New Arrivals
Censorship and The Irrepressible Drive Toward Love and Divinity
* 2021 Stock. Bilingual edition (English / German) * This publication sheds light on Dorothy Iannone's work in relation to censorship, based on her artist's book "The Story of Bern." In spring 1969, the artist was confronted with the confiscation of her works in the exhibition "Freunde (Friends)" at Kunsthalle Bern, under the directorship of Harald Szeemann. Iannone responded to this boycott by producing a book, in which she made her perspective public and thus reclaimed self-determination over …
Tapuscrits – Poèmes-Partitions, Biopsies, Passe-Partout
* 2021 Stock. French edition * The collection of typescripts of the pioneer of sound poetry: a monument of some 1200 pages that offers an original approach to one of the most inventive, striking and influential poetic works of the second half of the 20th century, through 120 facsimile "scores", revealing for the first time the writing, in its visual and graphic dimension, which precedes and determines public reading. This publication brings together all the typescripts of the Poèmes-Partitions, …
Beyond Sound
* 2021 Stock. English edition * This interview with Romain Kronenberg by curator Anne-Laure Chamboissier traces the filmmaker's progression, from his first projects to the most recent, including some currently in development. It reveals the complexity of a body of work where the relationship between image and sound is constantly reinvented with each new creation. (in the framework of the “Beyond Sound” interview series, dedicated to sound arts).
Romain Kronenberg is a film director and composer.…
Trifoglio
Trifoglio is a portable mid/side stereo speaker.
The device is designed to be listened to while holding it in the hands (like a book) and plays music created specifically for it* by different artists: as soon as new contributions are available they are published online.
Current sound compositions by: Adam Asnan, Alessandro Bosetti, Andrea Belfi, Andy Guhl, Attila Faravelli, Choi Joonyong, Dario Lozano-Thornton, Enrico Malatesta, Fabio Selvafiorita, Felicity Mangan, Francisco Meirino, Giovanni L…
Bilia
Bilia derives from the work of percussionist Enrico Malatesta. The release consists of five wooden balls (3,5 cm Ø) carved from different woods. Enrico’s very own sound comes from a horizontal approach to the percussion instruments that are, in his practice, a space for movement, where every action is also a form of exploration and listening as well as an exercise in imagination.
«Percussion instruments are round-shaped, and I utilize this simple notion as a starting point. I often apply fricti…
Freie Aerophone
Freie Aerophone is based on Matija Schellander’s solo pieces for double bass, The Drill and Matija Schellander, that make extensive use of indistinct low pitches resonating a space, and sound projections by circular movement of the performer with the instrument.
In the Hornbostel-Sachs musical instrument classification (Zeitschrift für Ethnologie, 1914), the freie aerophone is an instrument in which the vibrating air is not contained within the instrument itself, for example a siren or a bullro…
Antilogy
Drawing from notions of "bad poetry" as the critical undoing of normative taste, Antilogy brings together works by the Brazilian artist and poet Alex Hamburger.
Central to Hamburger's practice and engagement with poetry is a focus on writing as the expression of a performative disruption and playful reworking of semiotic systems. With references to Fluxus intermediality, Brazilian concretism, experimental music, and sound poetry, Hamburger's work dynamically collapses the distinctions between fa…
B + B
* 2021 Stock * Instant Composers Pool presents B + B, a series of live sessions performed by Steve Beresford on piano and toy electronics, and Han Bennink on percussion. Tracks 1 and 4 recorded on 24 February 2000 at Mahogany Hall, Edam; tracks 2 and 3 recorded on 17 February 2000 at BIMhuis, Amsterdam. Cover art by Han Bennink.
Monkey Cop
Sploosh Records presents Monkey Cop by Martín Escalante and Teté Leguía. Suspects: Lolo, Kevin Salkeld, Nicole Remy, Sam Weinberg, Tomas Orrego, Camilo & Alex Ángeles, The Weez. To protect and serve.Martín Escalante: sax violenceTeté Leguía: bass extortionChristian Blandhoel: sketches & coffeeErick Baltodano: mappingJacob Felix Heule: aural schematics
Snowcone
** 2021 Stock ** Caracol Carnívoro make nightmare music on acoustic instruments. The modified alto saxophone and double bass make for an extremely unbalanced duo with a twisted sense of humor. Both natives of Los Angeles, Martín Escalante and Oliver Steinberg met online through a craig's list want ad. Martín has lived most of his life in Guanajuato, Mexico, working on film and photography jobs, while Oliver lives and works as a professional musician in LA. Their music is cathartic, ritualistic, …
Torn Ham 01212019
Sploosh Records presents Torn Ham 01212019 by Caracol Carnívoro. Mastered by Weasel Walter. Art by Ian Steele.
Jesse Ward – GuitarOliver Steinberg – BassMartín Escalante – Sax
Knuttel House
Sploosh Records presents Knuttel House by Jun Numata, Martín Esclanate and Yuji Ishihara. Paintings by Aron Briggs Mastered by Skaset. Layout by Nicole Remy. Special thanks to Akira Saito. Recorded live at Knuttel House on 06/07/19.
Jun Numata: guitar, electronicsMartín Escalante: saxYuji Ishihara: drums
Martín Escalante and Eloe Omoe
Sploosh presents "Martín Escalante and Eloe Omoe". Art and layout by Ron Regé, Jr. Mastered by John Hegre. Thanks to Skaset.
Martín Escalante - SaxSam Rowell - BassTim Leanse - Drums
Succession of Timbres With one Partial in Common
Sébastien Roux pushes Max Neuhaus' concept of succession of timbres to a new height in a drastically systematic composition. In 2016, Sébastien Roux presents Succession of timbres with one partial in common as part of the exhibition Max Feed – Work and Heritage of Max Neuhaus, organized by Daniele Balit at Frac Franche-Comté. The title refers to and summarizes two sentences written by Neuhaus in the text that accompanies the drawing, and thus immediately reveals the influence of the Southwest St…
No Love is Sorrow
ESP Disk presents the third solo album 'No Love Is Sorrow' by Buck Curran (of the duo Arborea). Buck Curran - vocals, acoustic and electric guitars, Ebow, piano. Adele Pappalardo - additional vocals. Dipak Kumar Chakraborty - Tabla on Blue Raga. Mastered by Harris Newman at Grey Market Mastering, Montreal. Album cover photo and layout - Sarp Tuncer.
Namely
If an artists’ work is a composite of influences from others, Beth Anderson’s Namely inverts that notion, creating a work from the names themselves of her influencers. The album consists of 65 short pieces, each using the name of one of Anderson’s varied influences as source material. Anderson applies a generative procedure to each name to create a text-sound poem that is performed as a vocal piece by the composer.
The collection of names reveals the intermedia nature of Anderson’s work — from t…
Voor Harmonium
** Edition of 250 ** In his essay ‘The Meaning of My Avant-Garde Hillbilly and Blues Music’, Henry Flynt talks about how his music should be analysed as an intellectual tribute to the music of the autochtone, setting aside plain folk references, but adopting academic insights to mold the music one makes as a folk creature. Much of Flynt’s discourse applies to the music of Glen Steenkiste’s Hellvete. Over the past twenty years he has been thoroughly investigating both the ethnic musical language …
Temidden Laaghangende Wolken
** Edition of 250 ** The Begotten is the brainchild of Jürgen De Blonde (Köhn/de portables) and Brecht Ameel (Razen), who initially performed a number of shows and released a CS under the moniker 'Kohier' - gleefully referencing the absurdity of Belgian tax systems and institutions. On their debut LP "Temidden Laaghangende Wolken" they are joined by percussionist and improv-veteran Dirk Wachtelaer (Pablo's Eye/Vanishing Pictures), who locked with De Blonde and Ameel's post-reality continuum duri…
Solid
Astral Spirits presents Solid by Phicus. Recorded April 25th, 2019 at Rosazul Studio, Barcelona by Jan Valls Miralles. Mixed by Jan Valls Miralles. Mastered by Lasse Marhaug. All music by Phicus. Photo by Elena Márquez. Special thanks to Maciej Lewenstein.
Ferran Fages: electric guitarÀlex Reviriego: double-bassVasco Trilla: drums
An Ayler Xmas Vol. 4: Chicago vs. NYC
Split release with Williams' own Soul What Records. Yet another yearly installment of "An Ayler Xmas" just in time to cheer us up post election. This is the first time that there will be a vinyl version of Ayler Xmas jams!! The vinyl version contains only tracks 3 & 6 which are the same medley but done in entirely different styles by the Chicago and NYC groups respectively. however, the vinyl version does come with a digital download of the entire album.