Reissues
Vibractance
*100 copies limited edition* Originally released in France in 1998, Vibractance is one of the most unique and haunting titles in Merzbow’s vast catalog. It’s unique drone, noise, almost ambient like qualities makes this a great starting point for adventurer ears but also an essential album for the initiated. A true journey into the unknown where pulsating sonar waves swim between a sea of eerie beauty and tangible dreams. Celebrating it’s 25th anniversary, Aurora Central Records proudly presents…
Cantare la voce
* 500 copies, numbered edition. Clear Splatter Vinyl * Reissue of a 1978 LP out on Cramps Records. Demetrio Stratos's research into the field of phonetic and experimental poetry led to his freeing his voice every naturalistic restraint, restoring its depth and dimension. The result of this can be heard in the two recordings of his compositions "Metrodora" and "Cantare la Voce" where what sounds like an instrument is in fact his voice.
Caution Radiation Area
Temporary nicer price * 500 copies, numbered edition. Clear Splatter Vinyl * Area's second album takes its cues from the most serious side of early-'70s British progressive rock, particularly Soft Machine and King Crimson. There's a high-voltage, at times furious energy to the quasi-jazz-rock fusion, with keyboards showing some influence from Miles Davis fusion records, and the guitars wheeling off lines with a busy anxiety. Despite some sinister progressions and overlays of electronic squiggles…
Crac!
Temporary nicer price 700 copies, numbered edition. Clear Splatter Vinyl * “Crac!” is Area’s third album, released in 1974 and one of the strongest in their revolutionary canon of political artfulness. The previous album had received some mixed opinions after the explosive debut; Crac! is a departure in style from both of those two records—in a way, more compact and sleek if that is possible to think of with Area. In that aspect, this is the most “accessible” version of the band, and not surpri…
Maledetti (Maudits) - Color LP
Temporary nicer price ** 500 copies, numbered edition. Clear Splatter Vinyl ** 1976 was a year of flux and change. For the recording of the fifth Area album, the core membership of Stratos, Fariselli, Tofani and Tavolazzi were present, but drummer Capiozzo only appears on about half of the album, replaced on various tracks by either Walter Calloni or Paul Lytton. Steve Lacy augments the band, as do several other studio musicians (including a string quartet). Perhaps it was the contributions of t…
L'Internazionale
* Clear Vinyl * Nice and quality reissue of shis Area's 7" was distributed in the left-winged movement/circuit, as the money from sales financed the legal costs of the trial against the Italian writer and anarchist Giovanni Marini, caught up in Italy's Strategy of Tension and unjustly convicted of the murder. The B-side, Citazione Da George L. Jackson is a strong denunciation against the inhumane conditions of prisoners and inspired by Soledad Brother: The Prison Letters of George Jackson, a com…
L'Abbattimento Dello Zeppelin
* Yellow Vinyl * A great Area 7", quality replica of their L'Abbattimento Dello Zeppelin first single. Kick-ass free-form music recorded in the glorious year of 1973 in Milan, Italy. Blow-out with blasting sax solos played by Victor Edouard Busnello, and a kicking Demetrio Stratos on these two extraordinary tracks
Quartz Mirliton Cassettes
Biggest Tip! Quartz-Mirliton Cassettes has been among the most obscure of 1970s experimental music labels. This forthcoming VOD release, presented in two boxes, throws light on this mysterious cassette venture, its context and associated recordings. Closely associated with the London Musicians Collective, Quarzwas launched by Paul Burwell and David Toop in 1977. Produced in tiny editions with handmade covers, the cassettes largely documented live sessions and field recordings made by a close net…
The New Backwards
"The New Backwards" was conceived by Peter "Sleazy" Christopherson in 2007, revisiting stray tracks which hadn't seemed to gel with the material he had chosen for the more somber "Ape of Naples" from 2005, Coil's initial posthumous release, a sort of requiem and a kiss-goodbye to his then recently deceased partner John Balance. Significantly different to its sister release, this album collects the brilliantly chaotic and outrageously rhythmic material from the original sessions for the album tha…
Your Prayer
Super Tip! Reissue, originally released in 1967. Frank Wright returned to the studio in May 1967 to make his second album using a quintet of players little-known at the time but now legends to free-jazz cognoscenti. Trumpeter Jacques Coursil, who almost made an album for ESP-Disk' himself, went on to the greatest fame of the players besides Wright; alto saxophonist Arthur Jones was not recorded nearly as often as his talents deserved; Steve Tintweis's stint playing with Albert Ayler raised the y…
Frank Wright Trio
Reissue, originally released on ESP Disk' in 1966. Frank "The Reverend" Wright was one of the most powerful saxophonists to pick up on Albert Ayler's freedom and ferocious playing. Born in Mississippi and raised in Memphis, TN and then Cleveland, OH, he started in music as a bassist in blues bands but switched to tenor sax under the influence of his Cleveland friend Albert Ayler. Wright's "energy music" approach to tenor saxophone was influenced by Ayler but at the time in the '60s Wright's inte…
Jaime & Nair
Vampisoul present a reissue of Jaime & Nair's self-titled album, originally released in 1974. Loaded with an exquisite quality, marked by all good aspects the Brazilian popular music of the '70s, and obscure as hell, the self-titled debut by the duo Jaime & Nair is a revelation of all sorts. Recorded in 1974, when the artists had just turned 22, the album was released on CID a company that -- at that same moment -- had signed other important musicians like Nana Caymmi and Emílio Santiago. Outsid…
One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling
"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops lasting only a few seconds before being smudged by hyper fast-forwarding, like a random, operatic battle of thermopylae as re-created by members of NWW. Faced with omnipresent latter-day refined-aesthetic cognescenti, whose duty it is to remind one of the gravity of modern music, I find myself defending such gut-level joyous stupidity and its gung-ho determination to vertigi…
Distruct
“On this, their second LP, P16.D4 solicited tapes from several artists from Europe, England, the U.S., Canada, and Japan, and mixed that with their own material. Though in the current digital age collaborations from artists thousands of miles apart is quite normal, this was a quite radical approach back in 1982, when work on this LP began – an interesting concept that actually works quite well, since these artists, which include Bladder Flask, DDAA, the Haters, Merzbow, Nocturnal Emissions, Nurs…
Kühe In 1/2 Trauer
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
One Day I Was So Sad That The Corners Of My Mouth Met & Everybody Thought I Was Whistling
"A puzzlingly great album. Ah, the halcyon days of bungled Kurt Weill renditions, overactive splicing hands and tape-loops lasting only a few seconds before being smudged by hyper fast-forwarding, like a random, operatic battle of thermopylae as re-created by members of NWW. Faced with omnipresent latter-day refined-aesthetic cognescenti, whose duty it is to remind one of the gravity of modern music, I find myself defending such gut-level joyous stupidity and its gung-ho determination to vertigi…
Distruct
“On this, their second LP, P16.D4 solicited tapes from several artists from Europe, England, the U.S., Canada, and Japan, and mixed that with their own material. Though in the current digital age collaborations from artists thousands of miles apart is quite normal, this was a quite radical approach back in 1982, when work on this LP began – an interesting concept that actually works quite well, since these artists, which include Bladder Flask, DDAA, the Haters, Merzbow, Nocturnal Emissions, Nurs…
Kühe In 1/2 Trauer
“Though this German group started out as a the new wave band P.D., by the time of Kuhe in 1/2 Trauer, their first LP under the P16.D4 name from 1984, they had developed far beyond into extremely experimental music similar to other post-industrial artists working with abstract avant-garde soundscapes. There’s a bleak industrial feel to the gritty, lo-fi electronics and tape loops, while the group throws in enough curve balls to keep it interesting. On some pieces, strange, looped choirs bubble ou…
La Materia Verbal (The Verbal Matter: An Anthology of Peruvian Sound Poetry)
** Edition of 300 ** This compilation brings together 22 sound poems, including both pioneering and current pieces, and constitutes itself as the first great overview of sound poetry from Peru. It continues a cycle that began in 2009 with the appearance of a CD called Inventar La Voz: Nuevas Tradiciones Orales [To Invent the Voice: New Oral Traditions] and was followed up in 2011 with another one called Irse De Lengua [To Let It Slip], both of which contributed to articulate diverse manifestatio…
Ayahuasca: Musica Para Cine De Luis David Agular 1978-1983
** Edition of 300 ** Ayahuasca: Music for Film, by Luis David Aguilar (1978-1983) compiles works by Luis David Aguilar, one of the most prolific composers of film scores in Peru. It shows the great versatility and avant-garde style that has distinguished his work. Luis David Aguilar (Arequipa, 1950) occupies a fundamental place in the history of film music in Peru, not only because of the prolific nature of his work (which also includes music for television and advertising), but because of the s…