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Expo 70, held in Osaka, was a pivotal event for the Japanese people and their relationship with the rest of the world, demonstrating both the nation’s ongoing economic recovery from World War Two and the creative spirit of Japanese society and its artists. The event gained international acclaim for its adventurous architectural design, visual art and electronic music. Some of Japan’s most renowned composers were involved, but also present were the now-legendary rockers, the Flower Travellin' Ban…
CD version. WRWTFWW Records present the reissue of impossible-to-find cult album Lady Maid by Japanese outfit Normal Brain. Originally released in 1981 as a limited vinyl pressing of 300 copies on Agi Yuzuru's fabled experimental label Vanity Records (R.N.A. Organism, Dada, Sympathy Nervous, Tolerance), Lady Maid is a testament to the creativity of the early '80s Japanese electronic and experimental scene, encapsulating a prolific era when audio gear became affordable for musicians to explore so…
Sami Salo was the third member of Panasonic trio when they started in 1994. By the end of 1994 Sami decided to leave the band. Sami has extremely minimal approach on the music. The compositions consist of hardly audible errors of various electronic devices. All of tracks on this CD are from the recordings Sami did in the early and mid 90s. The cover of the CD is from the tape VOLTTI.
Reissue of Argiope’s debut cassette, released by Slaughter Productions in 1994 following a small run on the artist’s own Atom Institute label. Argiope project was born after Marco Corbelli proposed that Federico De Caroli / Deca record a release for Slaughter.
While Deca’s albums were still quite industrial, dark music, he felt that Marco deserved a much more extreme production than anything Deca recorded up to that point. The result was Argiope's debut release Death Ovary Traces, a work of depr…
Tip! *2024 reprint* Dead Door Unit is the alias of Northeastern US artist Ken Geiger. The project follows in an exploratory vein of tape-recorded junk noise and field recordings. "Laugh At The Devil" is a work raucously out-of-time, bringing to mind the murk of mid-aughts Hanson releases or even the obscure malice of Dom Fernow's earlier work. Geiger breeds a fresh perspective through destruction and reassembly; "desperation."
158 p, ills colour & bw, 17 x 24 cm, pb, English/Italian edition. This book offers an in-depth analysis of the prominent role Italy came to play in the Fluxus movement, which emerged in the late 1950s. It explores the editorial experience of Fluxus, the creation of “editions” – objects, graphics, artists’ books – and the important role this had in the movement’s spread. Inexpensive to produce and easy to distribute, these works were accessible to the wider public and in turn contributed to the F…
Altercat proudly presents the definitive reissue of one of the crown jewels of South American jazz. Essentially the brainchild of Argentinian jazz’s leading figure Jorge López Ruiz, the project Viejas Raíces marked Lopez Ruiz’s departure from the traditional forms of jazz.
Timed in celebration of his 80th birthday, the venerable imprint, Alga Marghen, releases “In Là”, a stunning LP comprising a brand-new work by the groundbreaking English composer Gavin Bryars
** Deluxe 3LP set, housed in heavy tip-on box with pigment ink foil stamping, mounted film laminated cover painting by Jeff Schlanger, three printed inner sleeves with original notes by William Parker and Alan Licht, original concert flyer re-print and a five photograph portfolio in black envelope ** A legendary concert by one of the great unrecorded bands in free jazz history is here at last. WEBO, the third installment in the Black Editions Archive series of previously unreleased recordings fr…
Light and breezy, pure and easy, that’s how I spent most of last week, and this album was a great soundtrack for it. Osmar Milito is an interesting figure in Brazilian jazz, having a hand in the famous Canecão club in Rio and playing with the likes of Sylvia Telles, Leny Andrade, and Flora Purim early in his career, and later on doing lots of soundtrack work for those venerable Brazilian exports, telenovelas. His post-bossa nova records are collectible for a reason: they’re damn good listening…
The four years that elapsed between Nancy Sinatra and Lee Hazlewood's initial album of duets released in 1968 and the follow-up, Nancy & Lee Again, which arrived in 1972, saw a lot of change for the duo. Sinatra's star faded and she gradually retreated from the spotlight, while Hazlewood moved to Sweden and cut a series of albums that weren't exactly popular or well received. Both of them were looking for two things: to reconnect with an old friend and to possibly squeeze out another hit. Althou…
Fela used the cover of Ikoyi Blindness to announce his change of middle name from Ransome, which he now considered a slave name, to Anikulapo, which means “he who carries death in his pouch.” The front cover shows Ransome crossed out and Anikulapo added above it. Fela also used the album cover to announce the Africanisation of Africa 70’s name, changing it to Afrika 70. In the title track, Fela draws attention to the economic chasm separating the haves and have-nots of Nigerian society, contrast…
This edition of Original Sufferhead is a major event. With the release of box set #5, and now on this reissue, the title track of this magnificent album is presented in its full-length, 25 minutes 24 seconds glory. While preparing the master disc for the box set, our engineer Jedi, Colin Young, discovered four minutes of “lost” material on the B-side of the original pressing, including a superb keyboard solo by Fela. This had been omitted from subsequent reissues. The restored version used here …
Overtake Don Overtake Overtake was the penultimate album of newly recorded studio material released by Fela before he passed in 1997. Like its immediate predecessor, Beasts Of No Nation (also 1989), and its followup, Underground System (1992), the album finds Fela continuing to campaign for human rights and social change despite the relentless beatings, jailings and general harassment he had received from successive military regimes since the start of the 1970s.
Los Angeles bass titan Henry Franklin is bestknown for the two Skipper LPs issued by Black Jazz in 1972-74; 1977’s Tribal Dance is more obscure and arguably the best of the bunch, the spiritual jazz given an extra propulsive dimension via the excesses of Sonship, banging complex rhythms on his elaborate self-made drums, as heard on the opening title track and the extended ‘Cosmos Dwellers.’ Elsewhere, ‘Eric’s Tune’ has flamenco undercurrents, ‘Spring Song’ is a slow piano meditation, and ‘Prime …
Eschatology, a belief in the imminent end of the world, is as old as time itself. Long before our present fear of ecological catastrophe, our coda was advocated by various theologies and philosophies, from early Dharmic religions to the Millerite movement. The Dutch band Nadagen echoes those apocalyptic seers of old, spreading prophecies about our last days in the small number of songs that they recorded. ‘Nadagen’ translates to something like aftermath or twilight years, which reveals the exist…
6Cd box Discs in Vinyl replica sleeves with a 36-page booklet all held in a clam-shell box. Colosseum came together in 1968, the brainchild of virtuoso drummer Jon Hiseman and saxophonist Dick Heckstall-Smith (who had played together in the Graham Bond Organisation and John Mayall’s Bluesbreakers). Teaming with bass guitarist Tony Reeves and keyboard player Dave Greenslade, the line-up of the band was completed with the recruitment of guitarist and vocalist James Litherland. Their debut album, ‘…
2024 Stock. 300 copies limited edition. Japan release only. ** The name of the duo Thorax-Wach, which was founded in 1980 together with Frank Dieckmann, comes from the context of the morgue in which Olaf Kraemer worked at the time. Between 1980 and 1981, with the help of two Korg M-20s and a microphone, a handful of MCs celebrated in the underground scene were created, as well as self-released vinyl records on their own label, Schnellschnitt, which the duo, which had since relocated from tranqui…
2024 Stock. 300 copies limited edition. Japan release only. ** The name of the duo Thorax-Wach, which was founded in 1980 together with Frank Dieckmann, comes from the context of the morgue in which Olaf Kraemer worked at the time. Between 1980 and 1981, with the help of two Korg M-20s and a microphone, a handful of MCs celebrated in the underground scene were created, as well as self-released vinyl records on their own label, Schnellschnitt, which the duo, which had since relocated from tranqui…