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Recorded in Baarn, Holland on December 21st, 1966, Music From Europe was a strong statement of European free jazz from one of its first and strongest leaders, Gunter Hampel. Over the beautifully structured compositional suites are strong blowing and …
Paul Bley recorded the compositions of Carla Bley with a quintet that included Eddie Gomez, on the evening of October 20, 1964, at Mirasound Studios, with Alfy Wade as engineer. His group included Milford Graves, Marshall Allen of the Sun Ra Arkestra…
In Search of the Mystery, Gato Barbieri’s debut album as leader, was recorded March 15, 1967, on the heels of his work on Don Cherry’s famed Blue Note recordings: Complete Communion and Symphony for Improvisers. This avant-jazz masterpiece from the A…
One the real folk/oddity classics of the ESP-Disk catalog, in a league with the best of Ed Askew. When MIJ, aka Jim Holmberg was found by ESP, yodeling by the fountain in Washington Square Park, on a hot, summer Sunday afternoon, he explained that an…
Originally released in 1966. Featured artists: Albert Ayler (tenor sax), Ed Blackwell(trumpet), Don Cherry (trumpet, cornet), Sunny Murray (drums), Gary Peacock (bass), Roswell Rudd (trombone), John Tchicai (saxophone, alto sax). Michael Snow is a Ca…
Dagored present the first extended vinyl release of Nico Fidenco's soundtrack for the 1966 film, Per il Gusto di Uccidere. This is a classic soundtrack from the great Nico Fidenco, composer of Black Emanuelle (RED 204LP, 1975), for the western movie …
This is the sixth album by Dorothy Ashby, a Detroit born jazz harpist who passed away in her early 50s in 1986 way before her time. She left us a rich legacy of music with this 1965 release being one of her milestones. The music is pure bright and sw…
When Ira Gitler, jazz journalist and producer at Prestige, curated this album, the term "collector" was already well-established among music enthusiasts. The pursuit of out-of-print recordings, old 78 rpm discs, and unreleased material had reached an…
Racional Vol. 1 is the 1975 album from Brazilian funk and soul master Tim Maia, created during his brief but intense conversion to the Rational Culture cult. The album’s cosmic themes, spiritual lyrics, and deeply grooving arrangements have since mad…
Le Cri du Caire is a striking mosaic of Sufi poetry, jazz, and spoken word, led by the magnetic presence of Abdullah Miniawy alongside Peter Corser, Karsten Hochapfel, and Erik Truffaz. Fusing hypnotic loops with visceral strings and evocative brass,…
2025 stock Imagine being a punk rocker before there were any others, or a hippie whose message of peace was infused with a sardonic whimsy. That’s what it must have been like to be Pip Proud, in Sydney in the late 1960s, railing against the media and…
Debut 1969 album by New Orleans’ The Meters. Led by organist Art Neville, the quartet was rounded out by jazz-influenced guitarist Leo Nocentelli, along with the bubbling rhythm section of bassist George Porter, Jr. and drummer Joseph "Zigaboo” Model…
1970 seminal second album by New Orleans’ The Meters is one of their most beloved releases. Produced by one of New Orleans’s preeminent musicians, Allen Toussaint. Between backing such names as Lee Dorsey and Betty Harris, The Meters cranked out a fo…
The 1969 follow up to Silver Apple’s debut found the duo digging into the far reaches of their songwriting psyches for a darker and more emotionally charged set of songs. While the debut set the stage for a sound the world had never heard before, Con…
If you’re as obsessed with unfairly unheralded bands as we are, bringing out a proper, well-deserved official re-release to change that course is always an honor. Case in point, Jackpot Records proudly announce Gandalf’s 1969 self-titled release as o…
2025 stock Reissue of an exceptional album of improvisations, recorded when percussionist Charles K. Noyes was lured to the Bay Area in the summer of 1979 by Henry Kaiser. Noyes and Maercks had played regularly as a duo when Owen was still based in …
Poco Prima dell'Aurora represents a significant collaboration between Ivano Fossati and Oscar Prudente, released in 1973. This transitional album weaves together folk-pop textures and progressive echoes, reflecting the vibrant creativity of Italian s…
J’Accuse... Amore Mio marks a pivotal moment in the career of Faust’O, standing as a radical and ambitious album within the Italian new wave scene. The work delves into urban alienation and existential discomfort through avant-garde sounds, nihilisti…