Reissues
Um Argentino No Deserto
** Edition of 200** René Bertholo Alhandra (1935-2005) was mainly know as sculptor and visual artist, and his musical work, though including classical composition, largely focused on a digital modular sequencer/synthesizer of his own design. This story began when I had to learn something about electronics, in order to make objects with electric movement, which I call “small-scale models”, and which I was making between 1963 and 1973.In 1973, when tired of repairs I had decided to give up making …
Musica Intuitiva
**Available in vinyl for the first time, edition of 200** Born in Lisbon (1932), Armando Santiago studied singing, piano and cello at the National Conservatory of Lisbon. In Italy he studied conducting with Hans Münch and Franco Ferrara, and in Paris he studied with Pierre Schaeffer at the ORTF Research Service. Fellow of the Governments of Portugal and Italy, he worked in Rome with Boris Porena and followed the course of Goffredo Petrassi in the Academy of Santa Cecília, obtaining the diploma o…
Editions And Multiples 1967/2016
Focusing on Italian contemporary (sound) artist Maurizio Nannucci's practice, this book offers for the first time a comprehensive overview of his extraordinary creativity as publisher and producer of editions and multiples, as well as artists’ books, catalogs, prints, photographs, posters, records, and more. His field of research has expanded since the 1960s, exploring language and the intersection of disciplines such as linguistics, literature, music, sound poetry, philosophy, and archite…
Binsy
Outstanding archival work from Cabiria Records here, presented in the form of an album of gloomy electronic stylings and haunting musical landscapes by Miryam Bordoni, one of few Italian female artists working in the field of experimental and library musics, and also associated with Egisto Macchi and Ennio Morricone of Gruppo di Improvvisazione Nuova Consonanza. Originally released in a miniscule private edition, these undercover electronic studio sessions made under her experimental alter ego B…
Aeolian Darts
Aeolian Darts is a collection of playful minimal poetry by sound-thinker and garage-printer Michael Klausman. He has been an avid collector of small press chapbooks for many years, frequently posting his obscure finds on his Drifting Lament Instagram, a labyrinthine rabbit-hole of post-Fluxus poets, esoteric private press records & found art. This book is a culmination of his interests in the edges of culture, a space where mimeographed liners, mail art and handmade cassettes rub shoulder…
Dr. Aftershave And The Mixed Pickles
The artist name and album title are swapped. The back cover states: "produced by Dr. Aftershave And The Mixed-Pickles" and "this record is dedicated to Missus Beastly." A label contractual dispute with Telefunken required that Missus Beastly not release music under their own name - so they released it under a pseudonym and dedicated it to themselves. The bureaucratic manoeuvre doubles as a small act of absurdist comedy, entirely in keeping with a record whose title track is named "Miles Along th…
Bremen 1974
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contributions for Vita Nova and Dzyan, brings new aspects to the music - it's quite a new impression of the band. The sound quality leaves nothing to be desired by the way. A very good show documenting a new facet of the Missus Beastly band and a highlight f…
Missus Beastly
Missus Beastly had formed in Herford in 1968 under the name Psychotic Reaction - lifted from the Count Five song - before settling on a name borrowed from a doll on a German children's television programme. Lutz Oldemeier on drums, Reinhard "Atzen" Wehmeyer on guitar and vocals, Wolfgang Nickel on keyboards, and Petja Hofman on bass had been playing the southern German circuit - Mainz, Munich - to crowds that responded to their unstructured, hour-long improvisations with something approaching de…
Zagara
A killer bit of jazz rock from early 70s Germany – an album that should have been right at home on the MPS label, given the sorts of all-star talents in the group! The set was produced by mighty drummer Klaus Weiss – who's at his soulful best here, able to kick things when needed, but not with as jamming a sound as on his more over the top 70s efforts – which is perfect, as the album's got loads of sweet, subtle colors from Ferdinand Povel and Leszek Zadlo on flutes, plus great electric and acou…
Vita Nova
On the top of the list of Kraut uderground artifacts, a definite oddity plenty of abstract execution of psychedelic soundscapes, dark Classical textures and Jazz/Fusion, as cohesion is completely absent, however there is a certain charm coming out of this. There are more in the vein of Egg and Amos Key, creating atmospheric soundscapes complemented with powerful jams, featuring organ and clavinet in evidence and swirling around jazzy workouts, light improvisations and mellow Kraut Rock experimen…
The Third Reich 'N' Roll
The classic 1976 album remastered from the original tapes plus 11 unreleased recordings! Formed in the early 1970s, The Residents have been charting a unique path through the musical landscape for over 45 years. From far-out, experimental curiosities to highly conceptual, multi-album projects, the band has refused to stand still, and continues to move in several different directions at once. Produced with the involvement of The Cryptic Corporation, and with full access to the band's extensive ta…
Enclosures 2011–2016
In a stunning effort, Pica Disk takes a deep dive into the depths of the New Zealand underground with a much needed repress of the towering 5CD box set, “Enclosures 2011-2016”, dedicated to the incredible output of Omit. Described as one of the greatest outsider artists currently working in the field of experimental electronic music, this immersive collection gathers 30 strikingly abstract gestures; sprawling ambient pieces; the broodingly musical, flirting with the melodic and rhythmic; and com…
Poesia Sonora
Sound Poetry is discipline which developed over the course of the 20th century. Firmly located between the worlds of fine-art and music, it places its emphasis on the sound and structure of words - the phonetic aspects of human speech, over explicit meaning. Of all the avant-garde and experimental creatives practices, it is unquestionably the most neglected. Its efforts remain almost entirely unknown beyond circles of devoted fans. Despite this, its has been remarkably influential. The Beat poet…
20 Jazz Funk Greats
2024 repress: The third studio album of the British industrial-band Throbbing Gristle, was originally released in 1979 and is often referred to as the band's masterpiece. Originally released in 1979, 20 Jazz Funk Greats is Throbbing Gristle's pop-influenced masterwork. It's hard to believe the beautiful, conventionally-attractive Cosey Fanni Tutti on this album's front cover previously gave herself milk and blood enemas in front of a live audience. Additionally, the song "Hot On The Heels Of Lov…
Larks' Tongues In Aspic
Larks' Tongues In Aspic is the fifth in a series of audiophile King Crimson vinyl reissues. Newly cut from masters approved by Robert Fripp, this super-heavyweight 200gm vinyl re-issue is housed in a reprint of the original sleeve. With its raw tone, inspired improvisations and hard hitting odd-metered rhythms, the album marked a radical departure for this most forward thinking of groups and was the first to include Bill Bruford and John Wetton as band members. King Crimson reborn yet again -- t…
Islands
Islands is the sixth in a series of audiophile King Crimson vinyl reissues. The album's return to the 12" vinyl format is newly cut from masters approved by Robert Fripp. Manufactured on 200g super-heavyweight vinyl, housed in a reprint of the original sleeve with lyrics insert. The album is a hodge podge of ideas and there is no flow or continuity. Each track could exist separately. This is one of the Crims least beloved lineups even tho they were capable of more free-jazz improv than any previ…
Lizard
Released in December 1970, King Crimson's third studio album, Lizard, is often viewed as an outlier in the pioneering British prog outfit's nearly half-century discography. It's not easily grouped with 1969's stunning In the Court of the Crimson King debut and 1970 follow-up In the Wake of Poseidon, and along with 1971's Islands it's considered a transitional release on the band's path toward the relative stability of the Larks' Tongues in Aspic (1973), Starless and Bible Black (1974), and Red (…
Latinoamérica
Sole release by this Colombian band that surfaces briefly after the Speakers, Young Beats, Ampex and Time Machine era comes to an end. The band boasts an Italian jazz-rock drummer Roberto Fiorilli and legendary Genesis Bassist Humberto Monroy. The record consists of one theme divided into two long experimental progressive ventures (Viaje I and Viaje II) of fierce, fluid and free collective improvisation with spacey feels and a rich texture of Hammond organ, guitar, bass, tenor sax, percussion an…
A Symphony of Amaranths
Scored for a large jazz orchestra, this highly-collectable 1971-recorded album also contains two vocal settings by Ardley, remembered also for his ground-breaking work leading the New Jazz Orchestra, these being the earliest example of his vocal music. The first is a setting of Edward Lear’s famous nonsense poem “The Dong with a Luminous Nose”, wonderfully and uniquely told by Ivor Cutler backed by an unusual chamber orchestra containing keyboards, vibraphone, harp, violin and cello that prov…
Fine Automatic & Die Form
2017 repress. This release is the unique and complete full album from one of the Die Form side projects, named "Fine AutomatiC & Die Form" (from the "Endless" short tapes serie). This one is released in double albums as two separate vinyl LPs in the context of the Archives of Industrial Music from France (offering inside this collection : identical covers, excepting specific typography of the artist or of the band and personalized logotypes) in order to point out its radical aesthetic unity and …