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Reissues

Maria (1995) Medium Of Lights (1996) Assimilation (1999)
A repackaged and remastered 3CD set that compiles three of Diesel Guitar's key 90's works: "Maria" (1995), "Medium of Lights" (1996), and "Assimilation" (1999). "Medium of Lights" and "Assimilation" have always been particularly hard to track down, both having been released in very limited editions. All tracks were remastered by Kiyoharu Kuwayama (Lethe) in 2016. The individual sleeves provide printed reproductions of the original artwork and package design. Limited edition of 200."Maria" (1995)…
In Silence
Fra Lippo Lippi was a gothic post-punk band founded in Nesodden, Norway in 1978. Band members were Rune Kristoffersen (guitar, bass, keyboards, piano) Per Oystein Sorensen (vocals, synthesizer, keyboards), and Morten Sjoberg (drums, keyboards). Their sound was heavily influenced by bands such as Joy Division and The Cure. In 1981 the band recorded and released "In Silence”, a hard to grasp, dark album with ominous bass lines, death-march percussion, pensive keyboards, and sinister, indeciph…
Murrille
A long overdue CD edition of Timo van Luijk’s first full-length album, originally released in 2002 as a small private edition LP on La Scie Dorée (Belgium). "Murrille" features a collection of extraordinary "songs" integrating a palette of acoustic instruments such as glass harmonium, flute, hand percussion, as well as voice with real time synthesis. With a host of bizarre inflections and aural investigations, Van Luijk’s music recalls some of the of the great experimentation of early krautrock,…
Sadly, The Future Is No Longer What It Was Pt.3
For the first time since 2009, the third and final part of Leyland Kirby’s hauntological masterpiece Sadly, The Future Is No Longer What It Was is available on vinyl again. The synthetic lustre of Memories Live Longer Than Dreams already appeared deliciously cracked and damaged the first time around, and in 2017 its phosphorescent glow remains a beacon of shelter for contemplation and secluded mind-drift, offering a surreal, nostalgic night-light to the gloomy and confused world it diagnose…
Alpha Centauri
180g vinyl + picture disc. Second studio album by the infuential music band Tangerine Dream, Alpha Centauri' is the milestone of the psychedelic era. Originally recorded in 1970 at Stommeln's sound-lab Studio Dierks and released via the Ralf-Ulrich Kaiser's Ohr imprint, this album is an extraordinary trip into a dark sonic universe, where the overall quality has little in common with the luminescence recalled by its title. Organ acoustics and fute lean on mesmerising textures, created by e…
Gong Gong est Mort, Vive Gong
Recorded on 28 May 1977 at the Hippodrome in Paris and released the same year via Tapioca Records, Gong Gong est Mort, Vive Gong (Gong is Dead, Long Live Gong)' is the double live album by one of the greatest psychedelic rock band of all time. This one-off show marks the reunion of the group founded ten years before by the legendary Daevid Allen (1938-2015), artist, poet, musician and former visionary co-leader of the seminal Soft Machine band. These 76 minutes include some of the band's high…
Baselines
Bill Laswell is one of the most prolifc, infuential and innovative musicians of the end of the last century: bass player, record producer, label owner, his carrier escapes every classifcation. Starting from the enormous hit Rockit' by Herbie Hancock, Laswell boasts an outstanding artistic portfolio which includes, among the others, collaborations with Johnny Rotten, William Burroughs, Pharoah Sanders, Julian Schnabel, Sly Dunbar, Ryuichi Sakamoto, and Yoko Ono. Baselines' is the artist's de…
Out of Page
Collection of recordings by the Italian sound and concrete poet Arrigo Lora-Totino (1928-2016). His place in the history and development of poetical intermedia is undisputed. This LP holds fourteen voice-based tape works made from the years 1968 to 2000. While there is some use of cut-up tape manipulation, the artistry truly lies in his performance of the sound plays. Multi-tracking is utilized and Arrigo’s nebulous voice paintings splat and click and glide. His bold expression is inspiring to m…
Evangeline
First-time available on vinyl (pressed as a limited CD in 1998), Evangeline finds Connors working in a narrative structure. This album trails the story of Evangeline, the heroine of an epic-poem written in 1847. Loren’s guitar tone follows the weary landscapes and mournful souls of the characters. Thematically Evangeline falls in line with the other romantic Loren Connors LPs Recital as published, Airs and Lullaby, though with a defining arc in direction. Parallel guitar preludes begin this…
The Day The Earth Stood Still
Robert Wise's 1951 The Day The Earth Stood Still is one of the greatest titles of science fiction cinema. The 1950s was the golden age of sci-fi movies, and probably this one is on top of the list, along with Forbidden Planet. One of the coolest points of the movie is the incredibly astonishing soundtrack from outter space provided by master Bernard Herrmann (famous, of course, for his Alfred Hitchcock soundtracks). Composed in July 1951 and recorded in August, Herrmann took advantage of t…
First Moog Quartet
Exact repro reissue of this milestone in live recordings of electronic music, originally released in 1970. Gershom Kingsley had Robert Moog build three more synthesizers just so he could pull this thing off. The Moog Quartet played the first live performance of synthesized music at Carnegie Hall to a confused audience. This record includes a cover of "Eleanor Rigby" and Kingley's own "Miracles," featuring a line-up of children on vocals. Still genuinely removed from normative notions of t…
Arte Marziale
An unreleased before album recorded in 1973 in Rome at the Recording Studios "Sound WorkShop" of Piero Umiliani, and a stand-out Italian Library LP to say the least. The whole record oozes a dreamy, mysterious, surrealist atmosphere enhaced by the vivid instrumentation that open a series of mesmerising pieces which range from the gentle to the hypnotic. Eastern sounds, ritual horns and assorted metal banging and scrapping add to the whole mix for a landmark sound that will evolve in  delirious a…
Riflessi
Limited clear vinyl, edition of 100. Soave present the first vinyl reissue of Riccardo Sinigaglia's Riflessi, originally released in 1986. Riccardo Sinigaglia, along with Gabin Dabiré and Walter Maioli, was a part of Futuro Antico -- one of the most important collaborations to emerge from the 1970s and '80s Italian avant-garde. The project, whose name literally translates to "ancient future", joined traditional sounds and instrumental from around world, with electronic music -- the sonic past…
Mauthausen Orchestra 1982
Limited edition of 100 numbered copies. Paste on cover. Cover image is the original design used by Broken Flag. White label translucent orange vinyl. Included is an A4 insert with the cover design and a smaller insert with the release notes. This re-issue was fully authorized by Pierpaolo Zoppo. Mauthausen Orchestra wass a musical group founded by Pierpaolo Zoppo, Italian noise musician of the early industrial and power electronics school from the 1980s. Along with Maurizio Bianchi he was one of…
Ethiopian Urban And Tribal Music: Mindanoo Mistiru/Gold From Wax
Double LP version. Includes color insert. Sub Rosa present a reissue of volume one (Mindanoo Mistiru) and two (Gold From Wax) of Ethiopian Urban And Tribal Music, both originally released as two distinct LPs on Lyrichord in 1972. Mindanoo Mistiru and Gold From Wax were recorded by Ragnar Johnson. Ethiopia contains many diverse peoples and many styles of music. It was still an empire in July and August of 1971 when these recordings were made. Over 70 languages and 200 dialects are spoken in Et…
Nobody Can Live Forever
In the early 1970′s, Brazilian popular music was approaching a high water mark of creativity and popularity. Artists like Elis Regina, Chico Buarque and Milton Nascimento were delivering top-shelf Brazilian pop, while tropicalists Caetano Veloso, Gilberto Gil and Os Mutantes (see World Psychedelic Classics 1) were entertaining the college set with avant-garde fuzz-pop poetry. Enter Tim Maia with a massive cannonball into the pool. It was the only dive Tim knew. Standing just 5’7 (6′ with the Afr…
Landed
If you got a quid for each time Can were referenced as influencing a given band or artist, we'd have taken the Bank Of England down years ago. Remastered to a clarity that will come as a shock to those who've been suffering the original cd releases, 1975's 'Landed' is notable for marking the return to Can's debut line-up (barring Malcolm Mooney of course), following the love-sick Damo Suzuki's departure. Their 7th full-length release, 'Landed' also saw the band getting their mitts on a 16 track …
Future Days
** Recent repress. Comes in embossed sleeve with printed inner sleeve, pressed on heavyweight vinyl. Includes code for free mp3 download of this album** An uneasy truce had been thrashed out by the warring factions of Can by the time they came to record 'Future Days' in 1972, yet it is the underlying musical tension that makes this album such a thrilling part of their cannon... With Damo Suzuki's ethereal vocals continuously juxtaposed by Michael Karoli's fraught guitars and Holger Czulkay's inv…
Flow Motion
The second of Can's three Virgin albums, 1976's Flow Motion, is a divisive record in the group's canon. It was their most commercially successful album (the opening track, "I Want More," was released as a single in the U.K. and actually charted, thanks to its smoothly percolating near-disco groove, which makes it resemble a late-period Roxy Music hit), but many fans dismiss it as the group's feint toward commercial success. That fluke hit aside, the charge doesn't really hold water. There's a ne…
Saw Delight
1977's Saw Delight is the German progressive group's farewell. Percussionist Reebop Kwaku Baah and bassist Rosko Gee from a late-era lineup of Traffic to add a sort of Afro-Cuban jazz feel to their sound. Similarly, Rosko Gee's handling of the bass duties (which he performs superbly throughout, adding an almost Mingus-like rhythmic intensity to even the loosest songs) frees Holger Czukay to add electronics and sound effects to the proceedings. The opening "Don't Say No" recalls the controlled fu…