New Arrivals
Man Leaving Harbour On a Ship (In a Room)
** Private edition, only a handful available. ** Man Leaving Harbour On a Ship (In a Room) is the title of a sound installation (for record player, vinyl record, speakers, found photograph, steel wires) by Vittorio Santoro to be presented in June 2010 at La BF15 Contemporary Art Space in Lyon. For the art installation of this sound piece, side A of the LP record (titled 'Commencement') is played over and over for a whole day. The organizers will take care that the side B (titled 'Conclusion') is…
Leaving The Commonwealth
D. Charles Speer & the Helix came together through a shared love of musical interplay that moves the mind and body. Born from the obsessions and predilections of David Charles Shuford, strains of glassine cruelty, broken glasses and ruptured knees mixed with memories of Chet Atkins lullabies and ZZ Top vids to generate a songcraft steeped in tradition but themed for the burned. A practicing multi-instrumentalist in various New York City improvisational ensembles for the last 15 plus yea…
Direct Current
Again, ultralimet release on qbico, the original music was rec. @ the qbico u-nite XIII which took place @ Issue Project Room in NYC back in Feb. 2009. for sure the opening set by Atiba & Dave Nuss was one of the most original live set i had the pleasure to... see i remember talking with Dave, trying to set up this gig... he came out with this duo, saying that Atiba is the best well kept secret in the NYC... he spotted him playing in Harlem Clubs... nobody knows him, Andrew Barker or Steve... no…
Built For Nothing
"Suburban Michigan is a breeding ground where every weirdo has a label, a band, and a handful of secret/under the radar collaborative projects. Here Graveyard's Ben Hall and Lambsbread's Zac Davis create a monolithic one-sider influenced by too many private press jazz records and abstract instrumentalism. Davis turns in his effect pedals for nothing; pure clean tones plucked up and down scales and bridges so uniquely that it is easy to confuse the guitar for a sax. Ben Hall drums like a man with…
Eskra
Temperatures are a London-based duo formed by Peter Blundell (bass, voice) and James Dunn (drums, synth). Blundell's rumbling delayed bass runs against Dunn's bursting drums that simultaneously trigger an unruly ARP 2600. Vocals are both muffled and shouting at times and eventually end up getting buried under a (controlled) landslide of sounds. Thanks to their instinctive but thoughtful approach to noise, Temperatures can express a suffocating sense of alienation and mal de vivre, as well as tod…
Regine Flory
Limited to 200. Zak Boerger's combination of fuzz, acoustic guitar & extended downer ballads most immediately aligns him with the New Zealand scene centered around Peter Jefferies & Alastair Galbraith as well as associated international satellites like Flying Saucer Attack & the Twisted Village roster, but there's a lonesome edge to the music that would situate it ouside of any particular historical tradition & closer to the mystery school of regional private press obscurities. The acoustic trac…
Montoyan Artesian Connection
New Tape - Montoyan Artesian Connection - Montoyan Artesian Connection - This is a tough one to write-up. Montoyan Artesian Connection is the solo 4-track home recording project of one of the key update writers here at Permanent, which makes writing a completely unbiased review virtually impossible, so we ll try to stick to the facts and leave the hyperbole out, for the most part. That said, what we have here is a tape of 10 Chrome, Les Rallizes Denudes, DAF, and Hawkwind influenced jams (we re …
Sound non sound 1
"Sound non sound" is a 15 minutes long session of samples, toy beats and synthetic waves that travels back in time to investigate some of the unexplainable mysteries of the recent Italian past, made of disappearing aeroplanes and exploding train stations by the hand of no one.A deeply describing music that manages to stimulate undefined images and shapes to the mind of the listener.
Beyond utopia
2012. English edition, 18,5 x 24 cm (softcover), 126 pages (b/w ill.). Edited by Sophie Warren and Jonathan Mosley. Contributions by Maria Fusco, Marie-Anne McQuay, Paul O'Neill, Elizabeth Price, Jane Rendell, Lee Stickells, Robin Wilson. Based on a project initiated by the collaborative practice of Sophie Warren and Jonathan Mosley with writer Robin Wilson, Beyond Utopia queries the function of utopian thinking in urban planning and spatial culture. The aim of the original project was to…
Cracked Refraction
Cracked Refraction ties its complex knots with infectious vigor and a predilection for playfulness. Wrack’s melodies are slithering and serpentine, and the music is built of smaller segments assembled in what can seem a slapdash manner, with all sorts of jutting ends and unexpected collisions. What Bruckmann’s done, though, is intentional, placing his players on different planes, with straight lines failing to meet, runs of notes ricocheting at impossible angles, and expected avenues folding in …
_, and Vice Versa
Vice-Versa is an album with 2 process. Originally was gathering some works which produced between 2005 - 2009, with a lose concept of exploring the digital composition by using analog source, as a general guideline. Once the concept become much clearer, more works which share the similar concept were dig out from the hard drive for a better overview and consideration to create an album; on the second process, some of the works has been carry forward with more focus on the development of t…
We Who Had Left
Necks pianist Chris Abrahams teams up with electronic artist and sound artist Alessandro Bosetti for six introspective and mysterious tracks that mix Necks like progress with ambient electronics and curious monologs, and one waltz.The piano recital format number one: a pompous italian tenor, his round belly almost exploding inside his tuxedo, stands beside the gigantic grand piano, holding a hand on it while protruding forwards. Outside the stage, an imaginary oceanic audience is seated on hundr…
Global K.O.
Sprung aus den Wolken have teamed up with Berlin based electro duo Film 2 to record a new album. The result is a mix of Renault Schubert's cool electro pop tunes and Kiddy Citny's and Betty la Gachette's vocals sung in French, English and German. A more than welcome return after a far too long pause for theose German pioneers. "The ten tracks of the CD span from funky electro industrialism to ambient cinematic experimentations (like "Push here" or "Nous irons aux bois") passing though electro 80…
Drones
In the beginning there was the piano. As soon as he had mastered the basics, Jean-Philippe Goude discovered the spell of melancholy while working on a little musical piece: an etude ringing out in the style of a somber hymn. Not the dead meat smells of somberness that, according to Picabia, serious people emit, but the earthen gravity of an abyss dug by life itself. Everything is the result of this bedazzlement. At 11 years old, Jean-Philippe Goude closed his eyes. When his eyelids finall…
The finishing line (Film music volume 2)
Second full-lenght album from rashomon (aka Guapo founding member Matt Thompson). Inspired by public information broadcast The Finishing Line (1977), the record is a sonic re-imagining of the film as haunted meditation on the power of memory, drawing the listener into a claustrophobic sense of unease and mounting horror. An amalgam of library music, 1970s prog soundtrack, musique concrète and spectral jazz
Sol Sketches
Film director Chris Teerink asked me to make the soundtrack for a documentary he would be making about American artist Sol LeWitt. This was in 2009. Chris and I agreed that the music and the images should both be equally important in his film. We didn't want the score to overpower the images, but neither did we want it to become solely background 'muzak'. I searched for a certain openness in the sound, while at the same time keeping a directness to it. Musical references for me were the piano pi…
Unknown skies
...Every trio without a piano, or without a drums, or as in this case without a double bass, gains in incline what it loses in “balance”. It only takes a little sometimes. Everyone plays at ease across. Everyone can split themselves. There are no more solos as solos but phases, circles of influence and predominance which do not last. The duos bind and unbind more clearly, the contrasts stand out better. The theme is no longer material to develop but, as in Unknown Skies, a lyrical and volatile s…
Boolean Blues
ASESOME NEW RELEASE! Josh Hanson is another of Portland, Oregon’s underappreciated sons. Having come up through the ranks of long-time, long-forgotten faves Hochenkeit, he also spent time as a member of The Davis Redford Trio. But Hanson’s path diverges into a totally different sphere nowadays, spinning solo modular synth exploits to the stars. Influenced not just by the likes of Subotnick and Cluster but also various types of Eastern sounds, Hanson is looking forward, trying to find new pa…
Ceremonies to breathe upon
Two contrabass players here, Andrew Lafkas, of whom I not really heard I think and Michael T. Bullock, of whom I did hear before, and know as someone who likes his improvised playing to be minimal - to say the least. I think Bullock at times also uses electronics, but I am not if he uses any of that here. Its not mentioned on the cover, nor the fact that this is perhaps a live concert. I do however think this is a live recording, however one with no audience, but a direct-to-track recording of t…
House
CD edition, 'House' is the 2nd official full-length offering by Cleveland, Ohio duo MIST featuring Sam Goldberg (of Radio People) and John Elliott (Emeralds, Outer Space, Imaginary Softwoods etc) after 2009's self-titled debut effort on Amethyst Sunset. A suite consisting of 7 complex, layered compositions shows new progression in composition and melody from the duo. From the lightning fast, bittersweet crescendo of 'Twin Lanes' to the dramatic chord progressions of 'I Can Still Hear Your Voice'…