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*2026 stock* This album is the second release by saxophonist Sachi Hayasaka, following her debut album Free Fight. Most of the music was recorded in Tokyo with members of Stir Up!, capturing the raw energy and spirit of the group. Two additional tracks were recorded in New York at Baby Monster Studio, featuring special guest trumpeter Wadada Leo Smith. These sessions added another dimension to the album, making it an especially rich and memorable work.
The album was produced entirely by Sachi an…
*2026 stock* A live document from one of the towering figures in Japanese jazz history. By the early seventies Terumasa Hino had established himself as Japan's most internationally fluent trumpeter, a player whose vocabulary moved easily between Lee Morgan-era hard bop, Miles-influenced modal abstraction, and the harder edges of Coltrane-era extended playing. Live! catches his quintet in concert, working through original material at the high temperature his groups were known for: long forms, fie…
*2026 stock* A double-set capturing Bingo Miki's Inner Galaxy Orchestra in live performance at Montreux, and one of the more ambitious large-ensemble documents in the entire Three Blind Mice catalogue. Miki spent his career writing for big bands at the edge of mainstream Japanese jazz, blending orchestral architecture with modal, spiritual and free-leaning impulses, and the Inner Galaxy Orchestra was his most expansive vehicle. The Montreux performance shows the ensemble at full stretch: long-fo…
The very first record released on Three Blind Mice, a debut for both label and bandleader. Recorded in Tokyo in August 1970, Mine announces the saxophonist Kosuke Mine and sets out, in advance, the editorial stance the label would hold for the next two decades: serious post-bop with European clarity, Coltrane-era heat, and a particularly Japanese sense of restraint that lets the most intense solos hold their shape. Mine's quintet pairs his alto and soprano with trombone, the great Hideo Ichikawa…