We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
A Flooded Need welcomes back the infamous and mimetic German Army project with ‘An Era of Absolutes’ - a delirious soundtrack that delves into the irrefutable principles governing our contemporary culture. Crossing the lines between isolationism and meditative process, the album continues the conceptual line drawn through 'Then is Now' - the group's initial offering on the label - by extracting a desert-like essential sonic form, centering on haunting patterns, unbalanced industrial rhythms and …
Jazz In Britain is proud to announce the launch of its ‘new music’ imprint Jazz Now, commencing with Eternal Triangle’s first studio recording. Gravity will be available as a download and on CD which includes liner notes from all 3 band members, Trevor Watts, Jamie Harris and Veryan Weston. The album features 10 new compositions by Trevor, all of which have been honed on the live circuit in recent months, so this album has a very much ‘tried and tested’ vibe.
Originally released in 1992 and our second C’33’ reissue following last year’s Metallurgi. Alumina Wrap deals also in surreal post-punk compositions but with more of a tribal ambient / progressive electronic leaning. Side B’s “Ten Year Mix” is particularly of note.
Also known as the leader of the jazz trio Inga, Sam Gendel is an L.A. saxophonist who has developed a free and unique sound that has been described as psychedelic, outsider, and meditative, and Shin Sasakubo is a Chichibu-based guitarist. A new album by the duo of Sam Gendel, an up-and-coming saxophonist from LA, and Shin Sasakubo, an uncanny guitarist based in Chichibu, who is also active as a photographer and contemporary artist. The two showed great chemistry in Shin Sasakubo's previous work …
Syed Kamran Ali (Hunter Gracchus, Harappian Night Recordings) introduces ‘Dog Wearing Dracula Fangs’; the first album from his newly minted Fish el Fish project. As if to kick the existing ideas of his Harappian Night Recordings work into all new orbits of singularity, ‘Dog Wearing Dracula Fangs’ wrenches a dense throng of voices, electronics and busted instrumentation thrashing and wailing through filters of avant-psychedelic glimmer, mock exotica and atrophied, fusion-esque sheen. A dry, myste…
2024 stock. This performance is a second coming together of a rather unusual but wonderful pair; Dame Evelyn Glennie, a household name in percussion, and Szilárd Mezei, a prolific free improviser, multi-instrumentalist, and composer. In 2018, these two artists came together in the Core-tet Project, one of Dame Evelyn’s significant forays into free improvisation. Since then, she also worked with TRIO HLK, but this live performance with Mezei and his quartet is a much different kind of performing…
Patryk Zakrocki - one of the most important improvisers, composers, and sound artists in Poland, and last time also guitarist as well as bassist Maciej Garbowski and drummer Krzysztof Gradziuk, known as the pillars of the best piano trio RGG on the Polish scene, are musicians representing completely different musical worlds. Their first studio meeting is an intimate oneiric improvisation framed by the conventions of ballad and blues. An astonishing encounter bringing music that is not made every…
On a perfectly smooth surface of silence, three hurled stones create their patterns of waves. The lines intersect, unite, cancel out, or reinforce each other. Sometimes, they form together a harmonious pattern. At other times, they express the beauty of chaos and entropy. But they always remain in relation to each other - no movement goes unanswered. No energy escapes into nothingness. These three stones are Scratching Fork. Three musicians with different characters, histories, and registers. Ma…
"There are many illusive or ephemeral descriptions that are often part of how words seek to elucidate the listening experience. In the music we have on this recording from Florestan and the trio he has formed to venture his musical initiatives, words such as space, transparency, suspension, stasis, momentum, tension, multiplicity, flow, cohesion, dimension, release are some of the ingredients that come to mind to articulate the musical experience this recording offers. To me, Florestan’s musical…
»Música para 10m2 de Relva Sintética« (Music for 10 square meters of synthetic grass) includes a live recording of the Niagara performing at MAAT museum in Lisbon on 9th April, 2020. The recording is taken directly from the concert, without any additional production or mixing. The set begins with strong nods to US minimalism before evolving into a quirky new age affair. Later, vocal experiments and some dreamy synth excursions set the tone. The gentle sound of water splashing is almost constant,…
Budapest’s Alley Catss wants m Helux to serve as both a new station in their work and an homage to the new age-influenced and sample-heavy synthesis of previous albums (such as 2020’s "compassion & paralysis", 2016’s ℶ, or 2021’s "exophage"), and it already feels like a genre unto itself: Absurd Ambient. Inspired by the emptiness and silliness of theatrical sets left empty, devoid of action, still and incomplete, m Helux is an awkward place of bleak humour; poured over and yet frozen.
Produced b…
This double CD set includes an extended collaboration between The New Blockaders & Grinder-without-Organs, and two live recordings of anti-theatre premiered at Cafe OTO (London, UK) and Audio Foundation (Auckland, NZ). The set also includes a link to access a bonus film and extra, printable material.
CD1 features 'Ein Glücklicherer Zufall: Genau Zu Lang (A Happier Accident: Exactly Too Long)', an hour-long, part studio / part live collaboration between seminal anti-music stalwarts The New Blocka…
** CD-sized papersleeve album replica with obi-strip and booklet in English and Japanese ** English singer-songwriter Bridget St. John grew up in a musical family in Surrey, beginning on piano, viola and trumpet before picking up the guitar in high school. In the late 1960s she met the brilliant John Martyn who quickly became a fan and brought her music to a larger audience, which included the legendary DJ John Peel, for whose label Dandelion St. John recorded her first three albums.
Jumble Que…
*100 copies limited edition* "The colours that appear in autumn are the soul of perennial transition and slow breath; once a chill sets in and the chlorophyll-green of the leaves migrates to the trunk of the tree, those yellows, oranges and reds emerge from chemical remnants that have in fact been there all along, awaiting their moment on the forest’s lissome stage. It is a graceful manner of self-sustenance for the organism, but a source of ineffable beauty for the observing eye. Potent, poetic…
Quartet Records, in collaboration with GDM and Universal Music Publishing Italia, presents a revised, remastered edition of two iconic western scores by Ennio Morricone for the for the classic Ringo diptych, directed by Duccio Tessari in 1965 and starring Giuliano Gemma. This 2-CD deluxe edition brings together all the previously released material from both Ringo movies with programs that were originally put together for RCA and GDM Music.
Disc 1 contains the stereo program of both Ringo movies,…
Quartet Records, in collaboration with GDM and Sony EMI Italia, presents a remastered, expanded edition of Academy Award-winning composer Luis Bacalov’s score for Roma Bene, directed by Carlo Lizzani in 1971 and starring Nino Manfredi, Virna Lisi, Philippe Leroy, Irene Papas, Senta Berger and Michèle Mercier. Roma Bene is a satirical comedy featuring a luxurious cast that gives life to a gallery of quirky characters, aimed at portraying the vacuous worldliness, moral misery and societal vices of…
*2024 stock* "I must say I was surprised when I realized that ‘Elmsfeur’ was on the legendary Finnish Sahko imprint as the album springs to life in a flurry of Lynchian drums, double bass and piano. This was a country mile from the cold, haunted analogue experimentations of Pan Sonic, but the more I listened the more it began to make perfect sense. I could almost imagine waking up in a sleepy North Western American hotel room and this record being piped through a dusty home audio system in the d…