New Arrivals
ØØ Void
Double LP edition: Lengths of stretched distortion rattle the grey matter, unnervingly slow and severe. With Sunn O)))’s second album, ØØ Void, the sonic misery nurtured to functionality by Greg Anderson and Stephen O’Malley stays simple and repetitive, a tabula rasa having yet to realize the full scope of its potential. With this album, Sunn O))) worked as a three-piece, collaborator Stuart Dalquist coming up with its opener, “Richard,” which is a solid fourteen and a half minutes of be…
V
Finally the fifth KTL studio album is ready for release. Whereas their previous album IV (EMEGO 089CD) was recorded and made in a relatively short period in a more traditional rock environment, V turns full circle, takes its time and tackles the complex working processes of the European avant-garde. Rooting themselves in such legendary electronic music studios such as EMS in Stockholm and GRM in Paris, Stephen O'Malley (SunnO))), Khanate, etc.) and Peter Rehberg (Pita, etc.) have delivered …
On Patrol
Gorgeous double LP version "If a tree falls in a forest and no one's around, shit still gets crushed. If Cameron Stallones holes up solo-style in a suburban cave and wah-riffs over canned bongos for five straight months, double LPs still get dropped. These are basic life laws. The latest from Mr. Araw is easily his least compromising audio self-portrait to date. Three minute rhythm sketches are stretched into ten minute loop pedal odysseys. Organ solos last for entire vinyl sides. Ambiguou…
Life...The Best Game In Town
After releasing several albums in the 90s, Harvey Milk are celebrating their own renaissance by lauding the virtues of "Life...The Best Game In Town". Spearheaded by the alternately burly and angelic vocal stylings of Milk mastermind Creston Spiers, "Life" is both tumultuous and grueling, resonating with the glorious slow-motion radiance of Total Dirge Power. They've since been joined by Thrones legend Joe Preston.
Viroulegu forsetar
LP version. “This is his second album for Touch, after the highly acclaimed “Englabörn” [Touch # TO:52], about which The Wire said: “...expressive leitmotifs that unveil a profound sadness without ever wallowing in pathos” and Boomkat called it “a work of rare beauty and ... a rare jewel.” “Virthulegu forsetar” contains one hour-long piece for 11 brass players, percussion, electronics, organs and piano. The piece had its live debut in Hallgrimskirkja, a large church in Reykjavik and the city’s t…
Swim
Following on from 2008's Polaris Prize-winning Andorra, Dan Snaith returns with a fresh take on the Caribou sound, working more dance-friendly structures into his work, which makes for quite a revelation given the project's tendencies towards jazz and frayed-edge psychedelia. Snaith outlined his approach to the new record by stating: "I got excited by the idea of making dance music that's liquid in the way it flows back and forth, the sounds slosh around in pitch, timbre, pan... Dance mus…
Weight / Counterweight
"Recorded in April of 2008, Weight/Counterweight, the new release by Bill Dixon marks his return to small group playing, his first trio since the Dixon/Taylor/Oxley Victoriaville recording. The group, assembled by Hall at Dixon's suggestion, marks a new direction in Dixon's instrumentation with no untreated trumpet whatsoever and a barrage on pitched and unpitched concert percussion creating landmark skeletal architecture which Dixon pushes out from into unmediated solos of gravity and we…
Mimikry
Having nicely set up the release of this album with their Ret Marut Handshake EP a few months back, Alva Noto and Blixa Bargeld (of Einsturzende Neubauten fame) deliver a set that exceeds all expectations. One of the most strikingly obvious comparisons to arise from that first batch of material was the Alan Vega/Pan Sonic collaboration, yet Mimikry goes much further than combining the established aesthetics of its constituent parts and creates something that actually feels very new. Car…
Endtime
It's a great honour for us to be able to present conrad schnitzler's last work. endtime will be released as dlp, cd and download. only a few days before he passed away last august, he created this unique, almost 70 minutes long work. 36 parts mixed into each other create a walk through his entire work. this record is not only for fans of conrad schnitzler. it's like a trip through 40 years of electronic music. conrad schnitzler once more shows how strong his influence has marked young art…
Versions
"David Daniell and Douglas McCombs's first collaborative LP, Sycamore (THR 216CD/LP), was assembled from seven hours of in-studio improvisations. Daniell and McCombs sifted through the material looking for their favorite moments, then combined, cross faded, mixed, and matched those moments into something that made sense to them as a long player. For their new release, the double LP Versions, they gave the same seven hours of material to noted recording engineer and producer Bundy K. Brown…
Repo
The frazzled and fractured electronic rhythms of Brooklyn noisemakers Black Dice are bent into shape once again on this fifth studio album from the band. The album, titled Repo, is comprised of home recordings and sessions from New York’s Rare Book Room studios. It’s another fine example of Black Dice’s singular aesthetic, which has been carefully honed through years of equipment abuse in low rent venues, art galleries and other improvised performance spaces. The record comes with a 20-page book…
Live in Germany, 1983
In some ways, Commitment was typical of many bands of their time. Between 1978 and 1984, they enjoyed a modest success by the subterranean standards of the Lower East Side. They struggled for gigs during the waning years of the New York loft scene, enjoyed higher profile gigs at several Kool Jazz Festivals, made one short European tour, and recorded one LP. But their music is more significant than this story might indicate. Hwang was among the first improvisers to emerge out of the Asia…
The Revenant Diary
"Don't look back," repeats one of several voices within Mark Van Hoen's The Revenant Diary, his fifth solo album and first release on Editions Mego. Surrounded by weighted beats, analog synthesizer drones and granular dirt, the unidentified, siren-like female voice's advice is as much seduction as warning. Tellingly so, for as well as being both Van Hoen's most ambitious and his most accessible work, The Revenant Diary is an eloquent meditation on the allures and dangers of memory, regret …
Gramercy
On 'Gramercy', we find clarinet abuser Gareth Davis (who might be best known for collaborations with Machinefabriek and Steven R. Smith) paired with virtuoso cellist Frances-Marie Uitti. Uitti is widely revered for her unusual and original twin bow technique, which allows her to eke out far more sounds from the humble cello that you might initially expect. These sweeps and drones are matched perfectly with Davis's patented haunted drones and breathy chokes resulting in a deftly academic yet unne…
Pantheon Of The Lesser
Pantheon Of The Lesser was composed over a period of two years in Ocean's home studio in Portland, Maine. As the seasons passed each track was written, re-written, played and then re-played as layers were slowly stripped away until the true essence of the song was revealed. Once Ocean entered the studio it took another two years to deconstruct Pantheon Of The Lesser until they had found the essence of their writing. This disciplined deconstructionist approach to songwriting is how Ocean t…
808s & Dark Grapes II
The internet can be blamed for many things, and while the current consensus seems to be that it is single-handedly responsible for the destruction of the music scene, it's impossible to deny the influence it has had on contemporary rap music. Previously held hostage by industry moneymen, file sharing and social networking has democratized the genre and allowed people to hear what's really going on in the minds of young producers and rappers. Main Attrakionz are one such cottage industry ma…
Desertshore/The Final Report
**Gatefold double 180g vinyl LP, with 12" booklet of liner notes and photos**Industrial Records presents the much-anticipated two album release Desertshore/The Final Report, a unique collaboration by Chris Carter, Peter "Sleazy" Christopherson, and Cosey Fanni Tutti. This is a two album release celebrating both the progress inherent in change and the fulfillment of two exceptional, yet separate projects. The Desertshore project is a "re-imagined" cover version of Nico's seminal 1970 album, f…
Progression
Featuring members of Pelican & X-Bax. For the new album three single-chord compositions were charted out, one freeform and tone driven, one long-form piece with charts dictating the players' intensity of performance, and one grid-like chart where each players' note continually shifts, though the combination of voices continue to maintain the chord. Six chords were chosen and arranged in a progression that encompasses two separate performances of each of the three compositions. Though the…
Old news #8
More archival works from Jim O'Rourke see the light of day on Old News #8. Recorded in 1991-1992. Originally released as part of Disengage by Staalplaat. Special thanks to Geert-Jan Hobijn and Frans de Waard for their years of support. Jeff Cortazzo (trombone), Sue Wolf (cello), Michael Prime (shortwave), Geoff Fontaine (voice), Gretchen Wells, Matt Guerierri, Scott Shell. "Merely" recorded live at DePaul University, 1991 -- Carrie Biolo (percussion). Remastered in 2012, Steamroom Tokyo. This on…
Apokatastasis
Consisting of one side of solo lute material by Van Wissem and one side of new pieces by the duo. Film maker Jim Jarmusch plays electric and acoustic guitar and does tape on one piece. Van Wissem plays lute and 12 string electric guitar. Limited silver on black silk screened vinyl edition.