Reissues
Quetzalcoatl
Glossy Mistakes present a reissue of Tito's Quetzalcóatl, originally released in 1977. Proto-electronics psychedelic Mexican holy grail. Inspired by Vangelis, Tomita, or Kraftwerk, this unknown rarity gets a second life sounding fresh and pioneering today, Tito was born in 1946 in Ciudad de México, the son of two Spaniards. Since he was a youngster, he had felt the passion for music and instruments. In the meantime, he started a career as architect. Since his early years, he joined various teen …
A Prison Of Measured Time
**CD version, to be released in late June 2020** Recorded at Creek house, Swanyard and Bushmead studio in 1995-1998. "In 1995 and before I was employed to take tracks home and manipulate the streams to create new content. The way I did this was a process I called “Rate/Stretch, I won’t go into details, but it was very successful at creating whole new content. From these experiments came the “scorn“ dreamspace mix, and much of Black Light District. After we came back from New Orleans working on t…
Silence
**300 copies in six panels digipack** Best Industrial Power Electronics muzak with a deep spirituality from the lands of the rising sun! “Incapable God in silence, I am slavebreed hating paranoid”. This comment is the subject of Silence album, the tracks and music. "God in silence" was inspired by an old book “Night" by Elie Wiesel where the author wrote “I could not accept God in silence”. Slavebreeding is the modern Japanese order (or better said the modern world order). People is looking at t…
Torturous Chapter
**2022 stock. 300 copies in digipack** Let's celebrate the 25th anniversary of this release with a re-release. Torturous Chapter was released on OEC as a tape 25 years ago and here comes for the first time the CD version of this historical album. Tremendous old-school industrial-noise recorded at Spinalklast / Rust Industries - Summer 1995. Sounds by: Richard Ramirez / Rick Baily / Kevin Ogg / Ryan Hunt. No need to say more! Digital mastering and trasfer from original tape plus sound boosting b…
Bleeding Headwound
**300 copies in digipack** Let's celebrate the 25th anniversary of this release with a re-release. Bleeding Headwound was released on OEC as a tape 25 years ago and here comes for the first time the CD version of this historical album. Tremendous Old-Shool Industrial-Noise recorded at The Meatshop in 1995. All sounds by Richard Ramirez. No need to say more! Digital mastering and trasfer from original tape plus sound boosting by Devis Granziera (Teatro Satanico / Lunus).
Althrough there are 3 tit…
The All American Powerhouse
Originally released in 1976, "The All American Powerhouse" is one of the very best of the Themes library releases. It’s killer. A feast of dramatic jazz, horizontal, melodic funk and bouncing sunshine-y West-Coast feels throughout, there also lurks an intense injection of the Blaxploitation sound. Understandable, given the subject matter and year it was released.
Inventions For Electric Guitar
Originally released in 1975. Remastered by Manuel Göttsching. Recorded July-August 1974, Inventions for Electric Guitar is Manuel Göttsching's first solo album, however it was released with the subtitle Ash Ra Temple VI technically making it the sixth and final album under the Ash Ra Temple name. Written and performed entirely by Göttsching on electric guitar, with a four-track TEAC A3340, Revox A77 for echoes, wah-wah pedal, volume pedal, Schaller Rotosound, and Hawaiian steel bar.
A seminal mi…
E2-E4
180-gram LP version with embossed chessboard artwork print and printed inner sleeve. In celebration of the 2016 35th anniversary of the December 12, 1981, recording of Manuel Göttsching's legendary E2-E4, one of electronic music's most influential recordings, Göttsching's MG.ART label presents an official reissue, carefully overseen by the master himself. Includes liner notes by Manuel Göttsching, archival photos, and an excerpt of David Elliott's review in Sounds from June 16, 1984.
"As …
Not Two... But Twenty
Limited edition 5-CD wooden box set, in commemoration of the 20th anniversary of Not Two Records. All new recordings, never previously published. Recorded live at the Not Two But Twenty Festival in Wlen, Poland in the Fall of 2018. With Peter Brötzmann, Barry Guy, Zlatko Kaučič, Joëlle Léandre, Steve Swell, Agustí Fernández, Mats Gustafsson, Paal Nilssen-Love, Rafal Mazur and many more
That Time
Unrelease befor recordings dated 1972 and 1980. The London Jazz Composers Orchestra began back in 1970. The idea of a composers' orchestra, a large formation equally defined by the concepts of composition or intervention and by the improvised creative genius of the participating musicians, developed an amazing self-impetus. It was this energy, which proved to be greater than the arithmetic sum of the participants, that encouraged Barry Guy and the orchestra to drive idea and practice even furthe…
Smetak Inventions: The Interfused Realms of Inventor, Sound Artist, and Musician Walter Smetak (1913-84)
Musician and inventor Walter Smetak, who emigrated to Brazil in 1937, is one of the most important protagonists of sound art and experimental improvisation of the Brazilian avant-garde of the 1960s–80s. His work continues to have an impact today. Forming the core of his creative output are more than 100 instruments and sound sculptures that he invented and built himself, his so-called »Plásticas Sonoras«. His work also includes numerous compositions, sound recordings, books, poetry, writings, an…
Sound Stories
"In Sound Stories, American artist and composer Christian Marclay (born 1955) fuses art and technology, using Snapchat videos as raw material. Featuring texts by Max Maxwell, this book documents the collaboration between the artist and Snapchat in an innovative project mixing the sounds and images of everyday life found on the multimedia messaging app, aggregating unattributed stories. Using algorithms created by a team of engineers at Snap Inc., Marclay experiments with millions of publicly pos…
Mechanical Fantasy Box
"Patrick Cowley (1950–82) was one of the most revolutionary and influential figures in electronic dance music. Born in Buffalo, Cowley moved to San Francisco in 1971 to study music at the City College of San Francisco. By the mid '70s, his synthesizer techniques landed him a job composing and producing songs for disco diva Sylvester, including hits such as "You Make Me Feel (Mighty Real)." Cowley created his own brand of peak-time party music known as Hi-NRG, dubbed "the San Francisco Sound." Hi…
The World's Worst - A Guide to the Portsmouth Sinfonia
"Butchering the classics through avant-garde amateurism: the Portsmouth Sinfonia embodied the joyous collectivism of 1970s British counterculture. In 1970, galvanized in part by the musical experiments of avant-garde composers Gavin Bryars, John Cage and Cornelius Cardew, students at Portsmouth College of Art in England formed their own symphony orchestra. Christened the Portsmouth Sinfonia, its primary requirement for membership was that all players, regardless of skill, experience or musicians…
Diary: How to Improve the World (You Will Only Make Matters Worse)
"Over 16 years, beginning in 1965, John Cage compiled anecdotes, observations and koanlike tales, originally typing everything on an IBM Selectric and using chance methods to determine the formatting of texts that twist down each page. The Siglio edition preserves the graphic effects, but, more important, it gives a sense of the company he kept during these years—Marcel Duchamp, R. Buckminster Fuller, D.T. Suzuki—and of his passionate feeling about a world locked in a state of perpetual warfare.…
Intermedia, Fluxus and the Something Else Press
"There are few art-world figures as influential—and as little known—as Dick Higgins (1938-1998), co-founder of Fluxus, “polyartist,” poet, scholar, theorist, composer, performer and, not least, the publisher of the Something Else Press. In 1965 he restored the term “intermedia” to the English language, giving it new dimension to recognize the dissolution of boundaries, the expansion of liminal spaces between traditional modes of art making, and the open field for new forms that cannot be compart…
Changes, Notes on Choreography
"On the occasion of the Merce Cunningham Centennial, we are pleased to offer this special, limited edition reprint of Cunningham’s own unique presentation of his choreographic ideas Changes: Notes on Choreography.Originally published in 1968 by Dick Higgins’ iconoclastic Something Else Press, the book can be viewed as a 170-page print version of an art performance piece. Just as Cunningham spent most of his career approaching choreography and movement in time and space from an original point of …
Sud e Magia
**100 copies transparent green vinyl, also available on standard black vinyl** Maestro Egisto Macchi (Gruppo di Improvvisazione Nuova Consonanza - The Group) recorded this mystical ethnographic trip to the South of Italy imbued with its rites, superstitions, magical symbols and popular mythologies in 1977 for the TV Documentary Sud e Magia.Astoundingly evoking the intensity, magic and psychedelia of its subject with the use of inventive and unconventional techniques (aerophones, crystal glasses,…
Aurora
LP version. First vinyl reissue. Souffle Continu Records present a reissue Le Théâtre du Chêne Noir's Aurora, originally released in 1971. In 1972, Steve Lacy recorded Solo, one of the gems in his discography, in the Théâtre du Chêne Noir in Avignon. The previous year (which was also the year in which Aurora appeared), the eponymous group of actors led by Gérard Gelas, took up residence in what was a 12th century chapel. The Théâtre du Chêne Noir is therefore not just the name of a space open to…
Miss Madona (EP)
First vinyl reissue. Two years after having recorded Aurora, which Gérard Terronès released on his Futura Records label in 1971, the Théâtre du Chêne Noir put on another show, Miss Madona, first at Avignon, and then at Ariane Mnouchkine's Théâtre du Soleil. From this play, Gérard Gelas's group took three sound extracts which they made, with no further ado, into a single. Miss Madona is thus the second recording by Théâtre du Chêne Noir. The two sides (and three tracks) offer up an unbelievable i…