New Arrivals
Ancestors
Styles Upon Styles follow that ace BAT single with three stealthy, motorik techno mutations from Mexico City's White Visitation. 'Permanent Swing' synchs swirling machine patter and rolling square bass as a tentative opener for the tight, latinate shuffle groove and subtly ascendent chord and guitar slivers of the Moritz Von Oswald-esque 'Home', and 'Blood Revision' cruises out on a gauzy autobahn/highway tip coming off like a technoid cousin of Willie Burnett's Black Deer gear.
Bis als letzter der Zeugen das Ged�chtnis verstummt.
Sebastian Elikowski-Winkler studied composition with Friedrich Goldmann in Berlin, Marek Kopelent in Prague and Vladimir Tarnopolski in Moscow, and musicology, art history and architecture in Berlin. He is the recipient of several composition scholarships from institutions in Moscow, Paris and Venice. Berlin-based Ensemble Adapter interprets primarily new compositions across a wide range of contemporary music in a progressive, authentic and powerful style. Shelley Parker is a London-based artis…
Financial Glam
Jar Moff returns with his second full-length, Financial Glam, a follow-up expanding on ideas first presented by the excellent Commercial Mouth debut LP PAN released earlier this year. Continuing with themes established on his previous LP, Financial Glam reflects the flux and tension of his home city, a gripping opus of grandiose crescendo and collapse, broken rhythm and disquieting calm. These intricately-composed collage works, constructed from hundreds of archived samples, provide a fitting…
A Rebours
Depuis que Minizza existe (le groupe se forme en 2000), ses membres ont toujours eu dans l'idée, un jour, d'adapter un roman en musique. Lorsque France Culture leur commande un Atelier de Création Radiophonique, l'occasion est saisie, et le choix se porte rapidement sur A Rebours (1884) de Joris-Karl Huysmans, chef-d'œuvre séminal, manifeste du décadentisme, dévoré par les membres du groupe dès l'adolescence.Ce travail pour France Culture donne naissance au troisième album du groupe qui, bien qu…
In emptiness there is truth (Call no man happy until he is dead)
A soundwork commissioned for the 2010 edition of the Ravello Festival, curated by Achille Bonito Oliva, Stefania Miscetti and Gianluca Ranzi. Voice: Seijiro Murayama. Voice recording engineer and EQ: Stefano Pilia Original stereo mix: John Duncan. All other sounds, recording, editing and mixing by ALH.
“In relation to this soundwork, the extended overtones created by the clashing frequencies of the ‘ghost chorus’ could indeed be read as faint glimmerings of a sublime imperative. This imperative,…
Bits & Pieces
The history of - behind which we find Nico Selen of O.R.D.U.C, E.M.M. and many other guises - and Freiband, the name of Frans de Waard when it comes to all sorts of computer based, goes back for over 20 years. Selen was the first to release a LP by Kapotte Muziek (De Waard's other music enterprise, among many!), in 1990 and they have been off and on in contact. Earlier 2013 released a very limited CDR, which De Waard quite liked and in the next days he kept returning to it, eventu…
Hello
Takahiro Kawaguchi began making field recordings and performing improvised music in 2000, and in recent years has attracted a great deal of attention as a sound artist. In January 2009 he released, on Taku Unami's label Hibari Music, the solo album n, on which he uses several remodeled counters. Shinjiro Yamaguchi, born in 1983, is an electronic music player. in October 2008 he released the minimal ambient solo album Kogai on the Japanese label Cherry Music.This is the debut album of Kawaguchi a…
Landform Erosion
Landform Erosion In the sequence of the debut album Landform, Fujako releases Landform Erosion, into the cosmic wilderness of haunted grounds and landscapes. The telluric evocation of the underworld through bass and echo involves this time a new set of collaborations, a group of producers were invited to remix sound coming from the previous Landform. REMIXERS | SPECTRE explorer into the realm of low frequency manipulation, TZII Brussels based musician and video artist, the second half of …
An Ambassador for Laing
LP version. Debut album from the Edinburgh-based duo of Marc Dall and Alex Ander, who work with intricately-stacked percussion, dub-wise bass and a rich harmonic tapestry of processed voices, keys, harp, vibraphone, guitar, woodwind, strings and synthesizer -- every sound re-sampled to the nth degree then subjected to subtle automation and rigorously fine-tuned over a period of many months. From the mesmerizing, pastoral drift of "Anger Sees Red" and "Dwelling by the Meadow" to agitated arabesqu…
Swisher
The Blondes duo refract their house abstractions through a smudged psychedelic prism on 2nd album 'Swisher' for RVNG Intl. Picking up where their eponymous debut left off, Sam Haar and Zach Steinman start with the kosmic organ swell and atom-split rhythms of 'Aeon' before locking down to a driving, technoid momentum with 'Bora Bora' which carries through the album in the glyding dub-house gait of 'Andrew' to the ornate, future-baroque arpeggios of 'Poland' to the laser-grabbing, Belgian-styled t…
Rufen
Rufen is the second installment in a trilogy of Qluster music, following on from the Fragen (BB 076CD/LP) studio album. In four impressive live recordings, Hans-Joachim Roedelius and Onnen Bock unfold aural panoramas which can only be described, in the truest sense of the word, as fantastic. Had Claude Debussy not already composed 'Prelude To The Afternoon Of A Faun,' then Qluster would have been ideally placed to do so, their transparency and polymorphism so reminiscent of his high Impression…
Phone about to Ring
Initial copies on Blue wax, all purchases come with an instant MP3 download. The Noise Musician's Noise Musician, Scott Reber of Rhode Island presents a jaw-dropping slab of two noise symphonies for Type. In operation for over a decade now, Reber has amassed a plethora of CDrs, tapes and the odd vinyl under myriad names and in scant quantity, many known only to the Rhode Island fraternity, like this one originally released on his Three Songs Of Lenin label in 2012. As the title infers, 'The Phon…
Jedwabnik
More music involving the seemingly always-at-work Wojciech Kucharczyk (does the man ever sleep?), this time in a quartet alongside B a ej Król, Jerzy Mazzoll and Radek Dziubek. The project's title Dwutysi czny translates as 'two thousand' - referring, according to a brief recent interview with Easterndaze, to the year when Król first came across the music of the other three players, a discovery that eventually led him to write to them to ask if they'd donate him some of their recorded sounds to …
Martian Landscapes
I have never been to Mars, but sometimes i drop by... pictures and films we have access to give us a false impression that we already know something. My Mars is still populated with images from our childhood linked with hundreds of films and science fiction novels. i sympathize with misinterpretation of the illusion caused by old telescopes, as if the surface of Mars was covered with a network of irrigation canals being a proof of high civilization. combination of curiosity and fear stemm…
The Hebrides suite
How does history - past lives and past events - leave sonic traces and how can we hear them? The Hebrides Suite is the result of an attempt to answer this question and the culmination of composer Cathy Lane's three decade long engagement with the Outer Hebrides. The Outer Hebrides form a 130-mile long archipelago about 40 miles off the north-west coast of Scotland. There are more than 200 islands but only a few are now inhabited. In the 2001 census the total population of the islands was 26,502.…
Gored Gored
Terrie of The Ex collaborated with numerous people over the years to get inspiration from and absorbing all elements of all music, but continuing to being raw and unpolished. In meetings with the Norwegian hard-hitting avant-garde drummer, Paal Nilssen-Love, two souls of similar attitude meet, although from very different background. Being a jazz drummer, Nilssen-Love holds his sticks well in the improvised area of music, much more than the average jazz musicians do today.
This CD is hard …
Broken iteration
The Japanese percussion player who lives in Europe has three fields of interest: 1, non-idiomatic improvisation (that includes idiomatic researches about it, or workshops on it). 2, electro acoustic composition. 3, plural disciplinary collaboration (with words, images, body movements etc) and it would seem to me that these four pieces here are a combination of 1 and 2. [] Murayama's playing is very minimal and we do recognize indeed the element of percussion instruments, and Murayama explores hi…
Red Riding: In the Year of Our Lord 1980
Blackest Ever Black presents the first vinyl edition of Dickon Hinchliffe's original score for 1980 -- the second part of Channel 4 and Revolution Films' Red Riding trilogy, adapted by Tony Grisoni from David Peace's quartet of novels and first screened in 2009. Each film in the Red Riding trilogy, a landmark achievement in British television history, was helmed by a different director and had its own distinctive look, sound and feel. While Julian Jarrold's 1974 and Anand Tucker's 1983 were bo…
The Background Noise
Under The Snow is a project by Stefano Gentile (guitar, objects, field-recordings) and Gianluca Favaron (microphones, field-recordings, processing). Stefano Gentile is well known for his work as owner of the Silentes and Amplexus labels; he is part of Maribor (along with Maurizio Bianchi, Nimh, Andrea Marutti and Gianluca Favaron) and in the past he has collaborated with Aube and Amir Baghiri. Beyond releasing under his own name, Gianluca Favaron collaborates with Ennio Mazzon on the Zbeen proje…