New Arrivals
Clarity #1
The collaboration between pianist Merle Louise and rsn follows an improvisational approach, as all the songs were created spontaneously and in a flow. while the use of piano is or has become a main element in ambient music, the sound of “clarity #1” is different. instead of reproducing the typical patterns and harmonies of the genre, two styles meet here and interweave at the moment of creation. the drone and ambient soundscapes of rsn are enriched by piano melodies and patterns that are atypica…
Porosity #1
The permanence and recurrence of “porosity #1” by Rsn creates a kind of meditative permeability. the musical maelstrom creates a seemingly endless surface that develops from the two-dimensional to the three-dimensional. but this surface is porous and has loopholes. it is not a fast ride through this soundscape, but rather a walk - and the landscape hardly changes noticeably, but there is a resolution, a small aftermath. “porosity #1” is slow and deliberate, waiting and gentle.
Shift #1
"shift #1" is a collaboration album by the two drone/ambient artists rsn and N. the album comprises three songs that deal with semitone shifts, creating an aesthetic depth of sound on the one hand and building up a long arc of tension on the other. "shift #1" is a musical colossus - sound, structure and length create an immersive sound experience. quiet, rather contemplative sounds gradually develop into an alert sound construct. sometimes, however, it remains calm and inward-looking, meditative…
Interweaving #1
“interweaving #1” is the sound-aesthetic result of an improvised session by rsn and NAGEN. With a setup of stereo guitar, bass, electric kalimba, selfbuilt instruments like the "portanuum", sampled field recordings and some little synths, seven songs or sound collages were created, which combine the drone and ambient of rsn with the improvisational art of NAGEN. “interweaving #1” is a dynamic sound experience with a focus on noise and drone, but much more.
Brown Paper Business
2025 stock Suddenly, there was a stick to dig a hole. Now countless years into the future, we await, anticipating more than competition and violence. I am drawn in, and ultimately mesmerised. Later that night, I began to clearly see the de-centralised nature of an awakened awareness, baked to a crisp by a relentless sun on the inside AND the outside. Unobserved, the need for acknowledgement will run away with the spoon leaving nothing to chance. It must be said that no two instances are ever the…
The Bagatelles vol. 3
Volume three of the recording of John Zorn's renowned Bagatelles, chosen from the more than 300 works that the American conductor and composer created in a span of three months at the beginning of 2015 and later compiled into a book. In this performance, the experimental band Trigger tear through fifteen of the collection's most wackiest and chaotic pieces.
My Heart Wavers
*300 copies limited edition. 2025 stock. Heavy tip on gate-folded sleeve with fold type Obi. First time on vinyl reissue 4 page insert included.* A Masterpiece that embodies the musical ideals of Hahm Joong-ah as a band leader in the 1970s’. This record is the masterpiece recorded by Hahm Joong-ah, a talented guitarist and composer influenced by Shin Joong-hyun, under the newly-formed project ‘Revival Cross’ following the breakup of his first band, the Golden Grapes (LITA065). It features vocals…
Tsuchi No Ne (Sound of The Earth)
Japanese big-band jazz masterpiece. Amazing reissue from 2021. Pressed at RT.
Love Hurts/Beautiful Doll
* 2025 stock. With Obi. * Love Hurts / Beautiful Doll is the fifth and most important record by He6, the leading band of the 1970s golden age of ‘group sound’ bands in Korea. It features the band's notable funk/psychedelia track ‘Beautiful Doll (Get Ready)’ which was sampled by DJ Shadow in ‘the Number Song’. It also includes ‘You Don't Know’, the hit number led by Choi Heon's heartfelt vocals, as well as another He6 original track to listen to, the lively brass rock number ‘I Can't Tell’. The d…
Après la Marée Noire
If the jazz of François Tusques is “free”, his spirit is even more so: having recorded Free Jazz with other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais), the pianist had covered a lot of ground, with Barney Wilen (Le Nouveau Jazz) or even solo (Piano Dazibao and Dazibao N°2), so as not to repeat himself…
In 1971 he founded the Inter Communal Free Dance Music Orchestra which, as the notes the this album stated, “is an interpretation of a…
Vol. 4 Jo Maka
Rerelease of the fourth album of the Intercommunal Free Dance Music Orchestra recorded with the Guinean saxophonist Jo Maka. The title says it all: Vol.4 – Jo Maka. The Intercommunal Free Dance Music Orchestra was created in 1971 by an “old hand” of French free jazz, François Tusques. Free Jazz, was also the name of the recording made by the pianist and other like-minded Frenchmen (Michel Portal, François Jeanneau, Bernard Vitet, Beb Guérin and Charles Saudrais) in 1965. But, six years later Tus…
Quartet to At Judson Hall "Revisited"
By 1966, the first wave of free jazz had established the foundation upon which this radically generated music could be understood and personalized, shared as a communal activity and still invested with significant singular characteristics. Noah Howard and his bandmates represented a second generation, as creative attitudes were expanding.
Key Boys Hit Parade
* 2025 stock. LP miniature with Obi. * Limited edition of 450 , SHM Paper Sleeve CD edition. 60s Korean rare garage/beat!
Plays Arirang & Other Assorted Classics
* 2025 stock. 40th anniversary reissue. Gatefold LP + booklet with Obi-strip. * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civili…
Plays Arirang & Other Assorted Classics
* 2025 stock. 40th anniversary reissue. Gatefold LP + booklet with Obi-strip. * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civili…
Jazz: Plays Arirang & Other Assorted Classics. A.K.A. Jazz! Jazz! & Wonderous Jazz!
* 2025 stock * "There is no jazz in Korea" Music critic Choi Kyung-sik's liner note for the 1974 record by Shin Joong-hyun and the Yup Juns starts off with this stark statement. Though it may have been a rhetorical device to emphasize the birth of an album embodying Korean rock, the statement itself holds nevertheless when one considers that Korean jazz has never enjoyed a place of its own - not in the 8th Army scene nor the civilian general scene. As is usually the case in other countries, jazz…
Show Album No.1
* 2025 stock. LP miniature with Obi. * True to the title 'Show Album No. 1', the tracks comprise a repertoire one would expect of a show stage. However, these tracks are much more than a mere ‘record of activity’ done in between their many show performances. The quality of the recording and consistency of production are top-notch throughout the album, while the details and the dynamics in the music itself rival that of the best Korean bands. Producer Yu-Chil-wang recalls of the album, “..it wasn…
Materialistic Aesthetics And Memory Illusions
An analysis of Mike Kelley's work as a position in materialist philosophy, which appears as the feature that is most at stake in his artistic practice, focusing on the pieces he produced around the issue of memory––his leitmotiv from 1995 onward. Mike Kelley is best known as one of the most influential visual artists of his generation. But he was also an insightful theorist who wrote profusely about his work as well as on aesthetics in the 1980s, 1990s, and 2000s, an epoch marked, in his view, b…
Fusion! – From Alice Coltrane to Moor Mother
The role of jazz as a catalyst in rock, pop, funk, new wave, hip-hop, and techno. From music writer Alex Coles, Fusion! From Alice Coltrane to Moor Mother traces the origins and legacy of blended musical genres by focusing on twelve dynamic collaborations. From Alice Coltrane working with Carlos Santana in 1974 to Moor Mother sharing the mic with Wolf Weston in 2022, the collaborations-cum-chapters reveal how musicians pursue fusion as a process. With sonic fusion always premised on cultural fus…
Derek Jarman
English Language Edition A tribute to Derek Jarman manifold and vital practice. Gathering together newly commissioned essays by international art critics and scholars devoted to specific—and sometimes lesser-known—aspects of the artist's life and work and extensive portfolios spanning his successive bodies of works, this monograph offers an accessible overview of Derek Jarman, one of the legendary cultural figures of the second half of the 20th century. Conceived as a reader, this volume includ…