New Arrivals
ImproX #1_Sound Poems To The Risk
"Quoting Danish painter & sculptor Asgar Jorn - "To get anywhere, one must choose one's mistakes. I chose experimental acts." - the quartet of Udo Schindler on alto sax, bass & double bass clarinets & cornet, Eric Zwang Eriksson on drums, Ardhi Engl on self-invented instruments and Nikolaus Neuser on trumpet, are heard live at Munich's FMZ for 3 masterfully risk-taking sound poems." - SquidCo.com
Où les observer, savoir les reconnaître
*2024 stock* Recorded and mixed by Manuel Duval at the Studio de la Grange Cavale in 2020-2021Mastered by Camille JamainText "Faire les dents repousser" by Bise LolikowskaProduction : In Paradisum, Murailles Music & La République des Granges
Starring Rosi
LP, 50th Anniversary Edition. 180G "Pearl / Sunrise" Colour Vinyl. Original 1973 Vinyl Sleeve Reproduction. Iconic Studio Photography as 4 Fold Poster feat. Manuel Göttsching and Rosi Müller during Recording Sessions. Original "The Fairy Dance" Music and "Schizo" Composition Sheets handwritten by . We are thrilled to announce the highly anticipated re-issue of Ash Ra Tempel's legendary 5th Studio Album "Starring Rosi" in our "50th Anniversary Edition". Originally released in 1973, this seminal w…
The Complete Live At Umbria Jazz
Deluxe reissue edition. Restoration and digital transfer from original analogue tapes. 2LP - gatefold sleeve with LP size insert - 180g premium vinyl cut and pressed at Pallas in Germany. In recent times, a search of the Red Records archive led to the discovery of two quarter-inch tapes, believed to be blank. Upon closer examination, a single Sphere track was discovered on each of the reels. A remarkable discovery since, incredibly for such an important jazz group, the official recording legacy …
Enjoy Your Summer
*Limited to 50 copies* Debut release by Omaha, NE based free improvising duo, Smith & Jessen.
Sore Forest West Coast
*Limited to 100 copies* "Al Jones and Zach Rowden played a series of gigs down the west coast of Canada & the US last year. Here are a couple of those tape mangled sets." - Sound Holes
Cream Corn From The Socket Of Davis
The second part of Matador’s reissues of the essential early records by Texas’s Butthole Surfers continues with three of their most insane slabs -- 1985’s ‘Cream Corn from the Socket of Davis,’ 1987’s ‘Locust Abortion Technician’ and 1988’s ‘Hairway to Steven.’ The period during which these records were first issued parallels the Buttholes’ transition from being weirdo Texas outcasts to becoming internationally recognized smut-kings of the American underground. In 1985 they were still the sole p…
Pulsar
William Parker - double bassHugo Costa - alto saxophone Philipp Ernsting - drums
Recorded at Codarts, Rotterdam, October 11th, 2023 by Philipp ErnstingMixed and mastered by Arūnas Zujus at MAMAstudiosCover art by Martynas IvinskasPhoto of Hugo Costa by Rui SilvaPhoto of William Parker by Peter Gannushkin / downtownmusic.netPhoto of Philipp Ernsting by Florian CramerDesign by Danas Mikailionis
Îl!es
Augustin Soulard is a French composer, sound artist and sound engineer born in 1992. His practice is grounded in experiments in modular synthesis, computer music, sound design and live performance. Trained in algorithmic music and computer composition, Soulard studied with Yvan Etienne and Bastien Gallet. He later met Fransisco Ruiz de Infante and became a member of « Blue Sky ». His research focuses on diverse modes of sonic phenomena, the ambiguity between the synthetic and the organic, and me…
Fatbergs
"Rubbish Music embody the elevating and transformative action of imaginative involvement with discarded materials. In the process they give audible expression to our ability to resist pessimistic resignation and to realise creative redeployment. Long may they recycle!” — The Wire
Persistence of Sound presents the second album by Rubbish Music (Kate Carr and Iain Chambers), the duo upcycling waste into immersive electroacoustic music. “As we go about our daily lives, malodorous monsters are const…
Aigue - Marine
De L’Angle Mort Trio is Claire Bergerault, Patrick Charbonnier & Lionel Marchetti. The three musicians collaborate for the first time as a trio. Their music explores new aspects of electroacoustic music, combining improvisational musical techniques with live electronics and dance music forms.
“Aigue – Marine” consists of three compositions based on voice, electronics, accordion, and rhythmic elements. Claire Bergerault, Patrick Charbonnier & Lionel Marchetti improvise in a spontaneous way, creat…
HerzAtmungen
"I believe that the destructive element in art is neglected too much." - Piet Mondrian
Toute L'Âme Résumée
"Drawing on a sound poem from French poet Stéphane Malarmé published in 1875, pianist Michel Wintsch and multi-reedist Udo Schindler on bass clarinet and alto saxophone tubax (a modified contrabass saxophone) perform five expressive and assertive improvisations with titles "borrowed from Stéphane Malarmé, who sees his texts as instruments." - SquidCo.com
Plastic Narratives
"Confidently forceful German free improvisation with an eccentric approach, from multi-instrumentalist Udo Schindler on clarinets, cornet & tuba and artist & improviser Etienne Rolin on basset horn, Glissotar (a continuous wind instrument) & a Bansuri flute, as they improvise over Schindler's poem (jetzt/now) from his cycle frequenz schaukelt / frequency swings." - SquidCo.com
Soundforge Laboratory
"... it's not about cleaning the music from the non-music or trying to destroy all disturbing noises, but to perceive the music as such, which exists in the midst of the noise of life. The more open the ear is to everything audible, the more strongly the music radiates its speciality. Because a musical instrument has a material body, its sound cannot be frictionless and clean. ..." - From Portrait of a Spinning Top / Portrait eines Kreisels by Yoku Tawada (Berlin)
Udo Schindler plays a bflat-cla…
All This Crazy Gift Of Time - The Recordings 1969-1973 (10CD Box)
A founder member of Soft Machine, Kevin embarked on a solo career in 1969, signing to EMI’s Harvest label and recording the album ‘JOY OF A TOY’ the same year. It is a mark of Kevin’s stature that his recordings during this period would feature contributions from notable musicians such as arranger and keyboard player David Bedford, Robert Wyatt, Syd Barrett, Mike Oldfield, Lol Coxhill, Steve Hillage, Archie Legget and more.
This boxed set includes all of the surviving BBC sessions and In Concer…
Objects In Mirrors Are Closer Than They Appear
Dark Entries calls on Philadelphia experimental duo The Ghostwriters to resurrect their 1981 LP of minimalist mayhem, Objects In Mirrors Are Closer Than They Appear. The late Buchla maestro Charles Cohen and multi-instrumentalist Jeff Cain joined up in 1971 to craft electroacoustic chaos as Anomali, later renaming themselves The Ghostwriters. Their collaborations with choreographers and visual media artists led to their singular style, straddling improvisation and composition, the oneiric and th…
Finomehanika
Tip! An essential repress of the monumental 2020 album. Finomehanika was Rijeka-based Robert Merlak's first solo release in two decades since "Albumski" on pioneering avant-garde techno label Phthalo which put him on the map next to fellow artists as diverse as Dntel, Daedelus and James 'V/Vm' Kirby.
Merging piano and field recordings, Merlak moves between musique concrete, ambient, and neo classical, crafting great layers of depth and ambience combining the frayed melancholia of Vladislav Delay…
Àlááfíà
Honour’s debut album is a ligament stretching from Lagos to London and to New York, curling across the diaspora and brushing the darker hues of blues, hip-hop, free jazz, ambient, gospel with Christian mythology and Yoruba folklore. As cinematic as it is painterly, Àlàáfíà is a meditation on themes of life, death and love that pulls inspiration from the poetic profundity of God, remembered dreams, unexpected casual conversations, field recordings, literature, ephemera, and personal archives. The…
No Sound In Space
Blake Lee has always been fascinated by the unknown, and space, in its isolating, mysterious vastness, embodies this theme immaculately. The open void, captured so memorably by Stanley Kubrick in '2001: A Space Odyssey', is Blake's far-reaching canvas on 'No Sound In Space', a cinematic meditation on the cosmos that's painted in nuanced, emotionally sincere colors. The Los Angeles-based composer has been contemplating his full-length debut since 2021, using his guitar as a sonic paintbrush rathe…