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Great strange psyched out scary(huh?!) wanna be LP.German jazz/library musicians Horst Ackermann & Heribert Thusek’s incredible, dark foray into the world of eerie samples & spine-chilling funk. Electronic effects,screams,moans for your kraut /psych Halloween party! How does Finders Keepers just keep raking these albums in? The latest diamond to be unearthed from their endless mine of crumbling treasures is one of my favourites to date - a lesser heard fried psychedelic marvel from the apt…
'Tim uses several boxes of speakers and Seijiro uses a snare drum as a resonance box, with microphones. They put boxes for their music in another box = the space. They create different levels of universe within the space. From micro to macro. Always with one clear intention: to improvise listening and to organize sonic space together in a very delicate way.Thanks to La Comète 347, Paris. 'Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to i…
The second 12k sampler CD features 12 songs chronologically looking forward to early 2012 and back to the recent releases and clocks in at over 60 minutes. It offers a sneak-peak at upcoming music plus a re-cap of the past year. The CD is being sold for only $4/$6 (USA/INT'L respectively) and that includes shipping. It's an inexpensive way to familiarize yourself with the latest on 12k. 12k welcomes two new artists to the roster: The Boats (UK) bring their electro-acoustics into song-stru…
A narrow path of safety extending through the gloom, its edges bleeding into the fearful zones of disorder and formlessness that enclose it. Paths create borders, they limn the known from the unknown, the clean from the unclean, the citizen from the exile, the present from the past. But while paths create boundaries, they themselves are ambivalent, neither here nor there, neither now nor then. The act of making a path where none existed always involves the subjugation of the unknown and f…
A brand new album from one of the most revered and acclaimed ambient composers of our time, Vivian & Ondine takes the form of a single, three-quarter hour piece, once again constructed from William Basinski's signature style of tape loop manipulation. While the narrative ebb and flow is largely pinned to a single tape fragment, Basinski merged a further "dozen or so" that sunk into the mix in just the right way, adding to the aura of fluctuation and continuous evolution that's so essential to th…
Philippe Petit is interested in soundtracks; even if he creates original music he'd rather be introduced as a "musical travel agent" than a composer. Petit uses a Cymbalum, an Electric Psalterion, computer and synths to build up electronic layers, process acoustic and field recordings. To second the machines he likes to move various glasses, or percussive objects, and take advantage of vinyl material to fondle released sounds. A journalist for various magazines and radio as well as a musical ac…
Volume I in a series of UK-European-US and Japanese artists' tributes to the pioneering UK Noise group The New Blockaders including exclusive tracks by: Nocturnal Emissions, Dieter Muh, Smell & Quim, Putrefier, srmeixner, Jazzfinger, Evil Moisture, Ashtray Navigations, Mutant Ape, Cheapmachines, Anomali, Halalchemists (incl. members of Skullflower, Culver and Snotnosed). Artwork by Richard Rupenus (TNB). The New Blockaders are a group who, more than any other, define the essence of true…
In 1995 Steve Peters and Steve Roden toured as a trio with singer Anna Homler; sometimes they would vocalize behind her, and they liked the way their voices blended together. They then spent about 15 years saying that “someday” they should record a voice-based project together. Aside from the physical distance between them, the problem was always: What would we sing? Neither wanted to write or sing lyrics.Inspiration came in the form of a book of Japanese jisei – poems allegedly written by monks…
Just to Feel Anything, the new album by Emeralds, surpasses all expectations, just as its predecessor, Does It Look Like I'm Here, did in 2010. This expertly recorded new album sees the band deliver plenty of their distinctive aesthetic for old fans to enjoy while offering a new range of fresh, exciting ideas for newcomers.
'Before Your Eyes' begins the record with a steady build-up, which bleeds into humid layers of synthesizer pads and warm guitar. The track sets the tone perfectly for 'Adreno…
The Sons of God: 32 amplified iron plates. Mats Gustafsson: live electronics. Recorded by Olof Madsen on the 5th of March 2006 at Frgfabriken, Stockholm, Sweden. Reception was a sound installation at Frgfabriken (February 18 - March 5, 2006). by the Sons of God and Emanuel Swedenborg and a part of the festival Place and Space, Stockholm New Music. The festival was curated by Magnus Haglund and Magnus Andersson. During the installation period, the following guest-artists were invited for performa…
The very old catfish, covered in moss, that live in the depths of the lake, never go up towards daylight and disdain any bait that nature offers them.They are only attracted by the oddest shapes that fishermen can invent, shiny and silvery blades in the shape of a human hand that, attached to their line, dance a jig; or also a bat made of red glass with hooks treacherously sewn inside their wings'. G.Meyrink. Instruments: mechanical metronome with bell, harmonica reeds, six string banjo, amps, m…
Liquid Architecture 13: Antarctic Convergence has been conceived by the curators as a way of investigating the philosophical, social and environmental ramifications of the growing human presence in Antarctica through the activities of a diverse set of artists who have produced works from first hand encounters of the continent. Specially curated by Lawrence English and Philip Samartzis, this program draws on a range of Australian and international artists who have undertaken fieldwork in v…
Tan or Boil – a pun on the name of bratty short stop from those 1970s Bad News Bears films that stuck – is the alias of the Pittsburgh-born Jason Bacasa. After growing up in Pittsburgh and studying graphic design, Jason took flight from his home town to work freelance in a variety of cities, though his latest and current stint in New York seems more permanent than those in San Francisco, Los Angeles and Chicago. On the songwriting side, Jason’s continual travels kept him to just an acoustic guit…
Urs Leimgruber (soprano saxophone, tenor saxophone), Alexander Schubert (electronics, violin), Oliver Schwerdt (piano, percussion, organ) and Christian Lillinger (drums, percussion). Recorded April 17th 2008, Leipzig.
With a mindblowing track gracing this weeks phenomenal ‘Gold Leaf Branches’ compilation, James Blackshaw's brilliant "Sunshrine" album is finally being made available on cd. At only 23 years of age, Blackshaw has already mustered up enough talent on the guitar to put many more renowned acts to shame. His gorgeous finger picked melodies on 12-string guitar are incredibly affecting and a stark contrast to the ragas and ragtimes of peer Jack Rose. Instead of concentrating on replicating a sp…
To start with, we've always commended Japan's Doubtmusic label for the handsome packaging job that each one of their digipack cd releases invariably receives. This one, though, we'd probably be inclined to buy just 'cause of the especially cool cover art alone! Done by one Tomoo Gokita, the cover suggests an arched window in a brightly patterned wall, looking out on (a photo of) some majestic snow-capped alpine mountain (the Matterhorn, is it?). But in front of the "window", the corpse-painted v…
Would it be that when everything finishes that everything starts? Rather than a postlude or a coda, the five minutes a cappella by Joe McPhee on the tenor saxophone placed here in thirteenth position, sound like a song of love and hope coloured utopia which condenses the invisibility of lives which are here and then are no longer here.from the effervescence of an aviary where chirpings and warbling intersect (from Raphael Imbert, Urs Leimgruber, McPhee, Evan Parker and John Tchicai each sax seem…
Composed by Taku Sugimoto. Tetuzi Akiyama: guitar. Recorded live at Loop-Line on October 23, 2009. Recorded by Taku Sugimoto. Mastered by Taku Unami. Drawing by Taku Sugimoto.
Featuring Moebius (ex-Kluster, Cluster, Harmonia), Conny Plank and Mani Neumeier (Guru Guru). The original LP was released on Sky Records in 1983. Historical masterpiece!! Reissue with elaborate miniature paper sleeve of the original LP. Digitally remastered version, limited to 1,000 copies