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The only early album in this American cult group's discography that hasn't been made available on CD yet. "Satanic Sanction" is one of the darkest, most ritualistic works ever to be recorded by the band, and has for this edition been enlarged by John Zewizz including tracks from the same recording session that didn't make it onto the original vinyl. Featuring the grand voice of Jonathan Briley this is *the* classic …
The London based improvising string trio Barrel of Alison Blunt on violin, Ivor Kallin on violin & viola, and Hannah Marshall on cello, all members of London Improvisers Orchestra and performers at the 2007 Freedom of the City. "These three musicians have been performing in various combinations with others on the London improvising scene for several years. As well as the numerous small groups they have participated in, all three are members of the London Improvisers Orchestra. About six years a…
With “Kuopio”, Raster-Noton releases the second full length album by Vladislav Delay aka Sasu Ripatti. The record features eight new songs which allow the listener to dive into Delay’s cosmos of deep and likewise organic sounds. Subtle yet complex electronic manipulations are used, resulting in a high degree of variation within every single track and a nearly imperceptible intensification of their density. Progressive and energetic rhythms play an important role as already indicated in hi…
This is Jun Konagaya (a.k.a. GRIM )s first solo album. GRIM released collection of complete sound sources from hanng niap records in 2009. and insanity live performance was resumed after it. And having been released this time is not GRIM but a solo Jun konagaya name. Atrocious feedback/roaring cannot be heard there. "Organ" The malformed story about floating folk song of malformation, such as "Message" of GRIM. Inner surface of the universe is filled with deep sorrow of Jun konagaya, has been ex…
The first thing this CD reminded me of was Tape...then I checked out the press release and it turns out that Tape's Johan Berthling (also very recently sighted on that Fire! with Jim O'Rourke record) is in fact one-third of this band, the other two being Andreas Soderstrom (Ass) and Per Eklund on drums. It is, as you would expect, gently paced instrumental stuff, slightly pastoral-sounding, with intertwining guitars and a some subtle Hammond organ and trumpet bits. This is a mightily rel…
Magnificent reissue of this tape obscurity from 1980, Cluster's eighth album (the first of three live LPs) originally released on the YHR label (which was curated by Pump's David Elliott), also including archival material never before issued on CD. With so much stuff from this era coming to the surface recently it's sometimes easy to get blasé about it all, but this is one you really ought to give your fullest attention to. As the title says, this was recorded live in Vienna in 1980 at th…
another gem, a wonderful collection of obscure solo acoustic guitar tunes from the mid 60s up to the dawn of the 80s -- beautiful work from a slew of players we've never heard of -- but we'd put right up there with Fahey and Basho in the way they reach from the back porch to the cosmos with just their fingers and some strings! One thing we love about this set, and the Numero Group releases to date, is how deep they dig and what beauty they unearth, somehow with impeccable sound quality. S…
The duo of Aiko Kogo & Anthony Guerra 1st made their presence known on a micro-edition CD-R from New Zealand's Pseudoarcana. Guerra sets the pace w/ layers of makeshift percussion & guitar. Kogo also plays ukelele, but it's her voice that is the real focal point on the album. This is fractured pop perfection.
The new CD-EP (clocking in at 20 minutes exactly) from Stephan Mathieu is a coda to A Static Place (2011, 12k), created with his highly focused setup of two mechanical-acoustic gramophones and computer. Coda (For WK) is dedicated to the legendary “quiet” pianist Wilhelm Kempff, whose 1927 recordings of Beethoven’s Piano Sonata No. 26 Les Adieux from a double 12” 78RPM set on Brunswick were used as input for an autogenerative process. Mathieu’s process emphasizes the archaic beauty and texture of…
No guitars and fuck two-second gaps. A collection of six 7"s (Gutter Splint, Fortune b/w The Eyes Of Men, Epistasis, Vacuum, Vanishing Point, and the split with Agathocles). Performed by CHARLIE MUMMA, CORYDON RONNAU, JOHN WIESE. The only band to make a Milton and a Mentors reference on the same album. Typically I think noisecore is best in small blasts, but for those who can't find or play the records, this collection is still pretty terse, don't worry.
THE WIRE'S BEST OF 2010! CD edition "If a tree falls in a forest and no one's around, shit still gets crushed. If Cameron Stallones holes up solo-style in a suburban cave and wah-riffs over canned bongos for five straight months, double LPs still get dropped. These are basic life laws. The latest from Mr. Araw is easily his least compromising audio self-portrait to date. Three minute rhythm sketches are stretched into ten minute loop pedal odysseys. Organ solos last for entire vinyl sides.…
Incorporating wildly coloured orchestrations and unusual performance actions, set against intense monochromes of noises and whispers, Vellus is a collection of chamber works that obsessively deals with the privacy of ritual, memory and the self. Diverse takes on instrumental concrète by this young Australian composer. 'Lucas Stumbles' (2007) for percussion (Eugene Ughettti, Greg Sully, Mathias Schack-Arnott, Anna Webb) and electronics (James Rushford). 'Respite in the Woodland' (2007) with Aviva…
2011 release. Satoko Inoue is an experienced performer of Ferrari’s works and had a lively exchange of ideas with the composer, who was also present at the recording sessions. No wonder then that precisely those ideas of open work and its “anecdotal” interpretation were the ones that were most important to him – as such sounds were to him always abstract at the core, even if he first illustrated them in a very visual and associative way. Satoko Inoue writes: “We discussed, he explained ab…
The Phonos ek Mechanes trio was founded in 2007 by three composers and electro-acoustic performers from Wroc aw: Cezary Duchnowski, Pawe Hendrich and S awomir Kupczak. The name of the group comes from Greek and means 'the sound of the machine' which reflects specific methods of artistic creation applied by the three musicians. They play typical instruments such as the piano, electric guitar or electric violin, often prepared and tuned for microtonal music. Sounds that are created this way do not…
After excellent reviews and endless touring all over the world, supporting bands like Deerhoof, Xiu Xiu and Sic Alps, the Italian weirdos Father Murphy are back with a brand new album titled “Anyway your children will deny it”. It is the latest, boldest installation of an ongoing series of albums investigating the band’s favorite themes: life, death, love, religion and even more death. For this album, the Italian trio comprised of Reverend Freddie (vocals, guitar), Chiara Lee (vocals, keyboards,…
Farmers By Nature – drummer Gerald Cleaver, bassist William Parker, and pianist Craig Taborn – a fully-improvising unit, a complete musical collective. Each of these men are highly regarded & admired composers and bandleaders in their own right; their coming together to create new music is always an auspicious and deeply fruitful occasion. Superbly attuned listeners and masterful players of their respective instruments, they are without question one of the finest improvising units / musical grou…
'Previously unreleased material by the legendary Rick Potts of the Los Angeles Free Music Society (LAFMS), to commemorate his solo tour of Japan. Raw, lo-fi avant-garde experiments with field recording, improvisation and tape music, recorded in the late seventies when Rick was in his early twenties. Featuring contributions by Le Forte Four and Doodooettes on one track, and two recently recorded unreleased tracks. " In 1977 I wanted to make an animated film filled with the strange creatures…
12k presents Status, the result of two of the genre’s most talented, and diffferent, composers; Frank Bretschneider and Ralph Steinbrüchel, sharing their sounds and styles. Status began in the Spring of 2003 when they designed their own sound sequences and samples and sent the material to each other, waiting and hearing what the other will create out of it. They played this game for nearly 2 years, sending sequences and tracks back and forth until both of them were satisfied with the result.When…
In the desire to make recorded sound as tactile as possible Autistici (UK), recently featured on 12k’s Blueprints compilation (12k1039), has sculpted found objects, broken acoustic instruments, synthesizers and environmental recordings into Volume Objects. Expertly realized and designed, Volume Objects is loose and organic and demands careful listening. Melody and form are hinted at and then in a whisper, a crackle, are gone. A sense of narrative and place created as if a hundred tiny objects ar…
His given electronic anatomy of drum machine, microphones, tapes, & MSP folded out of their hard accustomed formations, breaking out into a more cogent & vital arsenal. A finely detailed & dimensional evolution of an already unique voice.