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Hand-numbered edition of only 100 copies LP from Belgian visual artist Dennis Tyfus’s Vom Grill project: two tracks of non-spazz electronics, keyboard and profoundly deformed tongue, moving from scraping, skittering sound werks that come over like Blood Stereo play John Cage’s cartridge music to a fantastic fat, doomy synth solo that makes like Heldon hymning Lucifer. Less madman and a lot more moody than you might expect, this makes for a consistently bent atmosphere from start to finish.…
These sample-based constructions incorporated sounds from free-jazz, new electronic-generated sounds, classical modernism & vintage geographical recordings. Discordant segments of wailing, top-end violins give way to clunking rhythmic passages of metal marimbas & tuned percussion; free-roaming passages of rasping, low-end bass & the shuffle of free-jazz recall the work of Prestige-era Moondog, as well as aspects of Harry Partch's instrumentation via mid- to latter-day period Tom Waits. Atonal am…
"Nottingham duo Felix make their Kranky debut with this fine and idiosyncratic collection of songs. The main focus here is the vocal/piano/cello talents of Lucinda Chua, whose sparse yet quirk-loaded minimalism receives guitar and bass backing from Chris Summerlin, who's probably best known for his work in the rock band Lords. Chua's writing is quite unlike anything else currently out there; her lyrics convey strange or often very simple, domesticated ideas delivered in a pared-down, plaintive f…
When Maserati first began performing new songs for their next album, the one that immediately stood out with audiences was “Pyramid of the Sun,” a chugging behemoth driven, as usual, by one of the best rhythm sections in underground rock. It was an instant fan favorite and quickly cemented itself as an institutional song that would surely show up in the set list virtually every night for years to come. Unbeknownst to fans, there was an alternate version of the song that took the head-nod…
250 copies, hand numbered. Ini.itu is releasing the fourth LP of its catalogue, a new work composed by Francisco López. Francisco López is a sound artist who is active since 30 years and has composed an impressive catalogue, strongly consistent and full of nuances. Trained as an entomologist and ecologist, his attention is acutely focused on the natural sound environments. His reflection on the phenomenology of the act of listening has led him to develop of a form of 'absolute musique concrète',…
"Kluster (1969) metamorphosed into Cluster (1971) and Cluster became Qluster (2011). In a period spanning over 40 years, Hans-Joachim Roedelius was a driving force behind this unique transformation. Now, as Qluster, he has recorded together with Onnen Bock in the latest incarnation. Three albums already released document the current status of their musical journey to pastures new. Lauschen is not a studio album, but a live recording of a performance for which Roedelius and Bock invited world mus…
Previously only available as a Japanese CD, now a limited 2 X 12" cut at 45rpm for maximum fidelity & feat. art & production by EYE himself. Limited to 2000.
The idea for the Coil Sea record came about after Arbouretum had finished our Summer 2009 European tour. The band had some time off, and I thought it would be interesting to put a session together consisting of musicians that I knew and had played with, but hadn't all played with each other. The goal was to create improvised music without much in the way of set ideas or editorial input from my end, and to hope that we could, over the course of the session, become comfortable enough playing…
Project from Dominick Fernow of Prurient/Vatican Shadow and Kris Lapke of Alberich. "Released first as a limited 4 x cassette box set now condemned to vinyl. Among the trinity of electronic projects of Dominick Fernow's studies in anxiety and fear from the mythic natures of rainforest spiritual enslavement, the info wars of Vatican Shadow and the creator's observation of Christian Cosmos. Lightning drums pound the rhythms for lost souls as the fall from paradise abounds and the trumpets o…
Long-running Twin Cities horsepower trio Daughters Of The Sun have been subtly chugging out their faded-tattoo spirit-in-the-sky psych exhaust for at least half a decade now but we didn’t catch the drift till March ’09, when we got to witness a packed post-midnight smoke-soaked Minneapolis loft set and waved our lighter with the masses. Ghost With Chains is their third official full-length (not including some EPs and a killer split) and it’s as beautifully moon-burnt and highway-swept as anythin…
Like a true psychedelic experience, one that if you've ever had, you'll know what we mean, it presents you with a fixed length window that opens into another possible perspective of our lumbering existence. Imagine 500 milligrams administered via an eye dropper filled with mercury and you're on your way. Born of a correspondence between two fellows entrenched in parallel explorations of the unknowable and imagined, there's a mystery to the source of the sounds contained in these grooves; …
Regrouping for a third album under their 'On' moniker, Steven Hess and Sylvain Chaveau have created another body of chilling improvised recordings at their Chicago studio. As with previous records the results were passed to a guest musician for rearrangement of perspective and mixing techniques. Following Deathprod's work on 'Your Naked Ghost...', the material for this album was handed to experimental virtuoso Christian Fennesz, who transforms the source sounds into a display of stripped,…
Vinyl-only release. Performers: Jean-Philippe Collard-Neven (piano); Claude Berset (piano); Vincent Royer (viola). Sub Rosa presents the first release after their Luc Ferrari trilogy. Didascalies 2 is not to be confused with 2007's Didascalies (SR 261CD) -- this is another composition entirely, never published before. "The other day I found a file from 1993, a score for two pianos entitled 'Revenir à la Note de Départ' (trans. 'Getting Back To The Initial Note'). So I decided to turn it i…
LP edition of 100 numbered copies in hand painted/sprayed/mutilated jackets with insert and download code with copies from BlRR signed. Stimulus return from another long silence with their first release since 2008 and their first non-improvised release in the best part of 10 years! "Document for the Future" is a 6 track album of all new music and is a partial return to the earlier beat driven sound but with the added twist of vocals on all but the first track, resulting in a radical new s…
Sensacao Do Principio is the third release proper from Tropa Macaca and their first with an American label. Their previous efforts on Ruby Red and Qbico were magnificent (though hard to find) efforts of blotted, aural sci-fi codifications somewhere between Anar Band and Blues Control. The two-track full-length continues their foray into post-psychedelic instrumental morphine, where Moolah's LP and Pink Floyd's "Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with …
There's something almost religious about this Charlatan (Brad Rose) LP, its narrative arc swinging from light to dark and back again. From the opening chords of "Lime Beauty," we're awash in polarized-lens glinting twilight, fluorescent skies over the water. "Trace Blue Outlines" is trance-like and reflective, with long, arpeggiated figures chasing each other skyward in a fugue. Darkness creeps in around the edges of "Vodka Rocks," with almost post-rock moodiness bringing the side to a cl…
Endless Falls is the fifth full length release by Scott Morgan under the loscil moniker. The album begins and ends with the sound of rain recorded by Scott in his back yard, precipitation being a constant presence in his home city of Vancouver. Many of the other sounds on the album are derived from these same recordings, processed and combined with other harmonic sounds to create the textures and drones. Something completely new to this release would be vocals, of a sort, a first for any loscil …
LP version, presented in an old-style tip-on jacket with a hand-pasted letterpressed cover, limited edition...Like all pre-war recordings and all of Rose's releases, this album was recorded live. It was not created using overdubs but rather by recording a few 'takes' and selecting the best performance out of those. Rose stated, 'I wanted the songs to have an immediacy and spontaneity as they were being recorded. All the musicians chosen for the record know how to play the songs withou…
Introducing The Swifter - a new trio featuring Andrea Belfi (drums and percussion), BJNilsen (electronics) and Simon James Phillips (piano). Their debut album documents the first encounter of the three musicians. Recorded live in the Grunewald Church, Berlin, careful attention was given to capturing the unique resonant acoustic offered by the airy, stone building, exhibiting the broad palate of aesthetic qualities the group are able to create. Subtly evolving sound worlds that evoke, at times, t…
Displays fully honed examples of all of Rose's various styles & themes - traditional, raga & ragtime. "Cross The North Fork" - a 13-minute revisiting of a track 1st laid down on the great "Kensington Blues" is a winding, thoroughly engrossing journey. It is a welcome neighbor to the album's other spendid joys ranging from the jaunty & infectious "Fishtown Flower" to the pensive & appropriate melancholy punch of "Box Of Pine." Limited to 2000 copies on 180g RTI vinyl.