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Super rare 1970s British jazz from Joy: Chris Francis, James Dvorak, Frank Roberts, Ernest Mothle, Keith Bailey reflecting the young, multicultural, vibrant flavours of mid-70s London. Funky, hip, committed, Joy is one of the forgotten gems of London jazz. Originally released in 1976, Cadillac and Joy are delighted to offer the first CD/Digital reissue of this great album - remastered by Keith Bailey and including extra, previously unissued, material and a vinyl reissue of the original release i…
Those lucky enough to have been exposed to Dudu Pukwana's music will forever be in the grip of of a rare and beautiful musical spirit. More than 20 years after his death, his uniquely original music lives in a powerful and inspirational way. This album is a tribute to Dudu helmed by American musician/producer Andrew Scott, who first heard the Blue Notes in 1966 at Leeds University - the genesis of a personal musical journey leading up to this special project. Duduvudu has been a family affair - …
Recorded live at the 100 Club, London, on 16 April 1977, by Ron Barron. Some of this music was originally available on LP as OG 220 (Ogun, 1978). This expanded CD edition - previously only available as part of the long out of print "Blue Notes - The Ogun Collection" box set - now receives a first release as a stand alone title.
A vital artefact in the recorded history of the Blue Notes, being a live recording (Durban, 1964) of one the the group's last performances in their homeland prior to flying to France to appear by invitation at the Juan-Les-Pins Jazz Festival and then on to expatriation in England. The album was first released by Ogun in 1995 and then featured as part of the "Blue Notes - The Ogun Collection" box set in 2008, itself now long out of print. At long last this exceptional document is available again
"Blue Notes for Johnny" - a defining statement by one of the greatest ensembles in the history of jazz. Recorded in mid-1987 by Blue Notes - then reduced to the trio of Dudu Pukwana on alto sax, Louis Moholo-Moholo on drums and Chris McGregor on piano - it encounters the band 25 years after their founding embarking on an inward meditation through collective music making dedicated to Johnny Dyani, their former bandmate and friend.
Blue Notes were founded in Cape Town in 1962, and stand among the…
*300 copies limited edition* Meditative solo piano excursions by Albert Alan Owen. The first widely available new work for many decades sees the British composer return to his principle instrument for a series of beautifully unadorned piano miniatures. The minimalist approach and effortless serenity put me in mind of the recent return of another veteran, Laraaji, who's Sun Piano LP from 2020 shared a similarly emotional weight. Strange how it's minimal music that often possesses the most affecti…
Written and recorded with the goal of creating a one-movement suite in the least amount of time possible, "Succo di formiche" reflects the archetypal joy of music making, the spontaneous impulses underlying its formation, and a love of the record album form.
Issue 5, Volume 2. Along with the cover stars of Pharoah Sanders and Anri, the issue features Ron Trent, Dexter Wansel, Carolyn Crawford, Hyldon, Linda Lewis, Lance Ferguson, Psychic Mirrors, Liv.e, Bernard Wright plus Re:Discoveries, Record Rundowns and more...
*2023 stock* The Treatise on Musical Objects is regarded as Pierre Schaeffer’s most important work on music and its relationship with technology. Schaeffer expands his earlier research in musique concrète to suggest a methodology of working with sounds based on his experiences in radio broadcasting and the recording studio. Drawing on acoustics, physics, and physiology, but also on philosophy and the relationship between subject and object, Schaeffer’s essay summarizes his theoretical and practi…
*2023 stock* Living Genres in Late Modernity rehears the American 1970s through the workings of its musical genres. Exploring stylistic developments from the late 1960s through the early 1980s, including soul, funk, disco, pop, the nocturne, and the concerto, Charles Kronengold treats genres as unstable constellations of works, people, practices, institutions, technologies, money, conventions, forms, ideas, and multisensory experiences. What these genres share is a significant cultural moment: t…
*2023 stock* The Hum of the World is an invitation to contemplate what would happen if we heard the world as attentively as we see it. Balancing big ideas, playful wit and lyrical prose, this imaginative volume identifies the role of sound in Western experience as the primary medium in which the presence and persistence of life acquires tangible form. The positive experience of aliveness is not merely in accord with sound, but inaccessible, even inconceivable, without it. Lawrence Kramer’s poeti…
*2023 stock* There is more to sound recording than just recording sound. Far from being simply a tool for the preservation of music, the technology is a catalyst. In this award-winning text, Mark Katz provides a wide-ranging, deeply informative, consistently entertaining history of recording's profound impact on the musical life of the past century, from Edison to the Internet. Fully revised and updated, this new edition adds coverage of mashups and Auto-Tune, explores recent developments in fil…
*2023 stock* The experience of the divine in India has three components, sight, performance, and sound. One in a trilogy of books that include Diana Eck's Darsan: Seeing the Divine in India, and Susan L. Schwartz's Rasa: Performing the Divine in India, Mantra presents an introduction to the use of sound -- mantra -- in the practice of Indian religion.
*2023 stock* In 1977 NASA shot a mixtape into outer space. The Golden Record aboard the Voyager spacecrafts contained world music and sounds of Earth to represent humanity to any extraterrestrial civilizations. To date, the Golden Record is the only human-made object to have left the solar system. Alien Listening asks the big questions that the Golden Record raises: Can music live up to its reputation as the universal language in communications with the unknown? How do we fit all of human cultur…
*2023 stock* This innovative collection of articles offers a major comprehensive overview of new developments in cultural theory as applied to Western music. Addressing a broad range of primarily twentieth-century music, the authors examine two related phenomena: musical borrowings or appropriations, and how music has been used to construct, evoke, or represent difference of a musical or a sociocultural kind.
The essays scrutinize a diverse body of music and discuss a range of significant exampl…
*2023 stock* This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1961.
*2023 stock* Coverscaping focuses on the semiotics, poetics, and rhetoric of album covers. Working from the assumption that record sleeves may represent a visual genre in its own right, the essays engage in various ways with what one might call the pictorial component of recorded music. The contributors run the whole gamut from close readings of individual covers to more theoretical or philosophical explorations of the aesthetic nature and artistic value of album covers. Coverscaping aims to car…
*2023 stock* As the 1960s ended, Herbie Hancock embarked on a grand creative experiment. Having just been dismissed from the celebrated Miles Davis Quintet, he set out on the road, playing with his first touring group as a leader until he eventually formed what would become a revolutionary band. Taking the Swahili name Mwandishi, the group would go on to play some of the most innovative music of the 1970s, fusing an assortment of musical genres, American and African cultures, and acoustic and el…
*2023 stock* Mainframe Experimentalism challenges the conventional wisdom that the digital arts arose out of Silicon Valley’s technological revolutions in the 1970s. In fact, in the 1960s, a diverse array of artists, musicians, poets, writers, and filmmakers around the world were engaging with mainframe and mini-computers to create innovative new artworks that contradict the stereotypes of "computer art." Juxtaposing the original works alongside scholarly contributions by well-established and em…
From Yann Novak In Greek mythology, the legend of Theseus describes how the king-founder of ancient Athens rescues the children of his city from King Minos’ minotaur on the island of Crete. In commemoration, Athenians began a pilgrimage to honor his victory, taking the ship of Theseus and sailing it from Athens to Delos. It was with this tradition that a philosophical paradox about the historic ship was raised: As the ship was repaired, piece by piece, until it was no longer composed of any orig…