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The experimental combo Illusion Of Safety's RVE is a boundary-pushing release that fuses unsettling soundscapes with raw electronic textures. Reissued on the esteemed independent cassette label Tribe Tapes, RVE stands as a bold statement in noise and experimental music.
“Music To Listen To Other Tapes By” is the essential work of clip art noise and american xerox prodigy Croiners AKA James Levine, originally self-distributed as part of the 1980s cassette culture underground and often regarded as a highlight of that era.
Muzak and industrial assemblages are processed via tape loops, samplers, and an adoption of now-archaic MIDI hardware, being one of the originating noise acts to utilize the digital technology in their live performances. Said gigs were riotous, …
Vinyl Pre-Order repress: African Skies restock ships late-March. Limited edition 180g vinyl. Stoughton tip-on gatefold jacket. Restored artwork + previously unseen family photos. In 1993, when Chicago's Adler Planetarium commissioned Kelan Phil Cohran to score their "African Skies" program, they tapped into a mind that moved effortlessly between galaxies and neighborhoods, between ancestral rhythm and modern invention. Three decades later, Listening Position presents the first official reissue o…
*100 copies limited edition* « In 2025, can we still be interested in and write about the music of a band of French musicians, very “underground” who were very young at the time in the early 1970s? » writes Xavier Béal at the opening of his review of Ian Thompson's brand new book "Synths, Sax & Situationists (The French Musical Underground 1968-1978)" in the webzine Rythmes Croisés (published on October 24, 2025).
The answer is certainly yes! And although the name of Pascal Chassin is still almo…
An act of concentration rendered explosive, Debt of Nature’s Robin Diamond’s Lungs lunges at complacency, fusing short-form assaults with caustic wit. The album is a lungful of serrated textures, stuttering rhythms, and a throughline of existential urgency, driving headlong into the contours of disillusion and revolt.
Big tip! Beyond Rare! These historical recordings of a 1967 concert at Hope College in Michigan involving John Cage, Toshi Ichiyanagi and David Tudor, performing compositions by Ichiyanagi and Alvin Lucier, were recently discovered in an archive in Japan. The Lucier piece, "Music for Solo Performer", was the first musical composition to utilize human brainwaves; this 1967 performance, released here for the first time, is an early realization of the piece, featuring Tudor, Ichiyanagi and Lowell C…
This anthology is the second compilation from EM Records of the works of the late Henry Kawahara, a media artist and electronic music producer who was particularly active in the Japanese cyber-occult underground of the 1990s, a scene linked with technologies such as 3D (binaural) recordings, brain machines, sound chairs, computer graphics and compact discs.
These tracks, produced 1990-95, include a series of recordings described as "Parallel Data Sounds" and "Sound LSD", a "new language system t…
The long-awaited and reissue of Wada's 1985 LP "Off The Wall", recorded in Berlin and originally released on the esteemed FMP label. A minimalist yet majestic monsterpiece ("massive", as Tom Johnson declares in his perceptive liner notes), "Off The Wall" features Wada and Wayne Hankin on bagpipes, Marilyn Bogerd on adapted organ, and percussionist Andreas Schmidt-Neri.
The original album consisted of two side-long pieces recorded on successive days by Jost Geber, who captured the power and dynam…
Yoshi Wada and EM Records presents the first-ever, world-premiere release of Earth Horns With Electronic Drone, recorded live in 1974. Combining four of Wada's self-made "pipehorns" (made from plumbing materials, over three meters in length), with an electronic drone tuned to the electrical current of the performance space, this is a lost masterpiece of early minimalism, placing Wada rightfully in the pantheon with La Monte Young, Phill Niblock, Maryanne Amacher and Alvin Lucier. Recorded live i…
"Singing in Unison" is the final in a series of recordings from acclaimed sound artist, composer and performer Yoshi Wada. Recorded live over two nights, March 14 and 15, in 1978, at New York City's legendary performance space The Kitchen, "Singing in Unison" is a dramatic yet meditative work: modal improvisations for three male voices, singing, with great gravitas, in purposeful unison.
These previously unreleased recordings, featuring vocalists Richard Hayman (aka R.I.P Hayman), Imani Smith an…
Never Forget Me is the second release on EM Records from Angkanang Kunchai, one of the greatest Thai singers; the original 1979 vinyl release, now extremely rare, was a collection of her self-produced songs, backed by her own band. This radically independent stance, though admirable, caused the album to languish in relative obscurity, due to her lack of support from the business masters of the Thai music scene of the time. "Never Forget Me" is a plea to her fans, and although the original album …
Super Mazembe's "Greatest Hits," serves as a definitive collection celebrating the band's remarkable contributions to East African music. Released in 1986, this compilation features a carefully curated selection of the band's most iconic tracks, encapsulating their vibrant sound and the infectious energy that made them a household name. Highlights include fan favorites like "Shauri Yako" and "Kasongo" each track showcasing the band's skillful musicianship and unique ability to blend traditional…
Planet Ilunga presents, in collaboration with the children of Nico Kasanda alias Docteur Nico, an anthology dedicated to African Fiesta Sukisa, available as a 3LP and a digital release (with bonus songs). This release is the fruit of many years of preparations and was realized in close partnership with Liliane Kasanda, Nico’s eldest daughter. Marking forty years since his passing, we felt that the year 2025 was the right time to honor Docteur Nico’s legacy with this original collection.
Almost a…
A revered figure in his native Isan region, and indeed throughout Thailand, Doi Inthanon is a legendary composer, producer, visionary and talent-spotter, a man who combines business acumen with an unerring ability to both predict and engender new directions in Thai popular music. Fittingly naming himself after the tallest mountain in the nation, he has towered over Thai music since the early 70s, and is still active today. This compilation, the first "various artists" collection in the EM Record…
For reasons unknowable, certain places in certain eras become hotbeds of music, fertile in their growth and flowering of musical talent. Thailand in the 1970s was such a place, and Dao Bandon is one of the enduring greats of that era. Born in the farm country of the Isan region, Bandon came from a poor family and was a monk during his teens, two great influences which shaped him, with his farm roots grounding the earthy heart of his lyrics, and his years of monastic chanting lending a unique res…
Originally issued as a private LP edition of 400 copies in 1983. De-composition for synthetic sounds and electronically generated noises. Here M.B. distanced himself from the movement of the industrial Bruitists, introducing his "bionic music." Notwithstanding the difficulty of listening, especially upon initial impact, you are facing treated and filtered synthetic sounds that become new organisms -- sound cells analyzed under the microscope. This CD also includes excerpts from private tape edit…
*2025 stock* 36 and Zake follow up the epic work of Stasis Sounds For Long Distance Space Travel Part 1 with another eighteen chapters "of aural anesthetics" which "continue their journey through the outer reaches of space in hypersleep." The album comes in different coloured versions and this yellow copy boasts the sort of grainy and immersive ambient that immediately takes you out into the farthest reaches of space. It's widescreen and cinematic and makes for the sort of journeying album that …
"When I came to New York City in 1975, after my second period in Paris, I felt as if I was starting again. I didn’t have a band at that time. The Black Artists Group had broken up, or separated—well, it wasn’t much of a “break-up,” but we had come to our musical end, even though one of the last groups I had before returning to New York was with BAG member Baikida Carroll playing trumpet, Peter Warren on bass, and Oliver Johnson on drums. I was basically by myself. I felt eager and anxious to see…
In the early 90s there were a few like minded friends making a unique style of lo-fi pop music. At the core of this non-scene were Sukpatch, Land of the Loops and The Ah Club, who all tended to play on each other's recordings. As the decade went on each of them learned how to use their instruments better, smoothing over the edges, but in typical fashion, the early home recordings had a special feeling that couldn’t be replicated with cleaner fidelity and nicer equipment. Sukpatch especially were…