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Created between September 2008 and February 2010 in the artist's studio. Viola da gamba: Pierre-Yves Martel. Violin: Chris Bartos.'strings.lines' came to life from an obsession for old and forgotten object-matter and the desire to produce music that exists in between the new and the old. The starting point to the composition of this work were acoustic tuning forks. In 2007 Nicolas Bernier became fascinated with this object/instrument of particularly beautiful design, and started a collec…
'First reedition. Recorded in 1981. Originally released in 1982. Lydia Lunch: vocals, piano. Dix Denney: guitar. Greg Williams: bass. Cliff Martinez: drums, percussion. Digipack.'
The works of Clemens Gadenstätter are a wonderful example to evidence how an analytical approach to the phenomenon of hearing may result in music that sincerely moves its listeners. This production, entitled “Portrait,” represents a kind of screen capture of Gadenstätter’s oeuvre. Portraits are sometimes given away as presents in order to convey something of the essence of whom or which they portray. Clemens Gadenstätter’s music is perfectly suited as such a gift. …
"Only one face": Following their price-winnig recording Schubertlieder, the Tyrolean Musicbanda Franui have now taken up Johannes Brahms' German Folk Songs.
'MERZBOW's 13 Japanese Birds is a 13 month series of releases inspired by Olivier Messaien's Catalogue D'Oiseaux. Beginning in January 2009 one volume of 13 Japanese Birds will be released each month. The 13th and final volume will be released January 2010. Cover art by Jenny Akita.'
With And IV (Inertia), Grischa Lichtenberger presents his first full-length record on Raster-Noton after his participation in the Unun series. For his musical production, he uses field recordings of his environment which are manipulated and broken down to their bare nakedness until only fragments are left. Apart from analog sources, he also uses digital sound data which is likewise turned and twisted until the boundaries between analog and digital are blurred. The arrangement of these atom…
Here comes Gianluca Becuzzi’s fourth release on Silentes. This electronic / electro-acoustic composer and sound-artist boast an enviable curriculum: active since the first half of the ‘80s as founder of the historic Darkwave / Industrial project Limbo, since 1999 his artistic production is characterized by a strong experimental imprint and by a clear tendency toward abstract aesthetic forms and micro/macro noises/sounds. Among his recent artistic production - in addition to what he has pu…
Awesome solo release by a former Amuleto band member (on the die schachtel Musica Improvvisa box)...Wanke continues to amaze us with his sensitive, detailed and spacious sound works. "to r.s." follows up his lauded debut "Caves" on Sedimental with another stunner. For “to r.s.”, Wanke uses electric and acoustic guitars, acoustic piano, objects and natural sounds. The 53 minutes of this unique piece divided in four parts combine static compositions, drones and looped music. Structurally viewed a…
Saddleback is the solo project for producer Tony Dupé. In many ways, with its warm and exploratory craft, Everything’s A Love Letter is the culmination of the varying strands in Tony’s musical life.Tony first came to notice in Glovebox, who put an ethereal, ambient twist on the indie-pop scene as far back as the early ‘90s. Glovebox’s swirling sound has been as unhurried as its release schedule, though no matter how spare their output, each album has always found a warm reception. The group were…
Ernesto RODRIGUES (viola), Neil Davidson (acoustic guitar), Guilherme RODRIGUES (cello) and Hernâni Faustino (double bass). Recorded in Lisbon 18-11-07. Neil Davidson has taken his acoustic guitar on many fascinating sonic adventures, forever pushing the language of sounds possible with this instrument to new places. Here he joins a group of musicians from Portugal led by the rather legendary Ernesto RODRIGUES on viola and also featuring his son Guilherme RODRIGUES on 'cello and Hernani Faustino…
Full-colour Digipak. Recorded at the Red Rose, London. November 2003. Originally released in 2004 as a Picture-Disc LP by RRRecords (USA). Mixed by Paul Coates. Mastered by Paul Coates.
'Featuring Derek Bailey on electric guitar and Steve Noble on drums & cymbals. Recorded in a London studio in February of 1999 and not released until now.'
The Visitor is a seriously all-O'Rourke affair: all the sounds you hear are Jim and Jim alone, recontextualizing everything he's done over the years & throwing out the bullshit. The one thing you won't hear is his voice. Some of The Visitor is tracked so deep, it took two hundred tracks to hold it all. It doesn't sound like it though - to Jim's credit, the mix sounds very minimal, very straightforward. There's moments of low comedy next to high drama & juicy melancholy with a seeming lack of reg…
'A new series designed by Clare Cooper. M.O.S. is Ingar Zach's second solo release for Sofa, six years after the critically acclaimed 'Percussion music'. M.O.S. reveals a large and almost monolithic sound world. Zach's horizontal bassdrum (gran cassa) functions as a gigantic, resonating membrane, where metallic and ceramic percussions create articulations over the bass vibrations in a ritualistic dance of pulses and overtones. The music moves slowly, but with a continuing drive, and stretc…
Oxtirn 'live' documents a performance in new york city, by the new trio of geoff mullen, ashley paul and eli keszler. following a score by keszler, the group performs on an array of instruments, using three guitars, drums, voice, auto-motorized harps, tenor harp, bass harp, microphones, clarinet, alto saxophone, crotales, drums and cymbals. the music drifts in a unique way between a wide variety of sounds, from incredible density of clattering metal textures and string attacks, wall of so…
2004. Jean Claude Jones (electro acoustic bass and live electronics) is a central figure on the Israeli jazz scene since many years and a pivotal member of the avantgarde - free jazz movement in Israel. Former member of the Kedma trio, he played with litarally everybody on the scene during the years. This is his debut album as a leader and he performs a series of duets with usual friends like Josef Sprinzak (voice), Harold Rubin (clarinet, text), Yuval Mesner (cello), Gan Lev (alto sax, baryton)…
Liquid Architecture 13: Antarctic Convergence has been conceived by the curators as a way of investigating the philosophical, social and environmental ramifications of the growing human presence in Antarctica through the activities of a diverse set of artists who have produced works from first hand encounters of the continent. Specially curated by Lawrence English and Philip Samartzis, this program draws on a range of Australian and international artists who have undertaken fieldwork in v…
The long-awaited Aleph at Hallucinatory Mountain is Current 93's first album in three years, following their double-platinum-selling Black Ships Ate the Sky. Spinning around epic series of verses written by Current 93 founder David Tibet, the new album sees Tibet back with a new 1972-style supergroup comprised of himself on vocals and July and Gorgon guitars; guitar hero James Blackshaw on 12-string guitar and piano; counter-culture guru William Breeze on electric viola and viola-controlled samp…
'when I was young, at night, if the wind was blowing in the direction of our house I could hear the slow beating of the ships' engines.'Vessel was conceived for and presented as a site-specific, multi-channel sound installation in Diapason Gallery, Brooklyn, in October 2008. The composition consists of recordings of cargo ships on the river Waal in the vicinity of Zaltbommel, a small town in the heart of The Netherlands.For my parents. Thanks to Jan Tiggelman (boatsman) and Michael J. …
"Ghost Surveillance is Algernon's third album and is their first on a label able to reach a wider audience. Their music brings a lot of influences together in surprising and entertaining ways. A quick listen to the download sample will show you why we have such great enthusiasm for this band, as they manage to be quite accessible while pushing stylistic boundaries and exploring new paths. Algernon are one of Chicago's fastest rising young bands. All instrumental, they feature a unique line-up of…