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**Available in vinyl for the first time, edition of 200** Born in Lisbon (1932), Armando Santiago studied singing, piano and cello at the National Conservatory of Lisbon. In Italy he studied conducting with Hans Münch and Franco Ferrara, and in Paris he studied with Pierre Schaeffer at the ORTF Research Service. Fellow of the Governments of Portugal and Italy, he worked in Rome with Boris Porena and followed the course of Goffredo Petrassi in the Academy of Santa Cecília, obtaining the diploma o…
Outstanding archival work from Cabiria Records here, presented in the form of an album of gloomy electronic stylings and haunting musical landscapes by Miryam Bordoni, one of few Italian female artists working in the field of experimental and library musics, and also associated with Egisto Macchi and Ennio Morricone of Gruppo di Improvvisazione Nuova Consonanza. Originally released in a miniscule private edition, these undercover electronic studio sessions made under her experimental alter ego B…
The Vinyl Coda project returns to God Records for the second chapter of the Philip Jeck masterwork, originally released in the late 90s and now freshly re-mastered for this LP re-release. Philip Jeck revolutionised the world of experimental music with his pioneering turntable collage work, with his hazy and intuitive narrative of sounds that never quite head in the direction you expect. In these sets, Jeck uses a number of turntables and prepared records to create strange soundscapes in which cr…
Aeolian Darts is a collection of playful minimal poetry by sound-thinker and garage-printer Michael Klausman. He has been an avid collector of small press chapbooks for many years, frequently posting his obscure finds on his Drifting Lament Instagram, a labyrinthine rabbit-hole of post-Fluxus poets, esoteric private press records & found art. This book is a culmination of his interests in the edges of culture, a space where mimeographed liners, mail art and handmade cassettes rub shoulder…
This was Missus Beastly's third studio album released in 1976. If you'll notice on the cover art they have the album's title as such as to look like it's the band's name, and the title of the album looks like it would be "For Missus Beastly". A trick by the band really so that they wouldn't have to release this album with Dieter Dierks and Venus Music to which their contract stipulated that they had to.They had had a falling out with Producer Dierks over the cover art of their last album and fel…
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contributions for Vita Nova and Dzyan, brings new aspects to the music - it's quite a new impression of the band. The sound quality leaves nothing to be desired by the way. A very good show documenting a new facet of the Missus Beastly band and a highlight f…
On the top of the list of Kraut uderground artifacts, a definite oddity plenty of abstract execution of psychedelic soundscapes, dark Classical textures and Jazz/Fusion, as cohesion is completely absent, however there is a certain charm coming out of this. There are more in the vein of Egg and Amos Key, creating atmospheric soundscapes complemented with powerful jams, featuring organ and clavinet in evidence and swirling around jazzy workouts, light improvisations and mellow Kraut Rock experimen…
Numbered edition of 500 copies Comes with 8 page 12" booklet Thanks to Dan Wilson for the segues on side 2 Special thanks to Sandra Cross, Miles Champion and Ed Baxter. These recordings were collected by William English from the floor of Captain Seddon’s cottage shortly after he died and just before the building was demolished. Many other tapes were left behind. The only recordings he made were audio letters, diaries and most prolifically, his phone conversations. The 12 pieces on this LP were r…
The classic 1976 album remastered from the original tapes plus 11 unreleased recordings! Formed in the early 1970s, The Residents have been charting a unique path through the musical landscape for over 45 years. From far-out, experimental curiosities to highly conceptual, multi-album projects, the band has refused to stand still, and continues to move in several different directions at once. Produced with the involvement of The Cryptic Corporation, and with full access to the band's extensive ta…
Lost-in-time kosmische/kraut/avant-garde artifact produced by Toby Robinson, aka The Mad Twiddler, circa 1975 for his private Pyramid label. From the moment they emerged during the mid 90’s, mystery has swirled around Psi-Fi’s six Krautrock gems. Each, the label claimed, had been recorded for the long lost Pyramid label, based in Cologne during the 1970’s. Embraced and loved by many, others cried hoax. Some ventured further, implicating the perpetrator - the voice behind this assembly of drifti…
A previously unreleased series of astounding recordings, made between 1972 and 1973, by the collective Hy Maya, pull the rug from beneath the standing narratives of history. Never before released in any form, The Mysticism Of Sound & Cosmic Language is a revelation in sound. Incredibly diverse - an absolutely intoxicating, immersive journey through collective creativity which shatters the standing narratives, and foreshadows nearly every important movement of counter-cultural music which followe…
Larks' Tongues In Aspic is the fifth in a series of audiophile King Crimson vinyl reissues. Newly cut from masters approved by Robert Fripp, this super-heavyweight 200gm vinyl re-issue is housed in a reprint of the original sleeve. With its raw tone, inspired improvisations and hard hitting odd-metered rhythms, the album marked a radical departure for this most forward thinking of groups and was the first to include Bill Bruford and John Wetton as band members. King Crimson reborn yet again -- t…
**Recent repress, classic prog-rock masterpiece gets the reissue on 200 gram vinyl** The group's definitive album, and one of the most daring debut albums ever recorded by anybody. At the time, it blew all of the progressive/psychedelic competition (the Moody Blues, the Nice, etc.) out of the running, although it was almost too good for the band's own good -- it took King Crimson nearly four years to come up with a record as strong or concise. Ian McDonald's Mellotron is the dominant instrument,…
For a good number of Spanish musicians, attracting attention from somewhere outside of Madrid was a mission impossible for several decades. While the Movida Madrileña, commonly referred to as the “Madrid scene” in English, stirred things up and made front page news on the basis of new wave music, musicians that were on the fringe or directly beyond it had few platforms from which to be heard. Although Javier Segura has been recording music in his studio almost continuously since the 70's, his re…
**Comes with 8-panel fold-out liner notes with rare photos and English translation. Housed in reverse-board-printed jacket** Archival 1982 recordings from the "agricultural industrial" celebration, complete with dense drum rhythms, chanted vocals and handcrafted bamboo flutes, plus 2017 versions of the same pieces by Sugai Ken. EM Records is proud to present, following “Yumi Kagura”, the second edition of the Japanese folklore music series, directed by Riyo Mountains. Japan has a long tradition …
Sole release by this Colombian band that surfaces briefly after the Speakers, Young Beats, Ampex and Time Machine era comes to an end. The band boasts an Italian jazz-rock drummer Roberto Fiorilli and legendary Genesis Bassist Humberto Monroy. The record consists of one theme divided into two long experimental progressive ventures (Viaje I and Viaje II) of fierce, fluid and free collective improvisation with spacey feels and a rich texture of Hammond organ, guitar, bass, tenor sax, percussion an…
Siloah were re-formed by Thom Argauer in late 1971 after their Munich hippie community had split following the release of the band’s first record. Although "Sukram Gurk" was recorded under the same elementary conditions as its predecessor and had a similar psychedelic touch, it fails a bit to achieve the sort of charisma evident in the first record. Thom now played the keyboards instead of the guitar. Re-issue from the master …
First legit reissue of the 1st Xhol album (post Xhol Caravan), originally released by the legendary OHR label in 1971. Previously bootlegged in poor fashion by Germanofon, this comes with one 22-minute bonus track (from 1974) and the usual thick booklet of liner notes and photos by Garden of Delights. This album followed Electrip and precedes Motherfuckers GMBH. One of the more confounding pieces of the Krautrock puzzle, Xhol played long, wasted lounge-blues excursions, much favored by the…
Four Flies Records is proud to present the first vinyl reissue of the original soundtrack to Io Emanuelle, Cesare Canavari’s 1969 erotic-drama starring Italian scream-queen Erika Blanc.The score was composed and arranged by maestro Gianni Ferrio, who created one of his most famous and iconic soundtracks ever, with music that perfectly follows the neurotic character of the young protagonist – from moments of intimacy and introspection, to those of insanity and madness.The result is a terrific coc…
Long-awaited double cd reissue of the two Asmus Tietchens/Burrows collaborations which sound still remarkably fresh today. Watching The Burning Bride was originally released on Terry Burrows' label Hamster in 1986, while the second collaboration came out on Disaster Area in 1998. As usual the booklet reproduces the original lp sleeves and a lengthy text by Terry Burrows on how the collaboration between the two artists came about is also included. The release includes two short bonus tracks.