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New Arrivals

Quadric Surfaces
Viernulvier Records presents its new LP release ‘Quadric Surfaces’ by iconic electronic producer Hieroglyphic Being aka Jamal R Moss. It collects the soundtracks Moss wrote for ‘Parallel Spheres’ & ‘Figures in Mynd’, two parts of an abstract animation film by visual artist Gabriela González Rondon. The film premiered in October 2023 during Videodroom / Film Festival Ghent. In her surreal and trippy gem of analog filmmaking Gonzales draws up whole universes of movement and color that seem to shar…
From The Thaw
*50 copies limited edition* Mangled surf-rock samples and washed-up suds of everyday oddities define Shallow Buoy, the newest release from remote duo Stumped. Consisting of Berlin-based Page Swanson and Pennsylvania-confined Adam Buffington, Stumped strain field recordings and borrowed sounds through various analogue and electronic processes, resulting in a sonic puree that's never stodgy.
Aether Gust
Alara Music (France) is releasing the new album of Oxy, the new stunning electronic project by Ivan Pavlov (CoH) and Sasha Galianov (Shortparis).
Gravøl
Tip! *250 copies limited dition* "Gravøl meditates on two extremes, each of which seemingly remain determined to present their reveries without affectation or even play. The first side, 'Grievance Studies’, is a disquieting elixir that takes components from the archive and previous live-actions and builds into a harrowing primordial soup. The logic of this piece would suggest that it leads to its object. Löwenbrück instead renders it impermissible. The second side, ‘Prinzendorf Requiem (für H…
Suikyō
Tip! *315 copies limited edition* The latest release on An’archives, Suikyō, documents a first-time meeting between three Japanese improvisers: Takashi Masubuchi on guitar and harmonica; Ayami Suzuki on voice and electronics; and Tomo on hurdy-gurdy. Recorded at Permian on the 29th of January, 2023, it’s a stunning, forty-minute long improvisation of rare artistic sympathy. Notably, it was the first time the trio had performed together, though Masubuchi and Suzuki have prior form as a duo; on th…
Gut Buster
On Gut Buster, Yosa Peit spawns fleshy sonic escapades, a swarm of vigorously processed vocals and soulful bass, set to a backdrop of visceral percussive structures. Full of roguish curiosity, the record is cast with an air of lo-fi experimentation, but with a platinum glint of pop sensibility. Peit’s second album grapples with the destructive force of modern consumption, Gut Buster is an anti-capitalist battle cry that syntheses intimacy and hostility; a surrealist-punk affirmation and a testam…
Eternal City
Tip! Three pieces spanning free improvisation, noise and extended saxophone technique by long-time collaborators Jason Kahn and Ulrich Krieger.
Satoko Inoue Presents Jo Kondo's New Works For Piano 2015-2020
"This CD, the third album of my piano works played by Satoko Inoue, presents all the pieces written for piano between 2015 and 2020, along with an introductory miniature piece." – Jo Kondo
Skyllumina
Skyllumina represents a new evolution of London-based, Italian-born composer, bassist, and vocalist Ruth Goller. Goller is known for her bass and vocal work with Alabaster DePlume, whose music she elevates in live contexts with her genre-less improvisational intuition. She's also known for work with Bex Burch's Vula Viel, whose DIY label released Goller's solo debut Skylla in 2021. And she is known to creative musicians far and wide, with an incredibly diverse CV that includes performance and re…
Schatterau
Here is the debut, self-titled album from Schatterau, a Hamburg and Berlin-based three-piece consisting of Daniel Jahn, Jonas Meyer and Tobias Rutkowski. Having dug out their old 4-track cassette recorder, the group turned it into their primary instrument, spending many hours exploring textures, creating countless tape loops and weaving them into this elegantly crafted inaugural work of 15 miniatures. At times, some of these fully realised, lo-fi ambient tales have a warm dream-like feel to them…
Myotis V
Myotis V is a 34-minute journey to the heart of an amplified percussion device combining organic and electronic sounds. Anthony Laguerre : Composition, amplification et électroniqueLéa Koster : PercussionsThéo His-Mahier : PercussionsFrançois Papirer : PercussionsEnrico Pedicone : Percussions
7x7
Tricatel is proud to present, in a limited edition of 777 hand-numbered copies, the superb double vinyl/book dedicated to 7×7, inspired by Bertrand Burgalat.
10
2023 marks the tenth year of Music From Memory; a decade of groundbreaking archival releases, cross-generational collaborations and long-standing creative partnerships with our ever-expanding community of artists. To celebrate this milestone, earlier this year we asked our roster of artists to submit a piece of music for an anniversary compilation. As submissions gradually came in, we were blown away by what we received and slowly began to piece them together into what was to become “10”. Featur…
Dream Autopsy
* 300 copies limited edition * Described as sublime tape music (despite not being released on cassette), Drifting is a transatlantic collaboration between Julia Bjernelind (Amateur Hour), Weston Czerkies (Form Hunter) and Dan Johansson (Sewer Election). A potent trialectic between whom we've never heard a collaboration before, their debut Dream Autopsy certainly sounds like just that; a picking-apart of both manifest and latent dream content in waking sonic life. The "dreaminess" of the album is…
Volume 2
*200 copies limited edition* Volume 2 is the long awaited followup from the all-star Chicago trio of Quin Kirchner, Daniel Van Duerm & Matthew Lux. Although it's been three years since their debut, Volume 1, KVL has continued to hone their brand of call-it-whatever-you-want jazz, keeping many of the same meditative and ambient qualities as their previous album, but expressed in new and different ways - Van Duerm's repetitive and winding organ lines on "Absent Crash," Kirchner's steady & insisten…
They Live
*300 copies limited edition*  A theme park sits just north of the most Easterly town in the UK and boasts of thrilling and very antiquated rides that are constantly in danger of breaking down and where Exotica and Kitsch rub shoulders with heart attack inducing sudden drops into the void and where a technician can be seen often running from one ride to the other in a state of constant anxiety. Not only the place where Pleasurewood's Paul Elliott and Anthony Donje draw their name from but also a …
Gas’ Disk, 1970
Production Gas (hereinafter, Gas), an anonymous artist group that was active in Nagoya from 1969 to 1974, released a 7-inch LP record, Gas’ Disk, in 1970. It includes four songs; “Gas no Theme (Gas’ Theme),” “Uta (Song),” “Proo” and “Hiren (Sad Love),” and the group name and title was branded on the wooden jacket. This type of self-produced record was referred to as “private record,” “angura (underground) record” or “personal record” at that time. The members contributed money to press 1,000 cop…
The Caesarean Operation, 1973
Limited 80 copies, numbered. Legendary 1973 recordings by the sound artist Yoichi Niisato. The cassette tape recorder played an important role in Niisato's unusual works  - as the recording of his footsteps in a subway car - through a cicle of works titles 'Research' that were subsequently described in his autobiographical book, Story, which was published in 1982. "The break is over, and I put on my work clothes. Don’t be cool. The hands that hold a drill are singing. There is a feeling of cold,…
Maelstr​ö​m
Founded in the vibrant musical haven of Brussels in 2015, Azmari have been crafting a truly unique tapestry of musical exploration. Melding intricate jazz textures with intoxicating oriental influences, mesmerizing ethio grooves, enigmatic dark funk, and the pulsating beats of dub music, Azmari defies conventional labels to weave a narrative of sonic innovation and artistic liberation. Influences range from an eclectic array of artists, including Okay Temiz, Heliocentrics, Whitefield Brothers, S…
Under The Skin
*2024 stock* "There is no horror more visceral than the horror of the impersonal, so it makes sense that Mica Levi, composing the film's score, would turn to the master of elemental horror György Ligeti, whose ability to gather masses of semitones into translucent wisps without a center made The Shining, which relied heavily on his work Lontano, the scariest movie ever made. (Watch that film with the music off, I still maintain, and it becomes a particularly caustic domestic comedy.) The score o…