We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Soundohm

play
Out of stock
1

DJ Sprinkles, Will Long

Mint / Clay (2Lp)

Label: Comatonse Recordings

Format: LPx2

Genre: Electronic

Out of stock

Second in a series of three releases, a 45 Minute doublepack featuring some of the most engrossing House music you’ll likely hear this year or any other... You may still be dazed from the first volume (C 026-1EP), but Will Long and DJ Sprinkles have already cued up their second session, with Mint / Clay landing on Terre Thaemlitz's Comatonse Recordings. The format and aesthetic remains the same as Purple / Blue, namely two raw pieces by Will Long, backed with overdubs by Sprinkles, amounting to the deepest house this side of Larry Heard's nuclear love bunker, all subtly executed and held up as a comparison to the aesthetics and intentions (or, ironically, the excess and lack of) of that sound in relief of current, conceptually-detached takes on the original, queer NYC deep house sound which Sprinkles was instrumental in shaping as a downtown DJ during that formative era. Again, Will Long, who's best known for his experimental ambient work as Celer, proves that it ain't what you've got but what you know and can do with it that matters. "Under-Currents" places sparing samples of T.R.M. Howard -- a mentor of Jesse Jackson and founder of Mississippi's Regional Council of Negro Leadership -- amidst a dream sequence of carbonated hi-hats and lingering chords urged by a plump bass drum, whilst "Get In & Stay In" nods to civil right activist and current Georgia congressional representative John Lewis in a lush haze of crepuscular chromatics and loping swing. DJ Sprinkles goes on to contribute another pair of incredible overdubs, lending Long's minimal elements a richer, fleshlier feel, whether with additional breakbeats, or nimbly lowering the bass and layering up spirited flutes and Rhodes. Quite crucially, the concept never gets in the way of the music, perfectly demonstrating the symbiotic nature of the music and politics in the way they most likely intended, especially for the DJs, dancers, and promoters who act as gatekeepers for this music. Tsuji Aiko has provided illustrations of the activists sampled featured on the front and back covers. Mastered by Terre Thaemlitz, cut by Dubplates & Mastering.

Details
Cat. number: C 026-2EP
Year: 2018