One Arm Bandits
"One Arm Bandits is an hour-long piece in four parts, scored for four cellists. The cellists play only open strings, thus using only their right arms, never fingering the strings with the left hand. Recorded in Alvin Lucier's dining room, this work features cellists Tyler J. Borden, Laura Cetilia, Charles Curtis and Judith Hamann. Lucier oversaw and produced the recording, and approved the final takes. One Arm Bandits was an important project for Alvin Lucier. The idea for the piece goes back to…
Sound Plantings
Jonas Gerigk is a double bass player who is active as a composer/performer in the fields of improvised music. In addition, he collaborates in projects of contemporary composers and is involved in the realization of their works. A main focus of his work deals with the term Explorative Music. He is doing intensive research on the expansion of the sound spectrum of the acoustic double bass. With a physical as well as technical approach and the use of objects he explores the variety of timbres of hi…
Echo Stane
Nine solos for Hardanger fiddle that trace a fascinating journey between tradition and experimentation, composed and performed by Sarah-Jane Summers, a virtuosic Scottish musician based in Norway. With Echo Stane, Summers employs the Hardanger fiddle – the national instrument of her adopted country – as a bridge across the North Sea, connecting the musical heritage of the Scottish Highlands with Norwegian folk traditions while pushing both toward the avant-garde.
Summers grew up in rural Inverne…
becoming in shadows ~ of being touched
It's hard to parse exactly what you're listening to when you immerse yourself in Jason Doell's new recording, Becoming In Shadows ~ Of Being Touched. The old adage about never judging a book by its cover may often hold true but somehow Xuan Ye's beautiful design speaks volumes about both the sonics and structure of this bewildering document by the Toronto-based composer and sound artist. Though the imagery is blatantly computer-generated, it's rife with references to vegetation, bones, water, an…
Haizetxe
*300 copies limited edition* Timeless minimalist approach to composition braced by repetition and playfulness. Alberto Lizarralde’s music reflects calm, focus and intimacy. Ethereal and atmospheric, his pieces operate within the digital as well as the analogue realm in equal measures. Sampling, Midi sequencing and field recordings are the instrumentation used in these 15 songs recorded on a four track reel to reel tape. Highest possible recommendation for fans of Suso Saiz, Jon Hassell, Eno or H…
Was ficht dich an?
impakt Records presents the new record by Huhn | Schönegg | Mahnig "Was ficht dich an?" with Leonhard Huhn (alto saxophone), Stefan Schönegg (double bass) and Dominik Mahnig (drums).
plays Herzog | Muche | Nillesen
impakt Records presents the new record by T.ON "plays Herzog | Muche | Nillesen" with Constantin Herzog (double bass), Matthias Muche (trombone) and Etienne Nillesen (extended snare drum).
2 compositions by Frank Gratkowski
Fo[u]r Alto is the quadrupling of the alto saxophone as a unified body of sound. Since the ensemble was founded in 2008, the four Berlin saxophonists Frank Gratkowski, Christian Weidner, Leonhard Huhn (until 2018 Benjamin Weidekamp) and Florian Bergmann have found an unmistakable sound language characterised by artistic uncompromisingness and continuous musical research. In autumn 2012, they released their first CD "4 compositions by Frank Gratkowski" on the English label Leo Records. Now follow…
Quaderno Di Strada
"Sciarrino is an important, and distinctive, figure in the Italian avant-garde. The present work is a setting of thirteen brief texts (its subtitle is ’12 canti e un proverbio’, twelve songs and a proverb) for baritone and 14 instrumentalists – the booklet notes say fifteen, but only fourteen are named. It puts before its hearer fragmentary, skittering sounds, sudden changes of dynamics, as sounds loom out of silence and disappear just as quickly. There are fluttery, fugitive sounds, repetitive …
Natural World
Natural World by Laurence Crane offers an expansive and quietly subversive study in sonic ecology, blending piano, soprano, and field recordings. Written for Juliet Fraser and Mark Knoop, the piece unfolds over three movements, combining encyclopedic texts, birdsong, and elemental musical motives in a measured fifty-five-minute reflection on beauty and environmental fragility.
Neha
Neha is an album by Adrián Demoč featuring the Slovak Radio Symphony Orchestra and Ostrava New Orchestra. Each work extends beyond twenty-five minutes, exploring soft layers of orchestral sound, calmly repeating motifs, and silences that articulate the music’s emotional contour. The pieces are defined by their meditative atmosphere and gradual, unforced transformations.
Sound Pieces
Sound Pieces is a collection from Pauline Oliveros performed by Apartment House. The album spans seven works from 1975 to 1998, comprising both open text scores and a structured seven-movement composition, "Tree/Peace." The ensemble channels Oliveros’ philosophy of deep listening and interpretive openness, delivering performances full of nuance, attentive silence, and subtle interplay.
Ernstalbrecht Stiebler & Tilman Kanitz
Stiebler is one of Germany's most consistent explorers of sustained tones and minimal structures - his work hovers in that magical space between sound and silence. Here paired with Kanitz for an intimate dialogue. Patient, luminous, endlessly rewarding listening. Music that demands - and rewards - your full attention.
Fries
Dietmar Bonnen (b. 1958) is a German composer, pianist and singer whose music moves between the cornerstones of art rock, chamber music, blues, and new music. He has extensively collaborated with a large numbers of musicians in his hometown Cologne as well as internationally.
"Fries" (German for frieze) was previously released on CD on Bonnen's own label Obst Music and is presented here on vinyl for the first time. Bonnen states that the piece's structure is "visually inspired by the wall frieze…
Pruebas de Existencia
Marcos Díaz has been part of Buenos Aires underground for many years, being in projects like Bosques and making solo music under the pseudonym Entidad Animada (animated entity). Under this project, Marcos has explored sounds that involve a mix of feedback/distortion through synthesizers, guitars and drum machines that hint at the influence of Stereolab, Spacemen 3, and mid-nineties shoegaze. However, there are also ambient soundscapes with a slight rubbed of the ritualistic psychedelia of the Po…
The Number Pieces 3: One⁸
Cage’s One8 was composed for cellist Michael Bach, an artist who had a very important place in Cage’s late work. Its duration of 43’30” makes an oblique reference to Cage’s groundbreaking 4’33” (1952). It is constructed of 53 time brackets with single sounds to be played on 1, 2, 3, or 4 strings. These time brackets tell the player when to begin and end each section (each section often containing a single note). Durations, dynamics and bow positions are free. Allan Kozinn had this to say in The …
Alvin Lucier: Navigations
“It is not enough just to play the right notes at the right time in the right way; one must also have the right consciousness. It places the performer in the role of explorer of the interior in order to produce, and being still in order to be active.” — Pauline Oliveros "These words, spoken by Pauline Oliveros, remind us of how fundamental an influence Alvin Lucier has had on the development of new music and its interpretation; they remind us of our role as explorers of sound, and of the irresis…
Four
A new vision of John Cage, via his complete works for string quartet. Spanning forty years of the artist’s activities, these three masterworks illuminate the different stylistic periods in the output of this 20th century icon.
For Saxophones
*In process of stocking. 2023 stock* "As a chamber music ensemble the saxophone quartet has a surprisingly long pedigree. The first work for it was written in 1857, less than twenty years after Adolphe Sax invented it, a Saxophone Quartette Club was founded in New York in 1879, and by 1896 a California Saxophone Quartet was on tour. While the modern saxophone quartet is now most likely to be associated with the jazz tradition, the standard ensemble of soprano, alto, tenor and baritone saxophones…
Brutto, Ignudo
Proudly co-produced with Teriyaki records, this volume is simply Unique!