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LISFRANK was an obscure one-man project from Savona area, Italy, active from 1980 onwards but not releasing much music ever since apart from a few tracks via the own Mask Productions label in 1982 and 1983. The first and only LISFRANK stand-alone release was the 12”EP “Man Mask” (Mask Productions, MKX 01, 1982), definitely one of the best and rarest early 80’s minimal electro 12”s ever and on top of most want lists ever since, including the super hit “It’s Life”, as well as “Violence in m…
The first release from Dieter Moebius and Karl Renziehausen, a painter. The original LP was released on Pinpoint Records in 1990. Reissue with elaborate miniature paper sleeve of the original LP. Digitally remastered version, limited to 1,000 copies
Like Yeah Yeah Yeahs undergoing a psychotic episode, or Pocahaunted possessed by the spirit of James Brown, Vibes present four tracks of discombobulated funk and wild, outsider punk on this four song long single. The early, chaotic free-associations of Magik Markers would be a good point of reference too, but these guys place more emphasis on low-down bass grooves wah-wah pedal mutations. The cover shots suggest the band are a bit of a spectacle in a live setting, and the rough, brain-a…
West coast ghost squad stalk back into the deadlights w/ a fresh vinyl single. Pure nightprowler music: quaking bass, grime-jazz keys, dusty drums, witch choirs floating through the smog & into sleeping homes w/ the power lines cut. The sound of crime to come. The dreamer's dream turned dark. Ltd to 345
Track titles are from paintings by Mark Rothko. Ariel Shibolet (soprano saxophone), Aurora Josephson (voice), Jen Baker (trombone), Scott R. Looney (piano), Damon Smith (double bass). Recorded by Scott R. Looney, 8 January, 2006 at 1510 Studios, Oakland, CA, USA. Mixed by Scott R. Looney. Cover: five linocuts by Aurora Josephson.
"Filmmakers often try to make a great film by making it feel heavier than film is by nature. Rudy Burckhardt seems happy if he can make his feel lighter. That does leave him unique, and he succeeds in it too. There is no distortion of image or sound. Its magic invention - including the later dream-weight - is new and inscrutable. It is a film that changes when you watch it again, it has many surprises I haven't mentioned. Take it as a wonderfully touching dream and as an amazing marvel of…
Dogs in English Porcelain (Vanessa Rossetto's fourth solo album on the label) is a composition for electronics, field recordings, viola, violin, cello and acoustic turntable. It was created with many layers of very quiet elements that advance and recede, forming the episodic structure of the piece. The overlapping of electronic and environmental sounds with extended technique and traditional playing disturbs the boundaries separating the natural and artificial, the intentional and the incidental…
Hot on the heels of Kraak's Meet The Philly Elite 4-way split, another excellent compilation EP that bundles Asmus Tietchens/Conrad Schnitzler-styled melancholy synth work from Kohn, slow-burning electro-psych from the always amazing Peaking Lights, wiggy outer space keyboards from Alien Radio and some happy/sad psychedelic pop from Ducktails. Packaged in a fold-out poster sleeve."One year after the ‘Meet the Philly elite’ 7” we finally release a fresh 4-way split. This time Köhn and Alien…
'I started recording sounds when I was 17 years old, in 1984 when by chance someone gave me a K7 tape recorder with 2 diverse speeds... I discovered recording sounds was already a full and poetic act which was able to be used for the experimental music which i was dreaming of. In 1987, after one month of hard work in a summer camp restaurant I bought a 4-track stereo tape recorder and I started a lot of experiments in my little flat in Lyon (France) : via an old Radiola radio from the 50's, my h…
This is a new release by California's extremely prolific avant-drone duo, Starving Weirdos. These eight new pieces bear all the hallmarks of Starving Weirdos' greatest work: the dizzying mixture of instrumental sounds, electronics, and field recordings, the pointillistic attention to sonic detail, the duo's post-production technique, which achieves something like the aural equivalent of deep-focus photography. On Into An Energy, the duo of Brian Pyle and Merrick McKinlay is joined by occasional …
Digital version in a heavy mini LP style cover with exact reproduction of the original artwork, and a full color foldout mini poster insert with new liner notes by Lula Cortes. Edition of 1000 copies." "First ever reissue of this Brazilian private press monster rarity. Originally custom pressed in 1980, Rosa De Sangue is the closing chapter of the amazing Recife psychedelic movement that flourished and centered around the work of Lula Cortes, beginning in 1973 with the release of Satwa, and the …
The exotic follow up to "Dreamers." Featuring the same dynamic band of masters from Zorn's inner circle, this presents 12 more lyrical & adventurous instrumentals combining world music, surf, exotica, soundtracks, easy listening, minimalism & more into a fabulous & exciting new music.
deluxe 3Xcd EDITION "Metal Box is the second PIL album and their masterpiece. One of these rare things that crosses the sky of rock from time to time. Formed by John lydon after the split of a well known band, PIL turns the back to the past : with cynicism. Exit the image shaped by Mc Laren, place to the music, a powerful funk carried by the hypnotic bass of Jah Wooble that sometimes evokes Holger Czukay of Can, striated by the minimalist riffs of Keith Levene (between James Blood Ulmer a…
The third album Refuse This Gift from Bear Claw is one of two records that ended up being part of a double whammy of releases from Sickroom Records just recently for me. Paired up, at least in my mind, with the excellent Conformists record (which you can find a couple posts below) Bear Claw gives a bit more of a traditional spin on the Chicago math/noise-rock sound compared to their label mates. With their third album Refuse This Gift the band hasn’t deviated all that much from their pr…
Yeti in it's 10th issue with a 23 track VA CD including Starving Weirdos + an interview with Robert Scott and Amelia Gray, plus stories and graphic art - a beautiful package.
3-song teaser for the upcoming Ducktails full-length Ducktails 3: Arcade Dynamics. Features home recorded demo versions of 3 tracks - includes 'Sitting' (aka 'Hamilton Road') & 'Art Vandelay' which is a track that he has been regularly performing live with his side project Real Estate. Cover art by Petra Cortright."
Alexandre Bellenger - turntables. Jac Berrocal - vocal, trumpet. François Fuchs - double bass. Dan Warburton - violin. Limited LP (250 copies). 'Jac Berrocal's knowledge of obscure (and not so obscure) French chanson is nothing short of encyclopaedic, as I discovered during the time we spent together touring with Aki Onda a few years ago. My original idea for the Hot Club project (the name of the band, by the way, originates in a joke I had already recorded with Alexandre Bellenger and we…
Part 1 : Ariel Shibolet solo (soprano saxophone). Part 2: Between the strings with JC Jones (electroacoustic bass), Daniel Hoffman (violin) and Nori Jacoby (viola). Part 3: all together. Recorded live in November 2006 at the Tel Aviv Museum. Between the Strings is a Creative Improvising Music trio exploring the collision of sounds, noises, rhythm and melody. Comprised of violin, viola, contrabass and live electronics, Between the Strings creates rich orchestral and other-world timbres. Driving g…
"Karl Bauer and Eva Saelens (Axolotl and Inca Ore respectively) are two like-minded Bay area psychers operating on two opposing levels. Axolotl marks the A-side with skyward streaking drones and ethereal loops tinged and focused, ringing with the joyous bliss of upward passage. An endless array of vocals, electronics, and violin looping and looping, building and growing: stasis. Inca Ore makes her craft from an Earth-bound level. Oneness with her surroundings, roots firmly planted. Eerie incanta…