhos, a long-awaited collaboration between the two Brazilian musicians. After years of friendship and sporadic live collaborations, Granado (São Paulo) and Abdala (Goiânia) have finally brought their creative synergy into a full-fledged project. Despite the geographical distance, a collaboration was inevitable — and now, it has become a reality.
The creative process moved swiftly once the exchange of ideas and files began. W…
Mannheim HBF
So the bad news is, in a fit of pique, I asked Chat GPT (nicely) to compose a one-sheet for the new Shit and Shine double album, ‘Mannheim HBF’. The even worse news (yes, even worse than resorting to such tactics) is that the resulting biography is halfway passable and on some levels, superior to the sort of thing being published by what’s left of our weekly coupon-shoppers. But for fuck’s sake my friends, Craig Clouse did not get to where he is today today by settling for halfway passable an…
Of How Hits
In attempting to write this dispatch on the second Voice Imitator album my instinct is to pitch them as somewhat of an antidote to the current ills of what could be described as the post-Noise Rock landscape. I’m trying not to tread too far down the path of negativity and slander, so let's just say that while on paper they share basic characteristics with popular groups in the pigfuck to frat rock pipeline, Voice Imitator possess a tact and vision scantly seen in Repetition Orientated Rock. On ‘…
Ashmadai
*2025 stock* "Two adepts of the sonic arts return with a morality play in four sides. Gone are the appeals to the winged serpent, the tree of life, or other past luminaries; these days they can be seen in consort with only one: Ashmadai. It is said that Ashmadai is not to be feared. When you say to it: 'In truth thou art Ashmadai,' it will give you a wonderful ring. It will teach you geometry, arithmetic, astronomy and mechanics. When questioned, it answers truthfully. Released on two twelve inc…
Dead-Loop
*2025 stock* Tim Barnes’ latest full-length: DE∆D-LOOP (AMI 038R/W), is his first solo release since 2002’s All Acoustics. DE∆D-LOOP offers another arm in Barnes’ wide-ranging body of music and work, as well as supplying an additional thread connecting the House, pop and sound art conversations the album engages. In many ways DE∆D-LOOP is House music that takes a sideways approach to the language of dance music. As both a concept and a practice, Barnes aims to turn House on its side, reconsideri…
Ghost Ship
Four years after his rock juggernaut Puritan, Chris Brokaw delivers Ghost Ship, a landscape meditation (at sea) for vocals and electric guitars.
I set out to make an 8 song statement like 'Desert Shore' or 'Raw Power', but it became a 9 song...something else. I've described it to friends as 'Twin Peaks-ish' but that feels only part right. The songs were written on a 60's Teisco Del Rey electric guitar, set up by the Belgian luthier Flip Scipio with heavy gauge flat wound strings and an .80 gaug…
Cabanes
It has been almost seven years since the release of Alpestres, the impressive debut by Matthias Puech on Hands in the Dark. While that first experience took us on a mystical journey through fascinating fictional landscapes, 'Cabanes' lets its narrative unfold in a confined space: eight pieces each resembling small structures or makeshift shelters that, while enveloping and isolating the listener, remain open to their surroundings. These are not merely interiors; they are handcrafted spaces throu…
Intuitive Fields
Zach writes his dreams, his grand inner music emanating directly from his soul and offering it to the world, guided by his intuition. Nine abstract, ambient, and celestial tracks, evolving with his sensitivity, conducted like an intimate orchestra, revealing his landscapes and skies. Sweetzak takes us on a journey within himself and questions our emotions in this first album with complex textures, like a glimpse into what moves him.
So Einfach Ist Das
These recordings are indeed a minor sensation! It's hard to imagine that, apart from the well-known recordings in the GDR, something "different and deeper" existed in the late 1960s alongside appealing soul and jazz bands. Modern and progressive fuzzy and funky jazz rock. Really? But yes, "So einfach war das wohl / it was probably that simple" back then. The highly talented pianist Ulrich Gumpert played and composed in one of the country's most renowned ensembles, the Klaus Lenz Orchestra, since…