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Preservation's latest captures Italian experimentalist, Fabio Orsi in hungry, visceral form. Joined by Rich Baker's original drum loops, Fabio plays guitar, keyboards, voice and effects on eight relatively short, one might even say poppy, rock postures within an immersive ambient sound sphere. Considering that he's best known for lushly textured drone and ambient works 'Stand Before Me, Oh My Soul' is a hugely confident sideways shift into a new realm of more aggressive sonics with a def…
Beautiful string experiments by Tashi Wada, son of original Fluxus member Yoshi Wada. Julia Holter is a fan of his, and from the strength of these pieces, so are we. Hand-stamped edition in wrap-around jacket** "Tashi Wada is a San Francisco-based composer and performer whose recent work focuses on sound perception as a basis for direct modes of listening. His work has been performed throughout the United States and Europe, and for several years now he has performed alongside his father, …
56 hours audio mp3 - SD card release. Artist numbered self-edition. 100 copies. January 2013. 'Seven ghostly nights of expanded time and occult sonic space. Venturing into deep realms of audio subtlety and ambiguity. Open to the hearing creativity, sleeping patterns and dreams of the listener. A piece that blurs the limits between composition and sound environment.'Release format: mp3 44kHz/128kbps files in SD-HC card. Label: artist self-released, home-made, one-by-one-replicated, unlimi…
In recent years, there has been a surge of electronic artists, for the most part new comers, who have rejected the digital approach which had dominated since the nineties in favour of the more organic analogue textures pioneered during the late sixties and well into the seventies by German experimental musicians, from the most exploratory, with the likes of Emeralds or Oneohtrix Point Never, to the bulk of the Scandinavian disco scene, spearheaded by Lindstrøm, Prins Thomas and DiskJokke.…
A dark, choking, psychotropic immersion into abstract isolationist electronics, floating among rumbles, drones, bleeps, glitches...like a trip into the deepest corners of an obscure unknown galaxy, lost forever and glad of it! Everything is made with exclusive use of vintage equipment, no computers, no midi, no emulators…nothing can beat the sound of an unleashed vintage analogue synthesizer
The seventh album from Montreal's harbinger of blackmetaldoompsychedelia appears on Important. Of the two sides of Aun's bi-polar output this falls into the cataclysmic doom zone, full of downtuned scorched-earth riffage and ominous ambience. The inclusion of drummer Away from Voivod lends a thunderous motorik propulsion to 'Falcon' and punctures 'Broken Bill' with neck snapping weight. For fans of Earth, Sunn 0))), Pelican, Gnod - Recommended.
Off/On is an evolutionary act of fissure, the opening of a rift in Forma's sonic landscape. The second LP from the Brooklyn cosmic synth trio of Mark Dwinell, Sophie Lam, and George Bennett, Off/On's universe is darker, its terrain more enigmatic and aggressive than 2011's critically-acclaimed self-titled album. Recorded at the renowned Schoolhouse space in Bushwick, Off/On combines swirling arpeggios, gnarled sequences, and deconstructed motorik rhythms to conjure an atmosphere of entropic …
A sumptuous 5-CD box-set covering the entire discography of the cult Absolute Body Control band. Influenced by bands from the German and UK electronic scene, Dirk Ivens (synths & voice) formed the band early 1980, and was joined by Mark de Jonghe (synths) and Veerle de Schepper (backing vocals). After a first track on a compilation and a first 7" single (Is there an exit?), Mark leaves the band and Eric van Wonterghem (who was in fact a spectator at the first ABC concert), filled in the gap…
"Iowa City silver apple-pickers Wet Hair pitter-patter into yet another picture-perfect futurist synth-pop raga, 'Blessed.' Yes you are. On the flip, kindred midwestern matrimony team Peaking Lights hotbox a basement of black ark basslines and waterlogged reggae 45s. Sleeve art by Robert Beatty."
Relocation.Reconstruction is derived from the sound elements of the three installations in Yann Novak’s solo exhibition Relocation at Lawrimore Project (May 2009). In the original exhibition, Novak explored the multitude of emotional states experienced during and after the relocation of one’s life. With this latest work, Novak continues his exploration into this theme a year after the initial event that inspired him, with the new insight that although he has arrived at his destination, the reloc…
Breathtaking solo organ improvisations recording!! This is the first volume documenting Zorn's breathtaking solo organ improvisations. Although organ was Zorn's first instrument (he often credits Lon Chaney in the silent classic Phantom of the Opera as a primal influence), in 2011 Zorn surprised even his hardcore fans by initiating a new series of solo organ concerts in churches around the world. Premiering at the historic Christ Church in Philadelphia, the word on these concerts spread li…
S K L S are Joachim Nordwall & Henrik Rylander, the key members of Swedish noise-rock band The Skull Defekts. That’s their debut release under the name S K L S, which seems to be a kind of side-project for darker, electronic minimalistic sounds. As opposed to the full guitars & drums line-up of The Skull Defekts follows the traditions of motoric Kraut-style (Can or Neu! — like), S K L S is defenitely oriented mostly on spacey-psychedelic-electronic-meditation of Cluster or Popol Vuh. It’s…
Since the very first notes, this music appears to be about memory, decay and subversion. It is a deep investigation on the ability of sounds to freely attract or reject each other, in accordance with their own nature and disposition, and still maintain their meaning. Combining dense, multilayered sheets of synthetic sounds, treated bass, electronic percussion, the six tracks reveal their non-architectural principle as the music develops through warm textural details, reverberations, underlying m…
The second release from Dieter Moebius and Karl Renziehausen. The tracks were recorded in 1991-92 and released on Nova Era in 1992. Reissue with special miniature paper sleeve. Digitally remastered version, limited to 1,000 copies
First solo album from bass player extraordinaire Michael Francis Duch, exploring 1960’s experimental works as vehicles for contemporary improvisation. Duch is a highly generous musician and improvisor. This is equally audible as he moves in the outskirts of reductionism, flirts with noise, engages in the domain of contemporary composition or happily endulges in the joys of free jazz. Mixing a keen and exploring sense of sound with firm and insisting formal thinking, he approaches his bass …
'd'incise is a member of the Audioactivity, music & visual collective founded in 2000 in Geneva (CH). In 2002 he starded to produce different kinds of electronic music, from dub to electronica, dangerously sliding to the more experimental ways of electroacoustic. His world is made with sound fractures, nevralgic crepitations, melancolic atmospheres and a non-dissimulated fascination for rust and faded rhythms. 'Lethargie...' , his newest CD, is not far from described above. A mixture of f…
BRAND NEW! “What can we hear now? A sound, as though grains of sand trickle down onto a fine membrane….” This sound, as though grains of finest sand trickle onto a membrane–the last thing that the narrator in Stanislaw Lem’s “Solaris” hears when he starts out on his journey to a world that is falling apart–is the most fitting way to describe the characteristics of Luigi Archetti’s music NULL.Stylistically, the compositions can be placed within the field of planar tonal design, and with this, als…
Lemur presents their latest position in the quest for a new improvised chamber music: Acoustic sound-oriented music from four highly original players. ”Aigéan” is Lemur’s awaited follow-up of the acclaimed debut ”IIIIIIII” from two years ago. Continuing their work to develop an improvised chamber music with an emphasis on sonic experimentation and ensemble character, the ensemble delivers a darker and more fragile album. More open to explore the particulars in each piece, the ensemble see…
Billed as a soundtrack to an imaginary road movie this latest album from Jon Egeskov's Pixel project (his third in all) reaches into your subconscious and yanks out whatever images are lodged in there. Using a basic palette of miniscule percussive elemnts and delicately manipulated amplifier hiss Egeskov instils a sense of gentle motion, sounding out dream-like engine noise that propels the listener down whatever shady lane they're prepared to venture down. The floating hum and crinkled analogue…
LAST COPIES...Incredible 25-minute percussion and bass variations from Japanese uber-producer Aoki Takamasa, new on Raster Noton!* Hugely respected percussive technician Aoki Takamasa has released a stream of rhythmic electronic expressions on labels like Fat Cat and Progressive Form since 2001. This is his first set of productions for the Raster Noton imprint, released as part of their 'Unun' series, after previous installments from Grischa Lichtenberg and NHK. 'RN-Rhythm-Variations' explores b…