New Arrivals
Point Of Eruption
German progressive with symphonic touch featuring Mellotron and flute, good keyboard playing and a fine guitar. Three of the six tracks are instrumentals. Dag Erik Asbjornsen lists the Troya LP in his book "Cosmic Dreams at Play" among the ten best Krautrock LPs of all time. The original album sells for 1000 € in mint condition. With 8-page booklet in LP size.
Wounds of Melody
*200 copies limited edition* Furtherset, the musical project of Venice-based composer and visual artist Tommaso Pandolfi, debuts with his first album for Kohlhaas, the sixth in his career, 'Wounds of Melody'. A layered image of devastation and beauty, where Renaissance tears merge with the incandescence and violence of phosphorus, the artwork is the first encounter in the emotional itinerary that unfolds in the five tracks making up the LP. Over its forty-one minutes, the album's beatless but me…
Clear Spot
2025 stock This set features the original album of Captain Beefheart & The Magic Band recut from the original master tapes at Bernie Grundman Mastering, please an additional LP of rare studio outtakes, alternate versions, and previously unreleased instrumental rough mixes from the Clear Spot sessions.
Spectrum
2025 stock Cobham's debut record after making a name for himself collaborating with Miles Davis and the Mahavishnu Orchestra remains a remarkable moment in progressive jazz. "Stratus" would later be sampled on Massive Attack's "Safe From Harm" and featured in Grand Theft Auto IV radio.
Pieces Of Africa
Laurie Anderson and Kronos Quartet's Landfall, inspired by her experience of Hurricane Sandy, is the first collaboration between the iconic storyteller/musician and the groundbreaking string quartet, who perform together on the recording. Landfall juxtaposes lush electronics and traditional strings by Kronos with Anderson\'s powerful descriptions of loss, from water-logged pianos to disappearing animal species to Dutch karaoke bars. The Washington Post calls it "riveting, gorgeous."
Next Millennium Vibrations
*Comes with Obi strip* “Next Millennium Vibrations” drifts through warped tape loops, ambient zones and sampled oriental percussion with comical electronics, conjuring a surreal, meditative and disorienting atmosphere. Mako weaves fractured beats with ethereal melodies, blending kosmische, lo-fi psychedelia, and avant-garde experimentation.
Corsano Baiza Watt Trio
Yucca Alta Records is ecstatic to present our inaugural release: the debut, self-titled LP from the Corsano Baiza Watt Trio.
No Floor
More Eaze and Claire Rousay’s collaborations are effortlessly joyful, their music evoking the warmth and respect they have for each other. Their bond goes back to their youthful hometown of San Antonio, Texas where they played in country outfits and noise rock bands respectively, and each pushed their music to extend beyond the traditions and conventions of genre. more eaze (the moniker of violinist/multi-instrumentalist mari maurice) and rousay have spent the past decade pushing boundaries, sta…
Imaginary Cycle (Music For Piano, Brass Ensemble And Flute)
Idiosyncratic, large-scale and in its fundamental disposition one of a kind, Florian Weber’s Imaginary Cycle, conceived for the unique instrumentation of brass ensemble and piano, is a hybrid of multiple musical languages that seamlessly blends the harmonious with the oblique. Here Weber presents a cycle in four parts, plus an opening and an epilogue, in which the German pianist is joined by a group of four euphoniums, a trombone quartet as well as flautist Anna-Lena Schnabel and Michel Godard o…
Freigeweht
Released in 1981, the debut of the legendary keyboardist from Eberhard Weber’s Colours band and later the Jan Garbarek Group, Freigeweht presented Rainer Brüninghaus as a highly original and idiosyncratic sound sculptor in his own right, accompanied by ECM stalwarts Kenny Wheeler on flugelhorn and drummer Jon Christensen as well as oboist Brynjar Hoff. In a review of the album from the year of its release, the German daily Frankfurter Allgemeine Zeitung traced Rainer’s influences and minimalist …
Amaryllis
Return of the great American jazz trio that delivered the poll-topping "Nothing Ever Was, Anyway" in 1997. Material heard on "Amaryllis" is by turns thoughtful, touching, joyous and viscerally exciting. Some of the songs are well known – almost classics of new jazz – including Crispell’s "Rounds", Peacock’s "Requiem" and "December Wings, Motian’s "Conception Vessel". There are also a number of startlingly effective free improvised ballads. As leader Marilyn Crispell says, "There’s a great depth …
Skrifum
From the very first note, Norway’s Jon Balke proposes a new sonic dimension with Skrifum, continuing a line of inquiry begun with Warp (2016) and Discourses (2020), solo piano albums which also processed the acoustic environment in which the music was heard. Skrifum (the Icelandic word for “write”) takes things a step further. With the aid of electronic audio tool the Spektrafon, which he helped develop, Balke is now able to directly manipulate ambient audio sound from the piano while playing –…
Preludes And Songs
Pianist François Couturier and violinist Dominique Pifarély, major figures in French improvisation, have played together in many projects over the last 30 years, including their duo, which made its recording debut for ECM with the remarkable Poros in 1997. Preludes and Songs, carries the story forward, with its programme including music by both players as well as pieces by Jacques Brel, Duke Ellington, George Gershwin and J.J. Johnson. With sensibilities informed by jazz and contemporary composi…
Relations
Musical messages from Oslo, New York, Basel and Lugano – recorded between 2018 and 2022 – are juxtaposed and recombined on an absorbing recording that features Norwegian drummer Thomas Strønen solo and in a series of duets . With such partners as Craig Taborn, Chris Potter, Sinikka Langeland and Jorge Rossy, the musical frame of reference is very broad. Elements from Langeland’s’s archaic-sounding folk to Potter’s post-Coltrane saxophone and Taborn’s whirlwind modernist piano each find their p…
Vento Sul
*2025 stock * A holy grail! This is one of Marcos Valle's best-ever albums – and it's certainly the one to best realize the larger scope he was heading for in the years after the bossa – that sublime mix of jazz and more expansive arrangements – a perfect fit for the growing sophistication of Valle's songwriting. The record is fantastic – done with a sweeping sound that still leaves us breathless after all these years – and put together with an approach to composition that is virtually indescrib…
Karma
*2025 stock * An obscure bit of Brazilian folk rock from the early 70s - recorded with an easygoing, laidback style that's really wonderful! The group's working mostly here in a blend of acoustic guitar and percussion and some of the guitar work is done by Jorge Amiden of O Terco, using a strange three-necked guitar that looks mighty weird in the picture! This instrument seems to be played using a bow at times - creating a "guitar strings" sort of feel that gives the record a bit more class th…
Lugar Comum
*2025 stock* A sweet electric 70s session from the mighty Joao Donato – very different than his earlier bossa work of the 60s – and with the same funky appeal as the best work on his classic Quem E Quem album! This set's got a tighter feel overall – very much in a samba soul style, with lots of great Brazilian bits mixed up with funk and jazz touches – including a range of great keyboards handled by Donato himself! Drums are by the mighty Wilson Das Neves – who brings in some breaks at a few poi…
Quem É Quem
When João Donato released “Quem é Quem” in 1973, he had already been in the music industry for over 20 years, gaining national and international recognition. Nevertheless, the album marked the beginning of a new phase in his career: the surprising multi-instrumentalist included lyrics in his songs for the first time. It is one of his most important albums, which now returns to shelves pressed on 180gr matte green coloured vinyl.
Invictam
Invictam represents Olivia Font’s solo debut, an album co-produced with producer and composer Pedro Vian, set to be released in early 2025 under his label, Modern Obscure Music. This work explores themes of resilience and adaptation after loss, developing these ideas through a sonic journey that blends strings, analog synthesizers, electronics, and experimental percussion. The narrative is guided by a female voice, which, although not the central element, appears intermittently throughout the al…
untitled (2021-2022)
Tip! *100 copies limited edition* Created in 2021-2022 at ‘mobile messor’ (Bologna, Tenerife, Dalvik, Den Haag, Bangkok), ‘Dune Studio’ (Loosduinen), and ‘Hundred Islands Studios’ (Rosclave enclave). Pieces created with original environmental sound matter recorded in: - untitled #398: Macizo de Teno and Macizo de Anaga (Tenerife, Spain), 2020. - untitled #412: Mlawula Nature Reserve (Eswatini - former Swaziland), 2011. - untitled #411: Negev Desert, Dead Sea and Golan Heights (Israel), 2008-2009…