New Arrivals
Black Shadows from Jupiter, Vol. I & II
Double CD featuring the previously unreleased 'stereo version' of Volume One, plus an entire second disc of new material presented here as Volume Two. 'Black Shadows from Jupiter, Volume I' was indeed issued in 2005 as one of the legendary and ultra-rare, private vinyl editions by Opalio brothers' own Opax Records imprint, pressed in 120 copies in 'Monalien Fidelity' - a clear reference/tribute to ESP's incredible 'monaural' sound record…
Mimus / Skua
This split-in-two-sides cassette pairs two greek artists’ responses on the subject of birdsong. Some time ago Nicolas Malevitsis (of absurd fame) asked them to contribute a piece each, on the sole premise that the work would be based, or derive from, bird sounds. Unan (aka Chris Chondropoulos) brought back a curious collage work called ‘mimus’, built from the sounds and textures of scratchy vinyl culled over time by the artist from athens’ record shops. Focusing on structure and reflecting avian…
Folklor Invalid
**Nikos Veliotis plays the cello in Muhammad, and is also known for doing so solo and in improvisation with others. In May 2013 he recorded his 'Folklor Invalid' in Knot Gallery and Camp Gallery in Athens. As stated by Touching extremes "A solitary, ceaseless low cello note paints blackness over the surface of nothingness, but soon stops to contemplate that very silence. Seconds slip by, and the drone reaffirms its needs. This time its tactile properties are thicker and the throbbing sensed more…
Spatial Music
Władysław Strzemiński's unism as well as functionalism are to be found at the roots of the first sound installation in Poland. Prepared for Galeria Współczesna in Warsaw, it is a piece signed by an architect Teresa Kelm, composer Zygmunt Krauze and sculptor Henryk Morel. "Spatial-Musical Composition" is a follow up of Morel's and Krauze's explorations initiated in 1966 together with Cezary Szubartowski and Grzegorz Kowalski which resulted in an action titled "5x". The sculptural elements of the …
By the Stream
A study of free-form improvisation, rhythm and language using vocalizations, cello and analog electronics. These recordings in two movements can be taken as, on the one hand, pieces for two voices and improvisation chamber orchestra (which is what the musicians felt throughout the recording session) and, on the other hand, pure free improvisation. Both voices in interaction, perpetually urging the other on, producing more than their simple addition, producing a third voice -- like a semi-au…
Progression
Featuring members of Pelican & X-Bax. For the new album three single-chord compositions were charted out, one freeform and tone driven, one long-form piece with charts dictating the players' intensity of performance, and one grid-like chart where each players' note continually shifts, though the combination of voices continue to maintain the chord. Six chords were chosen and arranged in a progression that encompasses two separate performances of each of the three compositions. Though the…
R.I.P.
"It’s been a long journey for Northern-Spy artist Collin Langenus and Tom Hohmann, like floating stoned on the back of the turtle that carries the world. Or primal scream therapy. That trip culminates with R.I.P., the group’s final release, and the first of Brooklyn’s newest indie label. A swan song of a group at the top of its form, flowing with ease through psychedelia, stoner rock, prog, Native American mythos, and even political disintegration. R.I.P. was mixed by sludge-riff wunderkind, Max…
Vessel
Vessel: a sonic narrative. Through physical confinement and isolation a threshold is penetrated and a vast new world is suddenly accessible. Pressed in a limited edition of 200 copies housed in a deluxe tip-on jacket.
Psychic Reality/ LA Vampires
Restocked, few available "The first side of this fun split LP is from San Francisco's Leyna Noel, aka Psychic Reality, whose grit-spewing no-fi electronics and spluttering drum machine ditties accompany weird and heavily distorted songs. Noel may be somewhat out of tune and fairly primitive with her arrangements (to say the least) but there's something massively enjoyable about her unusual brand of wailing pop psychosis. LA Vampires on the other hand, is a new project from Pocahaunted's Amanda B…
Leaving The Commonwealth
D. Charles Speer & the Helix came together through a shared love of musical interplay that moves the mind and body. Born from the obsessions and predilections of David Charles Shuford, strains of glassine cruelty, broken glasses and ruptured knees mixed with memories of Chet Atkins lullabies and ZZ Top vids to generate a songcraft steeped in tradition but themed for the burned. A practicing multi-instrumentalist in various New York City improvisational ensembles for the last 15 plus yea…
Entertaining Physics
Poland's mik.musik agent wojt3k kucharczyk bugged his robotron family. "entertaining physics" is a poetic and secretful electroacoustic work that sounds like a gathering of digital clocks in the waiting room of an abandoned building. mechanical ants are crawling over piles of paper next to protesting copy machines and sadly shaking faxes. quiet industrial diseases spread in the attic and the doors clap in a-synchronicity. in between, interplanetary melodies are humming in retired telephones. all…
Direct Current
Again, ultralimet release on qbico, the original music was rec. @ the qbico u-nite XIII which took place @ Issue Project Room in NYC back in Feb. 2009. for sure the opening set by Atiba & Dave Nuss was one of the most original live set i had the pleasure to... see i remember talking with Dave, trying to set up this gig... he came out with this duo, saying that Atiba is the best well kept secret in the NYC... he spotted him playing in Harlem Clubs... nobody knows him, Andrew Barker or Steve... no…
Built For Nothing
"Suburban Michigan is a breeding ground where every weirdo has a label, a band, and a handful of secret/under the radar collaborative projects. Here Graveyard's Ben Hall and Lambsbread's Zac Davis create a monolithic one-sider influenced by too many private press jazz records and abstract instrumentalism. Davis turns in his effect pedals for nothing; pure clean tones plucked up and down scales and bridges so uniquely that it is easy to confuse the guitar for a sax. Ben Hall drums like a man with…
Regine Flory
Limited to 200. Zak Boerger's combination of fuzz, acoustic guitar & extended downer ballads most immediately aligns him with the New Zealand scene centered around Peter Jefferies & Alastair Galbraith as well as associated international satellites like Flying Saucer Attack & the Twisted Village roster, but there's a lonesome edge to the music that would situate it ouside of any particular historical tradition & closer to the mystery school of regional private press obscurities. The acoustic trac…
Live at the Yippie
Live At The Yippie is part of a performance by tenor saxophonist Lorenzo Sanguedolce and bassist Michael Bisio, with two tracks clocking right under 20 minutes each, the regular time constraint of a vinyl LP. Sanguedolce is possibly best known, if at all, from his Sweetblood Quintet, a name which is the English translation of his Italian family name. The first piece, "'Stract (part 1), brings a lyrical, free boppish improvisation with bluesy inclinations, quite accessible overall, all within th…
Heartland's Suite
More cosmic psychedelia on Aguirre now, this time from Stellar Om Source, which is the project of Dutch visionary Christelle Gualdi, who also designed the album's crazy neo-psych nightmare of a sleeve. Tripped out stuff. As for the record itself, we're in synth central here, drinking a synth and coke and sucking on a syntharette. The first side is largely based around motorik drone workouts with simple melodies and immersive textures. There's no percussion and the whole experience is quit…
Piano Piano
Bureau B reissues Piano Piano by German keyboardist Hans-Joachim Roedelius, originally released in 1991 on the Italian label Materiali Sonori. In classical music, "pp" (piano piano = pianissimo) is a dynamic indication of particularly soft music. And Piano Piano is a very soft, quiet album. Roedelius assumes the role of a fairytale character with his piano music, transported to a strange, fantastical landscape where, filled with awe and amazement, he tries to get his bearings. What he see…
Eskra
Temperatures are a London-based duo formed by Peter Blundell (bass, voice) and James Dunn (drums, synth). Blundell's rumbling delayed bass runs against Dunn's bursting drums that simultaneously trigger an unruly ARP 2600. Vocals are both muffled and shouting at times and eventually end up getting buried under a (controlled) landslide of sounds. Thanks to their instinctive but thoughtful approach to noise, Temperatures can express a suffocating sense of alienation and mal de vivre, as well as tod…
The Diary Of The Unforgotten (Selbstportrait VI)
LP version. Pressed on 180 gram vinyl. The Diary Of The Unforgotten is a collection of recordings from the years 1972 to 1978 and was first released in 1990 (with different artwork). Between the years of 1972 and 1978, Hans-Joachium Roedelius and Dieter Moebius, later joined by Michael Rother, lived out on a country estate in the idyllic, diminutive settlement of Forst in the Weser Uplands. It was here that the Harmonia albums, legendary recordings with Brian Eno and various splendid Cluster …
Man Leaving Harbour On a Ship (In a Room)
** Private edition, only a handful available. ** Man Leaving Harbour On a Ship (In a Room) is the title of a sound installation (for record player, vinyl record, speakers, found photograph, steel wires) by Vittorio Santoro to be presented in June 2010 at La BF15 Contemporary Art Space in Lyon. For the art installation of this sound piece, side A of the LP record (titled 'Commencement') is played over and over for a whole day. The organizers will take care that the side B (titled 'Conclusion') is…