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Vol. 3: Toscana (SPITTLE 1002CD)
The 391 project was born in 1983 from the desire of two troubled teenagers from the boring provincial town of Ascoli Piceno, Italy, to give life and form to a series of tape compilations portraying the Italian music underground. The name choice was intended as a tribute Dadaist Francis Picabia's magazine of the same name. The intent was to geographically organize the musical material, probing the new wave and post-punk groups region by region. A mapping of Italy'…
Here is the unmissable sound document from one of Italy's earliest Eighties underground fanzines! Back in the day, Rockgarage was the fruit of the work of a bunch of young music enthusiasts from the Venice area. All already active in the local free radios scene, tired of life's monotony and willing to put all their energy and creativity into a different project. A new sound magazine based on quality content and high musical profile. A total of six issues were published between 1982 and 1984 alon…
Fuzz Dance Classics is a definitive compilation bringing together the essential electro anthems of Alexander Robotnick from the golden age of Italian synth-disco. Originally released in 1983 on the legendary Fuzz Dance series, this collection is now released for the first time in this comprehensive form by Spittle Dependance in 2022.
The electronic wizard Maurizio Dami (the man behind the moniker) crafted these pieces at the legendary Studio Emme in Florence, working alongside producers Arlo Big…
Informations of Death + Oscillator (Live at Banana Moon Club On Winter 1979) unveils Neon’s primordial incarnation: a synth-laden duo of Marcello Michelotti and Stefano Gasparinetti at Florence’s legendary Banana Moon Club. Their set bristles with proto-EBM energy, fusing post-punk tension and coldwave melancholy into groundbreaking Italian electronic music.
Neon was one of the most active bands in the 80s Italian new wave scene. The band was born first as a duo at the end of the 70's, a part of Florence's underground culture, they soon stood out for their Kraftwerk inspired synth sound, which made their style a unique 80s specimen, together with a new-romantic and post-punk thought similar to bands like Joy Division, Ultravox and Human League.In 1980, the band got off to an electronic start with the single "Information of death", and later, through…
Maurizio Marsico is one of the most extrovert, versatile and prolific musicians on the Italian scene. Always fascinated by artificial sounds and the interaction between man and machine, Marsico is an emblematic example of those musicians who - despite being born in an academic environment - deal with modernity and technology. During his career he has been able to range from austere experimentation to typically 80s Italodisco, from collaborations with RAI programme to cosmic electronics. In all, …
Special discounted pricing. In the Italian panorama of the '70s, Chrisma (Christina Moser and Maurizio Arcieri) skirted the common rules of Italian pop (the aura of progressive rock or the first wave of prolific folk singers); in fact, they created Italian new wave from scratch. After the release of their 1977 debut album Chinese Restaurant (SPITTLE 051LP) -- so far from the punk revolution and so deep into the algid dynamics of the Mittel-European sound -- came Hibernation, their creative peak …