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After a fourteen year absence, Michael Gira resurrects his legendary apocalyptic no-wave band for a fabulous new album on his own Young God imprint. Assembling a cast of musicians that includes familiar Swans and Angels Of Light conspirators, Gira also welcomes a few new members to the fold with guest stars including Devendra Banhart, Mercury Rev's Grasshopper, Bill Rieflin (of Ministry, REM and Robyn Hitchcock's band), Shearwater multi-instrumentalist Thor Harris and even Gira's three-and-a-hal…
'Japanese percussionist Seijiro Murayama has been working in France since 1999. His musical approach is based on extreme attention to the performance space, the energy of the audience and the quality of silence. He is interested in how continuous sounds and microscopic events can delicately revitalize the environment. Now established in Beirut (Lebanon), french saxophonist Stéphane Rives has spent over last ten years developing new sonic array of extended techniques on the soprano. On thi…
The Invisible Hands is the English translation of the band's original Egyptian Arabic name: El Ayadi El Khafeyya. Taking almost two years to create amidst an unusual and challenging backdrop, this is the brand new project of Alvarius B. (Alan Bishop of Sun City Girls). Eleven highly-crafted new songs projected through his typically dark lens of songwriting and a band of brilliant musicians from Cairo, the premier, self-titled CD version of this album is the English language vocals edition (s…
a Snare is a Bell is a solo piece for snare drum, voice and the room in which it is played.Inspired by some close encounters I had with African shamanic/trance musicians and my personal experiences with meditation and music, it also relates to a known-to-many-of-us acoustical wonder of sitting on the toilet and picking up the tone of that little room (often by accident while coughing or talking out loud to oneself) and enjoying to sing that tone and let the toilet become filled with an eno…
For a band with only two members, this group gets an impressive variety of sounds. Rob Mazurek on cornet and Chad Taylor drummer also use the studio as an instrument, alternating between post bop jazz and near ambient soundscapes. Taylor's rhythmic sense is unerring throughout the album, whatever the tempo. Electronics are added at times, and add effect, especially at slower tempos making for spooky music along with slurred horn. "Green Ants" has sputtering cornet and rolling drums settin…
Sublunar is the first full-length release from Kane Ikin who is also known as one half of the duo Solo Andata. Sublunar follows Kane’s solo debut Contrail (7”, 12k2022) picking up where that EP left off and pushing the boundaries outward in every direction into denser, deeper, wetter and more decayed terrain. The word “sublunar” can be read to contain many conceptual layers important to the album. It is music about moonlight, darkness, the faintest hint of light and shadow.... Moons locke…
The title of Fern Knight’s 2006 release, Music for Witches and Alchemists, served simultaneously as a wonderfully apt description and an unambiguous product warning. If you prefer the mundane to the magical, move on: These are not the druids you’re looking for. Since then, the group has relocated to Arlington from Philadelphia, and while Fern Knight’s music evokes far-away times and places, it turns out the band fits in nicely with the D.C. area’s musical history—assuming you can stomach …
The works of Clemens Gadenstätter are a wonderful example to evidence how an analytical approach to the phenomenon of hearing may result in music that sincerely moves its listeners. This production, entitled “Portrait,” represents a kind of screen capture of Gadenstätter’s oeuvre. Portraits are sometimes given away as presents in order to convey something of the essence of whom or which they portray. Clemens Gadenstätter’s music is perfectly suited as such a gift. …
Recorded live at Molde International Jazz Festival in 2006. The meeting between the godfather of free-jazz & the innovators of the modern free-jazz scene in Scandinavia, Mats Gustafsson & Paal Nilssen-Love, resulted in this mastodon of an album. This is the European free-jazz underground at its best. A devastating, blasting, raw, ferocious sonic assault on all senses. And beautiful, painfully beautiful.
Hard to believe that this far down the line there would still be unreleased recordings of Albert Ayler, never mind a full live set from the apex of his reign, the glorious 1966 tour of Europe, so I nearly did a double take when I first saw this title listed. The Berlin set which the CD is bundled with turned up in lesser fidelity and in the incorrect order on Revenant’s disputed Ayler box, but the Stockholm set has never even been booted and both receive their first release fully authorised by t…
'When dealing with female interpreters of the art of advanced vocalism, four personal favourites come to mind : Diamanda Galàs, Meredith Monk, Shelley Hirsch and - more recently - Non Credo's Kira Vollman. I'm afraid that I'll have to add a fifth chair at the table. I had already met Ute Wassermann in a great CD on Creative Sources, Kunststoff, a duo with trumpet player Birgit Ulher; yet, Birdtalking is one of those records that immediately raise all aerials, a top-rank effort in which a single …
12k presents Australian duo Solo Andata along with their second album, self-titled. Translated literally from the Italian as 'one way,' Solo Andata portrays the theme of a one-way journey that moves from (and represents a thread between) water and land, fluid/stasis, cold/hot. Following Solo Andata's debut album Fyris Swan (Hefty, 2006) and their 12k inception on Live in Melbourne, Solo Andata presents us with an ambient affair, with dark drones coupled with ethereal sonic environments. It could…
It has been quiet for Flim, also known as Enrico Wuttke, since his last release 'Pola Music' and 'Ohne Titel, 1916' (the latter being his second release on Plinkity Plonk). However he still works as a designer, and creates music for dance companies and short films, as well as enjoying family life. His new release is a 28 minute EP with four pieces he created for a dance piece 'Refugium', based on the novel 'The Wall' by Marlen Haushofer. Originally published in German in 1962 and touted more rec…
"Umbra was recorded in 2010 in Barcelona. I used a modified AM radio and a home-made oscillator. I found the radio in the street the previous year, discarded outside a huge warehouse full of electronic ‘garbage’. I took it to my studio and modified it using circuit-bending techniques. Umbra is comprised of ten short pieces. In most of them I played only the modified AM radio, in others just the oscillator, and in some both.”Juan Matos Capote is an artist from the Canary Islands living in Barcel…
Originally released in 1981 as an untitled mini album on Zick Zack, "Dub & Die" completes our re-issue programme of the band's earliest works. Recorded at SADW's Cassettencombinat studio in Berlin, the original 8 tracks represent the first release by this German Avantgarde/Industrial group that was once a member of the "Geniale Dilettanten" movement. Again, comparison with early Einstürzende Neubauten is permitted, altho…
Recorded at Incus HQ, London, in October 2010, this duo is a delight that should refresh even the most jaded ears. Lol Coxhill and Alex Ward are both veteran improvisers and regular participants on the London scene, so it was inevitable that they would eventually play together as a duo. As evidenced below by YouTube, that happened in August 2010 at John Russell's annual Fete Qua Qua; the pairing was repeated the following month at Sybil Madrigal's monthly Boat Ting gig on the Thames (on the…
Pinkcourtesyphone is the not so secret alter ego of renowned sound artist Richard Chartier, and while it seems to be geared more towards a looser, more relaxed sensibility than the serious artist guise that is usually thrust upon him, it lacks none of his careful attention to structure and detail. Quite a bit of the material on this compilation (recorded erratically between 1997 and 2011) could pass for his normal work, but throws enough curve balls to give it a distinct identity all its…
Martino Traversa is a renowned Italian composer who studied at Salzburg’s Mozarteum, at the CCRMA at Stanford University and with Luigi Nono from 1987 to 1989. The CD “Critical_Path” presents for the first time ever a selection of his electronic music works, composed between 2000 and 2008.Beside being a prolific composer, Martino is a very active cultural promoter: he founded the Ensemble Edgard Varèse in 1990, with Luigi Nono's support; in 1991 he launched "Traiettorie", a highly-reputed intern…