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* This quality LP reissue was remastered using pure analogue components only, from the master tapes through to the cutting head. * Released in 1976, Eternity was Alice Coltrane's first album for Warner Bros. after eight wondrous records on Impulse! Combining the drones and textures of India, the gospel and R&B of her Detroit youth and the dissonance of modern classical composition, Coltrane's music in the '70s would become increasingly difficult to categorize. Having moved a few years earlier to…
Allen Lowe writes: In the Dark is a commemoration (sic) of the worst time of my life – a period of time during which, having been operated on to remove a cancerous tumor in my sinus, I slept for only brief periods of time. Sometimes I made it as long as two hours continuously, but most often I dozed off for 20 minutes, 30 minutes, maybe an hour – encamped as I was on my couch, trying not to wake my wife as I wandered in the dark contemplating the long night ahead. Sometimes I turned the televisi…
Allen Lowe writes: "America: The Rough Cut is my statement not only on American music and American song, but also my commentary on the way American musicians of all styles handle that old-time music and those old song forms . . . The old things -- not just the blues, but gospel music and pre-blues shouts and language, plus hillbilly/minstrel song and medicine show irony -- reflect a disinterest in the polite trappings of (primarily but not only white) society, an implicit rejection of basic tona…
Throughout his long and prolific career, Matthew Shipp has presented several different and impressive trio formations. Among the featured members have been bassists William Parker, and Joe Morris, and drummers Guillermo E. Brown, Whit Dickey, and Susie Ibarra. In 2015, two other premier players, bassist Michael Bisio, and drummer Newman Taylor Baker stepped in as the rhythm section on The Conduct of Jazz (Thirsty Ear). Their fourth album as a unit, World Construct makes the group the most enduri…
Bára Gísladóttir is an Icelandic composer and double bassist based in Copenhagen. She is an active performer and regularly plays her own music, mostly solo or with her long-time collaborator Skúli Sverrisson. Additionally, she is the double bassist of Elja Ensemble. Occasionally, she performs as a soloist with ensembles or orchestras, most recently in her own double bass concert, "Hringla," with the Copenhagen Philharmonic. Every sound on SILVA is of the double bass, processed to various degrees…
"Pangrams" evokes a wide range of emotional moods, sketched in a chamber atmosphere. The four pieces stress the immediate and deep understanding of Di Domenico and Moberg.’ - Eyal Hareuveni
*200 copies limited edition. Black Vinyl* Deep and beautiful ambient experimentalism from two true masters. “Roedelius / Hausswolff II”is this duo’s second album. The two met in Vienna in 2016 when Carl Michael Von Hausswolff invited Hans-Joachim Roedelius to participate in the collective sound-installation and concert””freq_out ”. Since H-J had been, and still is, organizing the festival “More Ohr Les“ in his home town Baden just outside Vienna it has been natural for him to invite CM to collab…
Another legendary one out @Superior Viaduct, the super rare (and amazing) debut by sax / flute player Byard Lancaster on Atlantic's subsidiary label Vortex dedicated to avant-garde jazz. Featuring Sonny Sharrock on guitar. Quoting the Andy Beta's brilliant review on Pitchfork "When John Coltrane succumbed to cancer in 1967, free jazz/fire music was sucked into a giant vacuum along with him. A patron of music and patron saint to so many of its players, there was a crossroads left in his wake. Ele…
An extraordinary piece of energy music that goes way beyond jazz. A legendary album produced by Herbie Mann and originally released in 1969 on the Atco subsidiary Vortex. Sonny Sharrock (and his wife Linda) recorded these tracks with a cast of New York free jazz all-stars including pianist Dave Burrell, drummer Milford Graves, trumpeter Teddy Daniel, and bassist Norris Jones among the others. A radical album with uncompromising blasts of atonal electric guitar, free-form sonic explorations, ecce…
We have British Electric Foundation on the front of this month's Electronic Sound and an exclusive blue vinyl seven-inch boasting two previously unreleased Martyn Ware tracks to accompany the issue.
Tip! LP edition. The legendary Torso (1973), considered one of the precursors of the slasher genre, was directed by Sergio Martino following the success of All the Colors of the Dark (1972), featuring a stunning soundtrack composed by Guido & Maurizio De Angelis also known as Oliver Onions. In 1973 a 26 minutes-long stereo LP was prepared for RCS's promo SP series, but it got cancelled and the 45 rpm didn't see the light, neither. In 1999 BMG printed out a CD (OST 145) with the editing found in …
*300 copies limited edition. Expanded edition* The legendary Torso (1973), considered one of the precursors of the slasher genre, was directed by Sergio Martino following the success of All the Colors of the Dark (1972), featuring a stunning soundtrack composed by Guido & Maurizio De Angelis also known as Oliver Onions. In 1973 a 26 minutes-long stereo LP was prepared for RCS's promo SP series, but it got cancelled and the 45 rpm didn't see the light, neither. In 1999 BMG printed out a CD (OST 1…
*100 copies limted edition* "My music is an exploration of sterility, mundanity and stillness interpreted through personal feelings and subjective experience. My composition process is intuitive and personal. The recordings I use are of the following nature : souvenirs of lost moments, recordings of natural and urban empty spaces, microphone and object manipulation, deformed voices, non-expertly played instruments, resonances. I previously released music under the names a lie or and Perlesvaus" …
400 copies, black vinyl. The Awakening were one of the greatest bands in early '70s jazz blending Spiritual and soul. They combined veterans of Chicago’s R&B sessions and jazz players affiliated with the Association for the Advancement of Creative Musicians and were the only "group" on the legendary Black Jazz Records roster. This album includes the most representative tunes from their only two albums released in 1972/1973.
Dave Rempis and Tim Daisy are two musicians whose work together over the last 25 years has been the cornerstone of countless improvising bands: Triage, Vandermark Five, Rempis Percussion Quartet, The Engines, Earscratcher, and their longstanding duo, to name a few. Over the last decade they’ve purposely found ways to shake their interaction up, reconstructing and redefining the possibilities to keep the music moving forward. Part of that approach has involved bringing in countless musicians as g…
*Limited edition of 200 copies.* Sturdily rooted in Michigan but at home anywhere she steps, Shelley Salant is a wearer of many hats. Anyone who's worked in even the outer reaches of underground music and D.I.Y. culture in the last ten years has probably run into Shelley, maybe when she booked their band a show, or had them by the radio show she's done tirelessly for almost a decade or possibly when she passed through town playing with Tyvek, Chain & The Gang, The Vitas, Swimsuit or one of the m…
Psychic Ills keyboardist, Brent Cordero and Sunwatchers bassist, Peter Kerlin’s, first full length collab A Sublime Madness is the culmination of decades of circling each other's creative orbits. After years of casual jamming, numerous fledgling one offs, and touring sideman gigs (ibrighden addition to Sunwatchers, Kerlin was also Chris Forsyth’s long time bass player and in the John Dwyer helmed improv project, Bent Arcana. Cordero worked for years with Psychic Ills and Mike Wexler among others…
What is a standard to a forest? What makes that different to what’s a standard, in that jazz classic compositional sense, to a desert? To a city? To a suburb? To a plain? A wetland? A grove? The only thing standard in a forest, like any other environment, is the search for balance. Nature seeks an equilibrium and, given enough time, it finds it. It’s the only way to ensure survival and growth. For three albums, David Lord has been exploring this idea, seeking out some sense of the ethereal, with…
Elijah McLaughlin Ensemble III is an album full of shimmering harmonic atmospheres. It’s emblematic of the Chicago-based ensemble, whose music explores the textures and resonances of their string instruments, namely six and 12-string guitar (Elijah McLaughlin), upright bass (Jason Toth), and hammered dulcimer (Joel Styzens). Throughout Elijah McLaughlin III, they expand their usual palette by including analog synths, field recordings, and melodies from guest musicians cellist Katinka Kleijn and …
*300 copies limited edition* This double-disc set does exactly as the title indicates and collects all the material Gary Mundy of Ramleh released under his solo Kleistwahr guise between 1982 and 1986. Everything originally appeared on cassette on Gary's own much lauded Broken Flag imprint, although certain titles (as noted) have appeared on limited edition vinyl reissues as well. Some material has never before been reissued, however. The material featured is as follows: Myth album (originally re…