Reissues
Underwater Electronic Orchestra
Ojo de Mujer presents a rare gem from the twilight zone of 1970s electronic experimentation: Labat's Transition, an album that exists in its own peculiar dimension where psychedelic disco meets aquatic reverie, and synthetic soundscapes dissolve into moments of unexpected grace. Surfacing from the depths of obscurity, this Canadian pressing has long been whispered about among collectors and connoisseurs of the era's most adventurous electronic music. The album's striking cover — featuring a figu…
Magic Thread
First released in 1998, Magic Thread finds Susumu Yokota navigating the liminal space between club rhythm and ambient reverie. Blending vaporous beats, dub inflections, and microscopic detail, the album traces the moment he stepped from late‑night dance floors into dawn-lit introspection.
Image 1983 - 1998
Image 1983–1998 by Susumu Yokota collects fifteen years of sonic fragments tracing the evolution of his ambient vision. Recorded between early tape experiments and late‑1990s compositions, it bridges lo‑fi intimacy and polished minimalism, revealing the contours of an artist forever balancing wonder and restraint.
Grinning Cat
With Grinning Cat, Susumu Yokota continues to refine his delicate ambient universe through a dreamlike balance of melody, texture, and silence. The 2001 album merges found sounds, piano fragments, and vaporous rhythms into an otherworldly narrative of domestic tranquility and imaginative reverie.
Late Autumn Sunshine
Late Autumn Sunshine by Michael Garrick, released by My Only Desire Records, gathers two rare BBC Maida Vale sessions from 1973 and 1978. With Norma Winstone’s ethereal voice and Henry Lowther’s lyrical trumpet, Garrick’s compositions glow with his characteristic blend of English pastoralism and modal jazz introspection - a rediscovery of autumnal warmth and luminous craft.
Bluebeard
With Bluebeard (1972), Ennio Morricone explores the gothic absurdity of Edward Dmytryk’s erotic thriller through a score oscillating between melancholy, parody, and psychological unease. By blending chamber restraint and baroque flamboyance, Morricone transforms the infamous tale into a study of decadence, control, and the seductions of death.
Per le Antiche Scale
In Per le Antiche Scale, Ennio Morricone sculpts a haunting and cerebral score for Mauro Bolognini’s 1975 psychological drama. Through mournful strings, dissonant gestures, and lyrical fragments, Morricone captures the fragile border between reason and madness, crafting one of his most introspective and emotionally complex film soundtracks.
La Disubbidienza
With La Disubbidienza, Ennio Morricone crafts an austere and sensual soundscape for Aldo Lado’s 1981 film. The score balances chamber intimacy and languid melodies, exploring moral tension through sparse orchestration and unexpected harmonic turns. It’s a work where desire and restraint coexist in fragile, hypnotic equilibrium.
New Music
Limited edition of 50 copies on purple vinyl. A meeting of two uncompromising sound artists, Carlos Giffoni and Joachim Nordwall, New Music fuses pulsating electronic rhythms, immersive drones, and abstract textures into a vivid, physical listening experience. Emerging from the outer edges of techno, noise, and electro-acoustic composition, both artists channel their distinct sonic vocabularies into a shared space of tension and transformation. Giffoni's deep synth drones collide with Nordwall's…
Defiant Jazz: a Joe McPhee Taster
From the viral Severance TV dance party to spiritual jazz explorations, this vinyl compilation spans five decades of the Poughkeepsie legend's most electrifying moments. Funky grooves, cosmic transcendence, and raw improvisation collide.
Backwards
A decade after its long-awaited release, Coil's landmark album Backwards returns in a special 10 year anniversary vinyl reissue. The black vinyl edition comes in a gatefold matt-laminate sleeve with silver detail, honoring the album's elusive, mercurial nature with understated elegance. After the ground-breaking release of 1990's Love's Secret Domain, Coil were not dormant - far from it. The main project was Backwards, which was started in 1992, updated considerably between 1993 and 1995, and tr…
Perception
Perception is the 1973 second album by Catalyst, the Philadelphia jazz-funk quartet whose blend of soul jazz, fusion, and avant-garde set them apart as a cult phenomenon. Featuring Zuri Tyrone Brown (bass), Onaje Sherman Ferguson (drums, percussion), Nwalinu Odean Pope (tenor saxophone, flute), and Sanifu Eddie Green (electric piano), the album stretches from spacious, electric fusion to driving, groove-forward funk and episodes of free improvisation. Recently reissued to renewed acclaim, Percep…
Portrait of Sheila
Portrait Of Sheila is the legendary 1962 debut album by Sheila Jordan, recognized as one of the only vocal jazz albums released by Blue Note in the 1960s. Backed by Barry Galbraith (guitar), Steve Swallow (bass), and Denzil Best (drums), Jordan’s inimitable approach includes stark, intimate renditions of standards, including a celebrated voice-bass duet on Bobby Timmons’ “Dat Dere.” The album’s new Tone Poet Series reissue, shipping in late 2025, brings her singular artistry to new audiences wit…
By All Means
By All Means is the new album from Aaron Parks due for release on November 7, 2025 via Blue Note Records, expanding the acclaimed Parks-Street-Hart jazz trio into a luminous acoustic quartet with the addition of tenor saxophonist Ben Solomon. This set of seven original compositions explores Parks’ signature mix of modern jazz innovation and tradition, highlighted by tender dedications to his wife and son and the sly, swinging lead track “Parks Lope”.
Love's Secret Domain
* Deluxe Hardcover Triple-Gatefold 3xLP.* In 1991 Coil released the third of their early classic full-length albums "Love's Secret Domain", seemingly casting aside the gloom and funereal beauty of its predecessors in favour of a painstakingly multi-layered hallucinogenic electronic beast, which unlike some of their fellow ex-industrial contemporaries' releases of the time wasn't an attempt at easy accessibility or (the-gods-forbid) danceability, but a vibrating psychedelic masterpiece unrivalled…
Appendix I
Appendix I brings together three Warrington-Runcorn EPs onto CD for the first time. Comprising Building A New Town, A Shared Sense Of Purpose and Overspill Estates, this CD brings together some of the more esoteric elements of the world of Musical New Town Planning.
Faust IV
Faust left Wümme's anarchic freedom for The Manor's professional constraints. Virgin wanted a hit. Faust IV was the answer: their most paradoxical album, accessible yet destabilizing, part studio work, part salvage. The sessions stretched, the budget vanished, the result endures—uneven, restless, compelling. Fifty years later: still mid-sentence, still profound, gloriously incomplete.
Tandoor Dog
*2025 Stock* "In 1998 Staalplaat and Muslimgauze were on a conquering spirit. Bryn Jones (1961-1999), the man behind Muslimgauze delivered new works, almost on a weekly basis and was more than happy to see them released straight away. Unlike others, Staalplaat was never shy to release larger works, lumping various works together, such as the 9CD “Box Of Silk & Dogs”. Allowing free reign in editing, the 4LP box set ‘Tandoori Dog”, contained the LP of the same name, which saw only eight out of the…
Mohammad Ali Jinnah
*2025 Stock* "Unsurprisingly for an artist as prolific and strident as Bryn Jones was, the flood of material he sent to labels and compatriots was not always carefully categorized. Also, sometimes he would be so eager to release material that if things didn’t happen fast enough he’d just send in another tape. And that circumstance is how you wind up with a fascinating oddity like Mohammad Ali Jinnah.Staalplaat has previously released, in 2002, the Muslimgauze album Sarin Israel Nes Ziona. While …
Jerusalaam
*2025 Stock* Jerusalaam plus the two extra tracks make up unused material from the Return of Black September sessions. The contrast, even for someone with as wide a range as Muslimgauze had, is stunning. The original Jerusalaam fits in with much of Bryn Jones’ classic work, with a heavy emphasis on hand percussion, bass-heavy distortion, sharply clipped loops, and the seething his of static. The two otherwise unnamed Return of Black September tracks, however, follow that album in taking a much m…