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"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops lasting only a few seconds before being smudged by hyper fast-forwarding, like a random, operatic battle of thermopylae as re-created by members of NWW. Faced with omnipresent latter-day refined-aesthetic cognescenti, whose duty it is to remind one of the gravity of modern music, I find myself defending such gut-level joyous stupidity and its gung-ho determination to vertigi…
“On this, their second LP, P16.D4 solicited tapes from several artists from Europe, England, the U.S., Canada, and Japan, and mixed that with their own material. Though in the current digital age collaborations from artists thousands of miles apart is quite normal, this was a quite radical approach back in 1982, when work on this LP began – an interesting concept that actually works quite well, since these artists, which include Bladder Flask, DDAA, the Haters, Merzbow, Nocturnal Emissions, Nurs…
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
Limited edition double compact disc, in a gatefold digipack, of the never-before-released complete performance of the Don Rendell - Ian Carr Quintet at The Highwayman in November 1965. Includes a 20 page booklet with an essay written by Simon Spillett and previously unseen photographs. Only 1,000 copies available worldwide. The never-before-released complete performance of the Rendell-Carr Quintet at The Highwayman in November 1965.
“Live. Up close and personal. Palpable. Almost within reach. T…
It's an all electronic affair, harmonically maximalist, predominantly symphonic synthetic, requiring active listening. Some pieces function as challengers of musical structural habits, provoking the short attention span culture, others present
a problem-solution scenario, collectively via
a neoteric noise aesthetic and detailed melodic weaving. Ultimately, the objective was to engineer an assortment of works full of sound, euphonic and vivid in nature.
** 2022 Stock, very last copies. Edition of 400 copies ** Released in 1974 as a private press LP on Intex Records, this cosmic free jazz improvisation by this legendary trio guided by Hüseyin Ertunç - on drums - with his then-regular partners Michael Cosmic and Phil Musra - on saxophones and additional percussion - reveals the primitive and physical approach of the trio, with Ertunç's massive cymbals drumming building a carpet of trance-driving vibe where the reeds can freely dance without any s…
*In process of stocking* Previously unreleased music by Otto Sidharta, pioneer of Indonesian electronic music. Inspired by Indonesia's multifarious styles of traditional music, that he tries to preserve, the four pieces on Kajang express a contemplation of the self. Otto Sidharta loves to travel, everywhere within Indonesia, in order to collect almost any environmental tones and harmonies he can gather, as an endless source of composition. He is also deeply inspired by Indonesia's multifarious s…
*200 copies limited edition. In process of stocking* A second volume of Vítor Rua music mostly hidden in plain sight across online platforms and outside of any scene. We penetrate its flow at random points and are allowed the privilege to redesign its impact by "sampling out" those moments which we perceive as a new entity when carefully pasted together. This operation uncovers seven pieces that add to Rua's robust reputation as an experimental yet sensitive, emotional musician. The core of the…
Debut album by Ani Zinc, member of the Spanish experimental duo Diseño Corbusier and co-founder of the iconic record label Auxilio de Cientos. Originally released in 1986, this record is a showcase of her radical blueprint, comprising sound collages and voice experiments, and also welcomes the use of conventional instruments such as drum machines and keyboards, resulting a richer and more diverse outcome. First time reissue of this much sought-after record on the highly collectable Spanish exper…
* Red Vinyl * Soundtrack of "Il Dio Serpente" by Augusto Martelli composed for the 1970 film of the same name directed by Piero Vivarelli. “Il Dio Serpente” is probably one of the most successful among the numerous exotic/erotic Italian films of the ’70s. The encounter between the West world and the fascinating, mysterious and tribal Caribbean one and its indigenous populations is beautifully accompanied by the music composed and directed by Augusto Martelli; The opening track of the disc “Djam…
*2022 repress* Studio Mule present a re-recording of Motohiko Hamase's Intaglio, originally released in 1986. Currently the rediscovery of long-forgotten Japanese electronic, jazz, and new age music is at a peak like never before. Although many reissues have already hit record stores, the large, diverse musical culture of Japan still got some gems in store that are really missing. For example, the work of Japanese bass player, new age and ambient musician Motohiko Hamase. When the now 66-year ol…
Tip! *In process of stocking* Less than a hundred miles inland from the capital city of Lima lies the great Peruvian jungle, an untamed land of impenetrable forests and endless winding rivers. In its isolated cities, cut off from the fashions of the capital, a unique style of music began to develop, inspired equally by the sounds of the surrounding forests, the roll of the mighty Amazon and Ucayali Rivers, and the rhythms of cumbia picked up from distant stations on transistor radios. With the a…
11 Dec 1980 is a two CD set containing Eliane Radigue's live performance of Chry-Ptus (1971), her first work for modular synthesizer, and the world premier of parts one and three of Triptych (1978). Triptych part 2 is also performed. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard. Radigue's sublime renderings of these major pieces are full of illusory stasis, slow change and dense, slow motion drone that has charact…
Gatefold sleeve, edition of 1000 copies , incl. download The relationship between Bryn Jones's music as Muslimgauze and the track/album titles he would provide (sometimes right on the tapes he would send in for release, but often determined later, sometimes even giving two different pieces months apart the same title, accidentally or not) has always been a little mysterious. Jones himself can no longer be asked, and as you continue to investigate the swathes of material he provided, you hit sou…
In These Times is the new album by Chicago-based percussionist, composer, producer, and pillar of our label family, Makaya McCraven. Although this album is “new," the truth it’s something that's been in process for a very long time, since shortly after he released his International Anthem debut In The Moment in 2015. Dedicated followers may note he’s had 6 other releases in the meantime (including 2018’s widely-popular Universal Beings and 2020’s We’re New Again, his rework of Gil Scott-Heron’s …
Touted by the label as the scariest, most inappropriate and possibly most influential kids TV music of all time, Sidney Sager and The Ambrosian Singers’ ‘Children of the Stones’ really is a terrifying anomaly collecting polyphonic vocal drone and “wordless wails” you’d sooner associate with the darkest Italian library records than anything made for children’s television. It’s a real fucking find this one - highly recommended if yr into anything from Delia x Daphne to Demdike.
Dirk Serries is an extremely prolific and creative artist who has a huge amount of music composed solo, under his own name or under the name Vidna Obmana. In addition to solo recordings, Dirk often collaborated with other artists, thus introducing a new quality to his own music. While implementing the next installments of our informal series, we also published a few of them; for example "Traces" in collaboration with David Lee Myers, or "The Shape of Solitude" with Serge Devadder. This time we p…