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* Deluxe Hardcover Triple-Gatefold 3xLP.* In 1991 Coil released the third of their early classic full-length albums "Love's Secret Domain", seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries' releases of the time wasn't an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating psychedelic masterpiece unrivalled…
Appendix I brings together three Warrington-Runcorn EPs onto CD for the first time. Comprising Building A New Town, A Shared Sense Of Purpose and Overspill Estates, this CD brings together some of the more esoteric elements of the world of Musical New Town Planning.
CD Digipack. Wümme, Lower Saxony. 1972. A converted schoolhouse. Inside: a tangle of cables, reel-to-reel machines, custom electronics soldered together by hands that refused manuals. This was not a professional recording studio. This was Faust's laboratory—and So Far was the experiment that proved you could rewire rock music's circuitry without killing the patient. Six months earlier, Faust had released their self-titled debut—a savage dismantling of what a rock album could be. Tape edits slice…
*2025 Stock* "In 1998 Staalplaat and Muslimgauze were on a conquering spirit. Bryn Jones (1961-1999), the man behind Muslimgauze delivered new works, almost on a weekly basis and was more than happy to see them released straight away. Unlike others, Staalplaat was never shy to release larger works, lumping various works together, such as the 9CD “Box Of Silk & Dogs”. Allowing free reign in editing, the 4LP box set ‘Tandoori Dog”, contained the LP of the same name, which saw only eight out of the…
*2025 Stock* "Unsurprisingly for an artist as prolific and strident as Bryn Jones was, the flood of material he sent to labels and compatriots was not always carefully categorized. Also, sometimes he would be so eager to release material that if things didn’t happen fast enough he’d just send in another tape. And that circumstance is how you wind up with a fascinating oddity like Mohammad Ali Jinnah.Staalplaat has previously released, in 2002, the Muslimgauze album Sarin Israel Nes Ziona. While …
*2025 Stock* Jerusalaam plus the two extra tracks make up unused material from the Return of Black September sessions. The contrast, even for someone with as wide a range as Muslimgauze had, is stunning. The original Jerusalaam fits in with much of Bryn Jones’ classic work, with a heavy emphasis on hand percussion, bass-heavy distortion, sharply clipped loops, and the seething his of static. The two otherwise unnamed Return of Black September tracks, however, follow that album in taking a much m…
*2025 Stock* 'Speaking With Hamas' was compiled by Bryn Jones himself early 1997 and he thought it would be nice to include a new, previously unreleased track. In his words:"It's for people who don't deserve it". "A tourist asked Ali muhamad, a second-hand camel salesman, why camels look so dam supercilious. He replied the Arabs know 99 names for god. But only the camel knows the 100th."
If ‘Satyajit Eye’ (which is released at the same time on Staalplaat) only blinks at Indian culture, the album ‘Al Jar Zia Audio’ does this with both eyes open. It is known that Bryn Jones, the man behind Muslimgauze, looked further than the Palestinian conflict and used extensively the rhythms of India, Pakistan and other Eastern cultures. Like crossing borders in the bigger Islam regio, Jones takes whatever comes at hand and moulds into his own trademark sound – often imitated, never surpassed.…
Jebel Tariq has strong hand drum beats throughout but still maintains a very moody feel. It was undoubtedly these very elements that lead Jeremy Keens to state it was"balanced between the ambient and beat sides" of Bryn's work. It goes beyond just these elements though. There are whispered voices changing to strong ululations, frequent flute"samples" and then the bass. There are parts where the deep throb of the electric bass element gives a very dub feel and then there is the use of acoustic ba…
*2025 Stock* “Sulaymaniyah is part of Staalplaat’s ongoing Muslimgauze archive series, masters originally submitted in 1997, then “replaced” by what became Vampire of Tehran released early in 1998. It was not uncommon for the prolific Bryn Jones to replace masters with what he believed to be a more fit release. Short of two tracks, “Fez Tishan” and “Hamas Pulse of Revenge”, this is Vampire of Tehran with nine additional, unreleased tracks. Because Sulaymaniyah was “replaced”, it was stored in St…
*2025 Stock* Listeners who know much of anything about Bryn Jones' work as Muslimgauze know that he was prolific in both his work and in the way he sent out his work to labels and other interested parties. Fittingly enough for an artist that feverishly productive and often taciturn to the point of frustration, he didn't tend to give much more information than handwritten track titles on the sleeve of a DAT. Why he would submit multiple copies of the same or similar tracks to those he worked with…
*2025 Stock* Recorded and mixed at Abraham Mosque, Manchester 1996, this is a re-release of Muslimlim 009, only C2 taken from stdc 001. Listeners who know much of anything about Bryn Jones’ work as Muslimgauze know that he was prolific in both his work and Muhammadunize, has what could be called a classic feel to it, with a very familiar blend of drones, string instruments, and synths, and varying percussion/break-beat patterns, in turn mixed with a number of hard-to-catch vocal samples. It's a…
Italian Library Songbook Vol. 1 | Alessandro Alessandroni by Jessica Duncan, pAd, and Alessandro Alessandroni inaugurates Four Flies Records’ new series reimagining Italian library and soundtrack music as modern pop. Revisiting Alessandroni’s soulful archives, the EP bridges vintage jazz-funk and contemporary Balearic groove with refined sensuality and cinematic warmth.
The album delivers masterful arrangements, inventive rhythms, rich harmonies, and a perfect balance of flute and saxophone interplay. Funk, Jazz, Gospel, Afro, and traditional elements all merge seamlessly into something unique and timeless.Joshua Sithole (1947–1999) was a self-taught multi-instrumentalist and vocalist from South Africa who first started busking with the Kwela kids in 1959 and then went solo in 1978. He became popular in the 80’s, performing widely in Durban and Cape Town.
Origi…
Reissue of the very limited debut LP by this Massachusetts-based musician. We first ran into Kass's Good Cry label when she put out Jordan Perry's eponymous debut, which we promptly reissued (FTR 376LP). And we are well pleased to be able to do the same for The Language Shadow -- a most excellent album by all known metrics. Kass (who works with Meg Remy's U.S. Girls) sings and plays guitar, dulcimer and small instrument-style percussion. Recorded at Montreal's Hotel2Tango, her music has the clea…
Favorite Recordings is proud to announce the release of Endless – Universal Cosmic Sounds, a visionary compilation celebrating a decade of musical archaeology and a special milestone: the thirteenth release curated by Charles Maurice since his debut in 2015. Endless is an immersive journey through cosmic soundscapes, where jazz-funk, pioneering electronics, and ambient experimentation merge into a unique listening experience. The collection features 10 rare recordings, meticulously selected from…
The ultimate statement from Japanese noise legend Kimihide Kusafuka. A "fake compilation" of tracks recorded under various aliases, originally issued by his Kinky Musik Institute label in 1993. Noise, power-electronics, techno, post-punk, psychedelia... Kusafuka does it all on this compilation. A work of unbounded creativity and a key document of the Japanese cassette underground.
"This is a fake compilation. All pieces in this product were composed and recorded during 1983 to 1988, under the na…
2025 stock Vinyl LP repressing of this iconic album. The Velvet Underground was the third album by Lou Reed and his cohorts. It was their first record to feature Doug Yule, John Cale's replacement. The album's sound - consisting largely of ballads and straight-forward rock songs - marked a notable shift in style from the group's previous recordings.
Monitor, the 1981 solo album by Gianni Leone (Leonero), stands at the crossroads of Italian New Wave and progressive rock, offering a singular listening experience that both anticipates and transcends its era. Conceived in California following Leone’s transformative years with Balletto di Bronzo and his ventures in New York, this release embodies a synthesis of transatlantic influences and personal artistic exploration.
Luurankolauluja is Uusi Aika’s deep dive into spiritual fusion, where Nordic folk, modal jazz, and raga-like improvisations meet. Rooted in forest myth and cosmic calm, the album’s six compositions form a slow-burning suite of luminous, contemplative beauty.