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Expo '70 has garnered a great deal of notoriety over the last few years in certain circles in which the moniker is usually mentioned to describe types of cross-genres. After completing a couple US tours and a handful of limited releases and re-releases in 2010, a short hiatus was in order. During this time last year Justin Wright, sole operator of the project, recorded tracks for an upcoming release. Wright entered a basement studio and improvised over two nights layered recordings for the first…
Sandy Bull's 1965 LP Inventions remains one of those legendary albums that almost no one has heard. Its impact, however, can be scene in the title of this new compilation spotlighting a great unsung hero of "psychedelic folk." "Blend," the 22-minute opus from 1963 that opens this disc, surely fits that designation, perfectly blending folk, jazz, and Indian influences into what Bull called "new guitar raga." An eclectic virtuoso who switched from acoustic guitar to banjo to Stratocaster to oud (m…
Right on cue, the third annual report from Chicago's Disappears is submitted for your consideration. Following up on the acclaimed Guider album released just over a year ago, and with new drummer Steve Shelley now fully integrated into the group, these songs were again forged into proper shape during live shows before heading to the studio and the tape machine. Never ones to dither or be indecisive, it's a full-bore assault from the opening track to the last as Disappears attack these new…
The Lost Jockey was a large aggregate of British new music performers who came together on this LP to play compositions by three of its members: Andrew Poppy, John Barker and Orlando Gough. Poppy is the best known of the three-he worked with Psychic TV on their first two albums and made two rather dated EPs for ZTT in the mid-80s-and his pieces here are better than the later works but still forgettable. It’s Gough’s side-long “Hoovering the Beach I & II” that’s worth the price of admission-with …
The Parasites of the Western World are a band from Portland, OR who released their recorded debut in 1978. It's a fascinating spin, a galactic ramble across the otherworldly themes of alienation and paranoia, seemingly inspired by LSD and Philip Dick. Primarily the creation of Patrick Burke and Terry Censky, the Parasites were limitless with invention and completely DIY. This is a record that was recorded in an apartment, by a crew thoughtful enough to curtail it's loud excursions for the…
Second album by Texas psych duo CALEB COY (guitar) & ETHAN COOK (organ), written in the desert, yet recorded during an endless NYC winter. A cold, expansive sound made ripe for these turbulent times: it's drone rooted deep in the American tradition. RIYL: Earth, Growing, Brightblack Morning Light.
Music : Franck Vigroux. Voice : Ben Miller. Franck Vigroux & Ben Miller began their overseas collaboration in 2009 with live shows in NYC and DC. Audio files and vocal tracks were then shared over the internet until a download release was made available on D'Autres Cordes Records. This release is now available on vinyl. number of corresponding records for 'FRANCK VIGROUX' : 4
Mindblowing totally acoustic drone record, musicians are Jacques Puech (cabrette), Yann Gourdon (hurdy-gurdy) and Basile Bremaud (violin). This totally acoustic set is a variation around two bourrées in triple time, both themes are taken out of the tradionnal Mont d'Auvergne repertoire. Hand made, spray painted cover
The MP3 Deviation album contains pieces that are results of the collaborative research by a team of the New Aesthetics in Computer Music (NACM) and myself, led by Tony Myatt at Music Research Center at the University of York in UK in 2009. My idea was to develop new software based on the disruption of the MP3. Primarily I thought the MP3 as reproducing device could have created very new sound by intervention between its main elements, the compression encoder and decoder. It turned out th…
Starfucker’s highly regarded full-length LP Reptilians was originally titled “Heaven’s Youth”. Like most artists, song ideas, the album concept and even the artwork continued to evolve. The band changed the title, continued to edit and develop the songs until the final version (Reptilians) was released in 2011. The original versions of the songs, that were until now only heard by the band, are being released for the first time in a very limited edition of white vinyl. Heaven’s Youth (Re…
This latest release on the excellent Forced Nostalgia imprint is by some distance its most illuminating release to date - a split LP that features an astonishing rediscovery from the early 1980's synth-pop era. That album is 'Whisper Not' by Vazz - a duo consisting of Anna Howson & Hugh Small, and is redolent of so much classic, deeply cherished music from around the same period (think Crépuscules, Antena, early Cocteau Twins on the one hand, and The Cure's 'Seventeen Seconds' on the othe…
Latest from the uber prolific Aidan Baker, of mighty doomdronedirge duo Nadja, and as we've discovered in the past, Nadja is Baker's outlet for the heavier stuff, while working under his own name he tends to veer toward the minimal, ambient and drone side of the spectrum. So that's what we were sort of expecting from this, and while it definitely does lean more toward those sounds that the crush of Nadja, it's actually something else entirely, a solo acoustic record. That's right, just ac…
Pete um, a breeder of horses and creator of quirky tape loops, had already created a proud number of tracks scattered over a series of cd-rs, a 7" and a split lp, when he happened to run into the talent scouts of gagarin records in a small pub of his hometown cambridge. the fateful encounter set the clock ticking for a release but it would be five years before the essence of um's vast output was distilled into a flock of 18 tracks that now dazzle silvery on this very record. meanwhile, his music…
Super limited edition of 300 hand-numbered copies. Hand screened jackets printed by Neil Burke at Monoroid. For years, both Z'EV and Jon Mueller have explored these possibilities, both within traditional forms, and singling out specific elements within those forms. For Z'EV, an entire book, called Rhythmmajik, was written about the properties of rhythm, while his history pairs him with a wealth of collaborators, from Carl Stone, Glenn Branca, and many others, as he pursued the quest for rhythmic…
99 copies only one-sided LP black vinyl, with insert. Mats Gustafsson -- baritone sax, music box rec, mixed and mastered June 16, 2009 by Ola Glans, Svinaberga, Sweden. After his rendition of Duke Ellington pieces, the series continue with Mats unique versions/visions of classic Ayler's tunes like 'Our Prayer' and 'Angels/Spirits.' Here he plays music box and baritone sax; the sound is full and warm. Recorded in June 2009. 'These two albums on yr label are two of the ones I m most pleased with e…
baritone and slide saxophones, alto fluteophone. Limited edition High Quality 45 rpm. Limited Edition of 500 records. Recorded February 9th 2008 at Vilniaus Ma asis Teatras. Cover's paintings by Edward Jarvis.
Clear and Discovery were originally released as two companion CDRs by James Ferraro (of the whole Skaters / Lamborghini Crystal / 90120 / Splash / Nirvana axis) and comprise the August 1974 (Taj-Mahal Travellers) of his discography. Both albums contain absolutely beautiful whirling hall-of-knives-style synth drone that makes one want to reference Klaus Schulze or Bobby Beausoleil. Clear bursts with flam beats and a cluster of melodies muffled like a calliope wrapped in a soggy tarp, while Discov…
"When witch-gods collide, it might sound something like this. Six Organs of Admittance...Richard Bishop...Chris Corsano. Riders of the apocalypse, it's them vs. us. After absorbing their über-holy dynamo, you'll be prepared to join up with these wraiths, making it all of us against...well, whomever's fool enough to stand in our way. To evil! Rangda's been building up behind the scenes for some time now. As label mates and members of an exclusive mutual admiration society, Sir Rick …
Doris Norton, pioneer in the early electronic/computer music, began her musical career playing avant-garde and progressive music using synthesizers such as Roland System 700, Roland system 100M and Minimoog (Jacula, Antonius Rex). In december 1980 she recorded, at the Fontana Studio 7 (Milan), her first solo album entitled Under Ground (Musik Research). Sponsored by Apple computer and the Roland Corporation music instshe was more involved in experimental electro computerized music and rec…
Inspired split LP that pairs feral European art soundists Kommissar Hjuler and Mama Baer with the avant garage surrealism of LAFMS stalwarts Smegma. Numbered edition of 177 copies with colour paste-on sleeves. The Smegma side bundles an eerie track from 1975 with two pieces from 2008/2009 that use loops, electronics and waves of extended muzzy tone to confuse time lines completely. The Kommissar side is less about outlaw sound poetry and more plugged into their destructo rock style as documented…