Super Sale 2024
Mf
Last year, Bill Orcutt of 90s gnarly Miami noise group Harry Pussy blasted the bejesus out of blues with a beat-up guitar and blew us all away with How The Thing Sings to get a spot on our favorites of 2011. Now, Orcutt’s buddy Mark Feehan, who frequently played spastic guitar for Harry Pussy, is releasing his first solo record, MF, with old Harry Pussy promoters Siltbreeze Records. Feehan’s independent work is somewhat similar to Orcutt’s acoustic binges of raw Americana, but it echoes louder h…
Foam Fangs
West Coast synth guru Jonas Reinhardt (aka Jesse Reiner) makes his 100% Silk debut with 'Foam Fangs', which sees the usually downtempo producer pushing things up a couple of notches. The cosmic Jarre-esque synthesizer washes are still present, but are bolstered with chest-punching 4/4 rhythms and rubbery looping sequences straight out of the 1987 house rulebook. Somehow this gives the EP the glow of Detroit-era pioneer Juan Atkins and muddles it with the Italo-laced fuzz of Johnny Jewel. …
Water's Edge
Future Shuttle is a Greenpoint, NYC-based duo (sometimes trio) comprised of Jessa Farkas and Camilla Padgitt-Coles. Prior to the group’s early 2009 conception, the pair studied electronic music at Oberlin College alongside their friends in Blondes and Teengirl Fantasy. Blondes member Sam Haar also produced the Water’s Edge EP, the group’s first officially released recording. In Future Shuttle’s beautifully dense brew of psychedelic reprogramming, Tangerine Dream meets the KLF at the UFO Club, an…
Mother Rhythm Earth Memory
"NNF debut (after an EP on 100% SILK) by this Iowa City electronic maximalist. M.R.E.M. is the first purely solo Cuticle release, after working with a series of part-time collaborators, and it's freed him to let loose his wildest and weirdest impulses."
We're In Heaven
Vinyl debut by this Viennese rave abstractionist boils down pulsing LED beats and deep synth strobe FX into a cavernous laser-streaked fog. In blinding Alex Grey-style acid-body artwork by Mr. Cruise Family himself
Emergency Room
"A few new developments for electronic production duo Games. The pair comprised of Oneohtrix Point Never's Daniel Lopatin and Tiger City's Joel Ford are no longer calling themselves Games -- instead, they now go by the very Italo disco-sounding Ford & Lopatin. First order of business for F&L: running a new offshoot of Brooklyn label Mexican Summer, appropriately titled Software." -- Cribbing from Pitchfork."To precede the release of Channel Pressure, Ford & Lopatin will be releasing an Emergency…
Lords of Falconry
A heady, sludge-rocking slab of prime Holy Mountain psychedelia from the fabulously monikered Lords Of Falconry, whose bird of prey-related band name may or may not be some kind of nod to Hawkwind - to whom these guys clearly owe a debt. With tracks like 'Doomsday Legislation' and the Acid Mothers Temple-esque 'Scottish Chords' you can expect thick, fudgey, mind-altering slabs of stoner riffage and fuzzy space-rock of the finest vintage, while some suitably wild soloing slices through the hammer…
Newfound Resolutions
On the surface, Chicago’s the Poison Arrows sound cold and mechanical, exhibiting an almost robotic precision that’s damn well uncanny. But then you press your ear a little closer and things start to unravel. Harmonies peek their heads out from behind corners; melodies creep along slowly before bursting unexpectedly into view.Former Don Caballero bassist, Patrick Morris, anchors the music, his jarring, off-kilter bass lines coiling themselves around Adam Reach’s thunderous drums. Ex-atombombpoc…
Volume One
The MONKS OF MALASPINA debut release is a phantastical psychedelic mystery musical filled with dark woods wonder and honey comb clouds over sparkling fjords from deep within the mountains of Canada's British Columbia. Highway 101 ends here, or like this new record, begins. Members of the band call up roots from First Nation relations with Jesuit missionaries co-mingled with a diverse offspring from a free love commune started in the 1970's. Most of the music on this record is gloriousl…
Tall Firs meet Soft
The core elements of the Soft Location sound are Kathy Leisen’s haunting voice and boneyard guitar, and Matt Kantor’s slo-mo jet fuel bass jamminating. Add Tall Firs: Ryan Sawyer’s could-blow-your-pants-off-but-prefer-to-slowly-work-them-over-your-hips drumming and Dave Mies and Aaron Mullan’s creamy dual-savant guitar stylings: two dudes who don’t even know how the other guy’s guitar is tuned but nonetheless have brought the tandem knockout reverb dropkick since 1991. The band actively refuses …
Loop End
Limited edition of 150 copies. Martin Luiten and Frans de Waard are both from Nijmegen and both part of the same musical 'scene' - if there is such a thing. They played together in 2003 when their bands Girlfriends and Beequeen played a collaborative concert, and the two met on the sunday afternoon improvisation concerts. Yet its not been until this year that they decided to work together, Martin on guitar and electronics and Frans picking the sound up with his laptop. Extremely fruitful session…