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Reissue of a February 1980 decomposition (M.B. skippin' up the film's original soundtrack) from the Italian industrial forereunner. Halting tape cut-ups of the classical score from Kubirick's film. One of the strangest M.B. recordings!
Rare private press Krautrock from Paul and Limpe Fuch's Anima Sound – featuring one long improvisational piece on each side – oddly haunting and strangely beautiful! Raw home made percussion, off kilter melodies and really effective vocals make this a genuinely fascinating set that's surprisingly effective. Made while the duo was touring Germany and performing on a wagon they used as a stage, pulled throughout the country by a tractor!
Issued on vinyl format for the first time ever, Unnamed is a collection of 1971/1972 Lard Free "lost" recordings that documents an interesting, primitive period of the band and shows Artman and Co. moving freely in different directions : jazz, noise and the most radical musical improvisation.
This one was their second album in 1975, featuring Richard Pinhas from Heldon and the most electronic effort of Lard Free. We can't hear bass guitar here anymore. The instruments on this item are mostly synths, in addition yet piano, drums, vibes, guitar - and clarinet as the first time guest on the recordings of LF. And the trips are longer (two LP-side-long trips here) than on earlier stuff. We can understand approaching to more meditative and athmospheric electronics with urbanis…
Lard Free's second LP, I'm Around About Midnight, was recorded in Paris in a three day session and released in 1975 also on Vamp. There is a totally different line-up from that of the first LP and it features long time friend Richard Pinhas, with whom Artman explores (in his own way) some sound passages of strong Heldon inspiration, although in a less immediate register, building an organic layered sound that emanates a certain shadowy formal beauty. The strong Artman-Pinhas connection is …
Lard Free is French psychedelic minimalism band, formed around drummer and keyboards player Gilbert Artman. He was the only constant member of the band on their few next albums. Music on their debut album is perfectly composed angular rhythm structures-based synth/rhythm compositions with free-jazz sax improvs over them. All this mix sounds heavy, spacey, psychedelic, minimalistic - and excellent. I am not sure if this music could be labelled as "krautrock" , or let say - it's a French krautroc…
A limited edition 10 CD boxed set of the remarkable radio documentary tracing the life and music of Douglas Lilburn. The set is made available through SOUNZ in collaboration with Radio NZ Concert and the producers Roger Smith and Gareth Watkins. Interviews with the composer, his family, friends, and colleagues both composers and performers make this a comprehensive and remarkable documentation of New Zealand’s most influential composer. The CDs are accompanied by a comprehensive booklet, which i…
Reissue of 'The Rise of Elklink' cassette (Polyamory) 1999 with one bonus track. "The Rise of Elklink originally appeared as a cassette on the storied Polyamory label in '1999. Behind the ambiguous moniker lurked core Shadow Ring member Graham Lambkin, aided by Adris Hoyos with a cameo from fellow Shadow Ring bandmate Tim Goss. Although The Rise of Elklink was produced in tandum with The Shadow Ring's Lindus LP, the two projects were different in intent. Song form and narration are replace…
In the summer of 1990, i released on Sub Rosa a recording of Triadic Memories by Morton Feldman (1926-1987). It was one of the first recordings of this long work for solo piano completed on July 23, 1981.The score i used had been published by Universal edition as number UE17326 in 1987. Shortly after my CD came out, Universal published a new edition. At the bottom of page 2, under a dedication to Aki Takahashi and RogerWoodward is a small-print mention: 'corrected edition: 14.2.1991. I disr…
arthur doyle- tenor sax, voice; vin paternostro- roland 505; ed wilcox- percussions; leslie q- bass ;rec. march 26 & 27, 2004 at springwater tavern & artswatch...the final available rec. i have left of Arthur, unfortunatly ?! i kept it for the last since i find it a really special goody: a more intimate 4et live dates from 2004
Lovely and obscure album of Bertoia/Rutman-lineage metal sound-sculptures from which G. T. Smits coaxes a bizarre array of squawks & resonant thumps...."for a while i thought i was completely lost in the maze that is the recorded archive of George "TOET" Smits, a few years back i got boxes full of cassettes that i have been sitting thru for a few years, a bunch unlabeled, and a lot of recordings from his ZBOLK NIGHT RADIO. George Toet Smits started out playing mouth organ and guitar in Ferre…
'First reedition. Recorded in 1981. Originally released in 1982. Lydia Lunch: vocals, piano. Dix Denney: guitar. Greg Williams: bass. Cliff Martinez: drums, percussion. Digipack.'
This 3cd boxset is a fantastical document of parapsychological research throughout the 20th Century, with recordings of purported demonic possession, glossolalia, precognition, poltergeists, and the already well documented Electric Voice Phenomenon. The latter had been the subject of research by noted parapsychologists Raymond Cass and Freidrich Jurgensen, whose work was collected on several cds released on the Touch label, one of which was the AQ perennial favorite The Ghost Orchid. The first d…
LP version, on 180 gram vinyl. This is the tenth solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1984 on Editions EG. On Geschenk Des Augenblicks - Gift Of The Moment, Roedelius broke away unequivocally from purely electronic music. If Lustwandel (BB 055CD/LP) and Jardin Au Fou (BB 023CD/LP) had seen the process set in motion, this was the album that completed the transition. Following the Selbstportraits, which had at least been created through the use of electr…
Surprisingly, this remarkable and magnificently captured performance has never been issued on LP (or CD) before. Sun Ra and his larger than usual Arkestra are caught live here – dancers and all – sometime during 1971 at the Théâter du Châtelet in Paris, France for what is surely one of the Arkestra's finest concert happenings – particularly during this period.While Ra's Arkestra was recorded live several times during 1971, the personnel and the instrumentation presented here are closest to a Oct…
A sumptuous 5-CD box-set covering the entire discography of the cult Absolute Body Control band. Influenced by bands from the German and UK electronic scene, Dirk Ivens (synths & voice) formed the band early 1980, and was joined by Mark de Jonghe (synths) and Veerle de Schepper (backing vocals). After a first track on a compilation and a first 7" single (Is there an exit?), Mark leaves the band and Eric van Wonterghem (who was in fact a spectator at the first ABC concert), filled in the gap…
LONG OUT OF PRINT, FEW COPIES AVAILABLE: originally planned as a release for the now legendary Aspen magazine these six meditations in "spontaneous sound" have finally made their way into mass consciousness. Recorded live at the Cathedral of St. John the Divine in 1970 using a truly vast array of gongs, cymbals, chimes, timpani, bass drums, woodwinds, as well as some instruments specifically designed for him by somnambulist instrument builder and musical maverick Harry Bertoia. From a faint whis…
Recorded mostly in the early'60s with Ra, Marshall Allen, John Gilmore, James Jacson, Nimrod Hunt and Thea Barbara, Space Probe explores stripped back forms and colour combinations that are far from jazz Ð or that attempt, very successfully, to take jazz into wholly new territories. Especially notable is the extraordinary Conversation Of J.P. for piano and percussion which, along with the opening track - an 18-minute Moog solo, probably recorded in 1970, just after Ra had newly acquired the…
Charlie Nothing was the fractured-psyche pseudonym of author, father, horsekeeper, organic farmer, beekeeper, philosopher and clown Charles Martin Simon, inventor of the dingulator (guitar sculptures made out of the metal from American cars). Charlie's only visible offering to the record buying public was really anything but. Due to its rarity, The Psychedelic Saxophone of Charlie Nothing, issued by Takoma Records in 1967, has been a source of consternation for in-the-know types for years. …
Gruppo di Improvvisazione Nuova Consonanza at the top, in the classic freeform outfit mixed with dry drum breaks with screaching trumpets and guitars. " The love of Morricone for the trumpet is well known, and this instrument is his beloved among the other. In these tracks his genius is particularly noticeable from the amazing result: music very pleasant to the ear. Collector edition, limited to 500 copies only, one time pressing. featuring Ennio Morricone, Franco Evangelisti, Walter Branchi, …