New Arrivals
Avast!
Avast! was created from field recordings made between 2009 and 2012 in Lyttelton, a volcanic harbour on the South Island of New Zealand. Sounds were captured at sites around the natural ampthitheatre of this extinct caldera: from abandoned wartime bunkers on the top of the crater rim to the port and its cacophony of cargo ships, tugs and workshops. The work is also haunted by the resonance of buildings such as the Timeball Station, which were destroyed when the town was at the epicentre of a maj…
Phone about to Ring
Initial copies on Blue wax, all purchases come with an instant MP3 download. The Noise Musician's Noise Musician, Scott Reber of Rhode Island presents a jaw-dropping slab of two noise symphonies for Type. In operation for over a decade now, Reber has amassed a plethora of CDrs, tapes and the odd vinyl under myriad names and in scant quantity, many known only to the Rhode Island fraternity, like this one originally released on his Three Songs Of Lenin label in 2012. As the title infers, 'The Phon…
More Alien than Aliens
While the band is preparing for the recordings of the fourth album, Mamuthones goes back to the solo output of Alessio Gastaldello for a new EP of meditative and trascendental music. Once again deeply involved in tradition and ancestral memories, More Alien Than Aliens is mostly based on acoustic instruments with the aid of few analogue synthetizers. You can hear antique rites being consumed around fires at night, cavemen’s invocations and signs of extraterrestrial life as seen by the anc…
333 Loops (Volume 1)
333 Loops (Volume 1) is the first chapter of a CD/DL live series, which documents the sound events generated by the homonymous modular system, designed in 2011 by the Italian musician Emiliano Romanelli.
The system is composed by an archive of 333 pre-recorded sound loops, produced between 2008 and 2011 by a sound synthesis software played in different acoustic environments, and documented mainly with internal microphones of several digital and analog portable recorders. Subsequently, by a custo…
The Background Noise
Under The Snow is a project by Stefano Gentile (guitar, objects, field-recordings) and Gianluca Favaron (microphones, field-recordings, processing). Stefano Gentile is well known for his work as owner of the Silentes and Amplexus labels; he is part of Maribor (along with Maurizio Bianchi, Nimh, Andrea Marutti and Gianluca Favaron) and in the past he has collaborated with Aube and Amir Baghiri. Beyond releasing under his own name, Gianluca Favaron collaborates with Ennio Mazzon on the Zbeen proje…
On Onions
On Onions is a photographic study of onions by Israeli-born artist Elad Lassry (born 1977). Characteristically highlighting the spectrum of hues and shapes for the vegetable, Lassry’s selected taxonomy includes sections on red, yellow and white onions, each of which possesses its own distinct taste and benefits. On Onions is Lassry’s first artist’s book, and the work will exist only in book form; it is at once wry, refreshing and disorienting in its biology workbook style, which makes fru…
The Hebrides suite
How does history - past lives and past events - leave sonic traces and how can we hear them? The Hebrides Suite is the result of an attempt to answer this question and the culmination of composer Cathy Lane's three decade long engagement with the Outer Hebrides. The Outer Hebrides form a 130-mile long archipelago about 40 miles off the north-west coast of Scotland. There are more than 200 islands but only a few are now inhabited. In the 2001 census the total population of the islands was 26,502.…
Eselsbrucke
Cristian Vogel is a composer, music producer and music theorist. His work is known worldwide through state-of-the-art DJ and Live performances to compositions for choreography and many studio productions. Born in Chile 1972 and raised in the UK, he is now based in Berlin. Cristian Vogel has been a long-term innovator in the composition, mixing and performance of electronic sounds. Over a 20 year career at the vanguard of European electronic music, his work has been highly acclaimed for its quali…
Prediction and Warning
“Steve Noble [‘s] armoury of textures and tones is an acoustic mirror of [Ikue] Mori’s electronica, and just as spellbinding. He attacks his orthodox, loose-skinned drum kit from all angles, lays upturned gongs on the drumheads and is a master of orthodoxy as well as the avant-garde. His duet with Mori was the evening’s highlight, a pulsating welter of scrapes, thumps and press rolls interrupted by silences made sinister by the tick of an off-kilter metronome.” – Mike Hobart, Financial TimesIkue…
Pyrolator's Traumland
LP version, on 180 gram vinyl. Bureau B reissues Pyrolator's Wunderland, originally released on Ata Tak in 1984. Quote 1: "I have always strived for the opposite of whatever is hip at the time." (Pyrolator in June 2013) Quote 2: "Wunderland is so beautiful -- the first time I heard this record, I cried." (Andreas Dorau). New York City, 1983. Andreas Dorau has a gig at Danceteria and Pyrolator accompanies him as sound engineer. Back then, it really looked as if Ata Tak could make a go of it in th…
Making real
Making Real, an exercise in creating reality. Created by Gerritt Wittmer in 2012-2013. Mastered by Giuseppe Ielasi. Featuring the artwork of painter Nicola Samori. Gerritt Wittmer is a sound and performance artist based in Oakland, California. His work often articulates abstract narratives through vocal expression, body performance, and intense theatrical lighting. He has performed and recorded as Gerritt, Ginnungagap (with Stephen O'Malley and Tim Wyskida), Deathroes (with Sixes), and has perfo…
Red Riding: In the Year of Our Lord 1980
Blackest Ever Black presents the first vinyl edition of Dickon Hinchliffe's original score for 1980 -- the second part of Channel 4 and Revolution Films' Red Riding trilogy, adapted by Tony Grisoni from David Peace's quartet of novels and first screened in 2009. Each film in the Red Riding trilogy, a landmark achievement in British television history, was helmed by a different director and had its own distinctive look, sound and feel. While Julian Jarrold's 1974 and Anand Tucker's 1983 were bo…
Time Banking
Korm Plastics is proud to present the twenty-fourth release in the Brombron series (missing numbers will follow later this year). Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a…
GAU
In March of 2012, nearing the end of a tour together through the Netherlands and Belgium, Celer, Machinefabriek, and Jan and Romke Kleefstra gathered in a country studio, spending an afternoon improvising to record Gau. Recorded by the old hardcorerocker Jan Switters at the Landscape studios in Gauw, situated in the countryside in the midst of Friesland, the place was surrounded by green fields with idle tractors, few trees, buzzards and only massive farmhouses dotting the horizon. From the almo…
An Ambassador for Laing
LP version. Debut album from the Edinburgh-based duo of Marc Dall and Alex Ander, who work with intricately-stacked percussion, dub-wise bass and a rich harmonic tapestry of processed voices, keys, harp, vibraphone, guitar, woodwind, strings and synthesizer -- every sound re-sampled to the nth degree then subjected to subtle automation and rigorously fine-tuned over a period of many months. From the mesmerizing, pastoral drift of "Anger Sees Red" and "Dwelling by the Meadow" to agitated arabesqu…
Hello
Takahiro Kawaguchi began making field recordings and performing improvised music in 2000, and in recent years has attracted a great deal of attention as a sound artist. In January 2009 he released, on Taku Unami's label Hibari Music, the solo album n, on which he uses several remodeled counters. Shinjiro Yamaguchi, born in 1983, is an electronic music player. in October 2008 he released the minimal ambient solo album Kogai on the Japanese label Cherry Music.This is the debut album of Kawaguchi a…
Broken iteration
The Japanese percussion player who lives in Europe has three fields of interest: 1, non-idiomatic improvisation (that includes idiomatic researches about it, or workshops on it). 2, electro acoustic composition. 3, plural disciplinary collaboration (with words, images, body movements etc) and it would seem to me that these four pieces here are a combination of 1 and 2. [] Murayama's playing is very minimal and we do recognize indeed the element of percussion instruments, and Murayama explores hi…
Crossarc chute
Crossarc Chute was inspired by my interest in the compositional strategies adopted for the early analogue electronics of the 1950s and ’60s, yet using digital processes and my own adaptations. Starting with pulse sounds, predefined filtering techniques and rules became the springboard from which I was able to generate many new sounds. These parameters formed a kind of system from which I could at times deviate.For one piece, Detail II, I separated the frequencybands of a group of sounds and then…
Swisher
The Blondes duo refract their house abstractions through a smudged psychedelic prism on 2nd album 'Swisher' for RVNG Intl. Picking up where their eponymous debut left off, Sam Haar and Zach Steinman start with the kosmic organ swell and atom-split rhythms of 'Aeon' before locking down to a driving, technoid momentum with 'Bora Bora' which carries through the album in the glyding dub-house gait of 'Andrew' to the ornate, future-baroque arpeggios of 'Poland' to the laser-grabbing, Belgian-styled t…
Martian Landscapes
I have never been to Mars, but sometimes i drop by... pictures and films we have access to give us a false impression that we already know something. My Mars is still populated with images from our childhood linked with hundreds of films and science fiction novels. i sympathize with misinterpretation of the illusion caused by old telescopes, as if the surface of Mars was covered with a network of irrigation canals being a proof of high civilization. combination of curiosity and fear stemm…