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In aboriginal times the coastal Indians of Northern California shared a tremendous wealth of food, clothing, and material goods. From Trinidad, California, to the Oregon border, the forests almost touch the Pacific Ocean, which gave the people the bounty of both the woodlands and the sea. The Tolowa and the Yurok, along with their neighbors the Hupa and the Karok, are the southernmost representatives of the elaborate Northwest Coast Indian culture area. This disc contains a variety of love songs…
Of the numerous settings of Walt Whitmans poetry, and this poem in particular, Sessions's is generally agreed to be one of the very finest and most sensitive. His mature style - a highly personal, instantly recognizable mix of severity and control with passion and serenity - projects the poetry now in simple chordal declamation, now in the long, high-arched melodies of which he is the master, conveying wonderfully the feel and variety of Whitman's lines. Over the years, Sessions's elegy has ta…
The naive romanticism of the Jazz Age, when, as F. Scott Fitzgerald saw it, "people danced in a champagne haze on the rooftop of the world," was nowhere more clearly reflected than in America's popular music of the 1920s. The banal optimism, the desperate gaiety, the tinsel pretentiousness, the childish excitement, and the innocent beauty of the songs between the end of World War I and the Depression demonstrate how sweet and sad and silly a time it was. The subject matter of the love songs, the…
An evergreen for Fourth of July festivities, this reissue of music from the American Revolution restores to the catalog a classic of the original Recorded Anthology of American Music. It is a scholarly and well-programmed musical recreation of a defining moment in the nation's history, mixing propaganda songs, psalmody, fife-and-drum music, and wind band music, the four types of music most prevalent and popular at the time.
Highlights include baritone Sherrill Milnes's renditions of three propa…
American society was much less homogeneous during the Great Depression (1929 - 1941) than it became after World War II. There were still quite sharply defined classes, divided along economic, geographic, and ethnic lines. Each group was affected by the Depression, but in different ways and to different degrees. Each had its own tradition of popular song, and this carefully compiled sampling of recordings from the thirties gives a vivid picture of how each fared and how it reacted to the almost u…
The great age of the American march can be bounded by the years 1876 and 1926. This record gives a representative sampling of the American march during those halcyon years with a deliberate emphasis on some of the period's lesser-known and hard-to-find gems. While Sousa's preeminence is beyond dispute, many of his contemporaries wrote memorable marches, and that is the justification for this disc and its title. In addition, all the marches in this collection enjoyed great popularity and thus ind…
This compendium of American piano music of the last half of the nineteenth-century is a potpourri of popular salon pieces and works of more serious aspirations. Together they conjure a characteristic portrait of the society for which they were composed, evoking images of frontier primitivism, brownstone-ballroom elegance, urban sophistication, as well as a more academically inclined formalism looking back to European models. Scintillating pianism by Ivan Davis and absolutely fascinating notes on…
Life in 19th-Century Cincinnati
The Harmoneion Singers; John Miner, conductor; Peter Basquin, piano and harmonium; Clifford Jackson, baritone; John Aler, tenor
Where Home Is is an anthology of traditional songs of family and religious life coupled with contrasting songs by abolitionists, frontiersmen, and blackfaced minstrels. The explosive mixture of peoples and cultures found in nineteenth-century Cincinnati resulted in the widely disparate musical views represented here by wholesome choral …
Music of the San Juan Pueblo, Seneca, Northern Arapaho, Northern Plains, Creek, Yurok, Navajo, Cherokee, and Southern Plains Indians
The importance of American Indian music is found not in its impact on modern scholarship and composition but in the traditions and values it expresses to and for the Indian people. This oral tradition has survived solely because the music was too important to be allowed to die. The emphasis in this recording is on musical value: the music of the first Americans ca…
Clearly influenced by Varese's concept of "pure sound," the four works on From Behind the Unreasoning Mask privilege the exploration of sound as a means of musical expression. In the 1970s, the integration of new vocal and instrumental techniques and, sometimes, electronic sound sources into the composer's vocabulary broadened the tonal, textural--and, consequently--expressive palette immeasurably. Roger Reynolds's (b. 1934) From Behind the Unreasoning Mask (1975) presents an interplay between a…
Making its first appearance on CD, The Haymakers is an integral and indispensable part of the mosaic of the emerging American musical culture of the nineteenth century. It is a secular dramatic cantata on an American subject and was written in 1857, when large-scale American works were not yet supposed to have developed. It is the best-wrought and was the most successful of the five penned by George F. Root (1820-1895), remembered primarily for rousing Civil War songs like "The Battle Hymn of Fr…
If diversity and independence are definitive American traits, it would be hard to find four roughly contemporaneous native composers more unmistakably American. Markedly different in personality, each going his own stubbornly separate way, each spoke his uniquely individual dialect. They were born in successive decades (the last four of the nineteenth century) in different regions, and they were even more diverse in their musical training, affinities, and styles, yet they managed to create music…
This album is a loosely structured survey of different types of vocal styles and resources found in rural Anglo-American lower- and middle-class communities. Some of the modes of performance, such as hollering and solo ballad singing, have almost died out; others, such as Sacred Harp singing, formal duet singing, and square-dance calling, continue to flourish. The album is divided into three major sections: a survey of nonstandard vocal effects that shows how much music infuses the everyday comm…
The witty and charming selections on this CD are associated with shows that achieved their popularity through long-run productions in New York City from 1860 to 1900. A multitude of musical theater styles flourished in New York because it was the most ethnically diverse city in the country. While the city's population swelled with large numbers of Europeans and former slaves, the professional stage was dominated by immigrant composers and performers. They strongly influenced the melodic and ins…
This recording is a collection of American songs and hymns published mostly during the 1860s and 1870s that deal generally with angels, heaven, and death. Considering the rather morbid subject matter of these songs, they are surprisingly pleasant and refreshing. Death and its associated aspects were a major topic in fiction, poetry, art, and music during much of the nineteenth century in Victorian America. Consequently, the songwriters aimed at a broad popular audience because the subjects were …
Choral music has always held and continues to hold a prominent position in American musical life. The three works presented here take their place in a tradition that stretches back to the Puritan Fathers. The title composition, Americana, is one of the most popular works of Randall Thompson, America's finest and most-performed composer of choral music. In a prefatory note in the score the composer commented:
The [five] different parts of the work are satirical and, at moments, mirth-provoking, …
A welcome appearance on disc of some of the finest American music for wind ensemble from the 1950s to the 1970s that demonstrates the evolution of the wind band as a vehicle for “serious” composition. The five compositions represent a wide cross-section of styles and composers. Pageant is a prime example of Vincent Persichetti’s lasting contribution to the genre--a warm, expressive piece written in a rich harmonic idiom. Hale Smith’s Expansions is cut from a decidedly darker cloth, a dark drama …
Here are two extremely entertaining concoctions by two nineteenth-century American Romantics who wrote music on a grand scale. After a broadly lyrical first movement in the grand tradition of his friend and mentor Hector Berlioz, Gottschalk introduces, appropriately enough, a Cuban rumba into the second and final movement of his breezy south-of-the-border excursion, Night in the Tropics. The sources of Heinrich's musical style are in Haydn and to some extent Beethoven, but with the ornateness of…
The Civil War, one of the most deeply felt episodes in America's history, has left a heritage of music that reflects those feelings in the most vivid way. Indeed, this music was so intimately involved with events of the time that it became part of those events. These songs were sung in homes, North and South, at rallies, political gatherings and mass meetings, and on the very battlefields. This selection comprises several of the most popular songs of the era. First recordings from original editi…
*2025 stock* Rainforest Spiritual Enslavement is the ambient techno project of Dominick Fernow. Focusing on slow paced bass studies and synthetic dub textures, surrounded by collaged and looped field recording environments, RSE shrouds sound over image to target the sector of brain where fear supersedes rationality -- the imagination. As RSE appears live for the first time, it has transformed into an entity with rotating contributors on stage and on recording. Ambient Black Magic moves away from…